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You may rise; but oh! be cautious!”

Gerard made no reply.

She laid her hand upon his shoulder—“Gerard!”

No reply.

“Oh, what is this?” she cried, and her hands ran wildly over his face and his bosom. She took him by the shoulders; she shook him; she lifted him; but he escaped from her trembling hands, and fell back, not like a man, but like a body. A great dread fell on her. The lid had been down. She had lain upon it. The men had been some time in the room. With all the strength of frenzy she tore him out of the chest. She bore him in her arms to the window. She dashed the window open. The sweet air came in. She laid him in it and in the moonlight. His face was the colour of ashes; his body was all limp and motionless. She felt his heart. Horror! it was as still as the rest! Horror of horrors! she had stifled him with her own body.

The mind cannot all at once believe so great and sudden and strange a calamity. Gerard, who had got alive into that chest scarce five minutes ago, how could he be dead?

She called him by all the endearing names that heart could think or tongue could frame. She kissed him and fondled him and coaxed him and implored him to speak to her.

No answer to words of love, such as she had never uttered to him before, nor thought she could utter. Then the poor creature, trembling all over, began to say over that ashy face little foolish things that were at once terrible and pitiable.

“Oh, Gerard! I am very sorry you are dead. I am very sorry I have killed you. Forgive me for not letting the men take you; it would have been better than this. Oh, Gerard! I am very, very sorry for what I have done.” Then she began suddenly to rave.

“No! no! such things can't be, or there is no God. It is monstrous. How can my Gerard be dead? How can I have killed my Gerard? I love him. Oh, God! you know how I love him. He does not. I never told him. If he knew my heart, he would speak to me, he would not be so deaf to his poor Margaret. It is all a trick to make me cry out and betray him; but no! I love him too well for that. I'll choke first.” And she seized her own throat, to check her wild desire to scream in her terror and anguish.

“If he would but say one word. Oh, Gerard! don't die without a word. Have mercy on me and scold me, but speak to me: if you are angry with me, scold me! curse me! I deserve it: the idiot that killed the man she loved better than herself. Ah I am a murderess. The worst in all the world. Help! help! I have murdered him. Ah! ah! ah! ah! ah!”

She tore her hair, and uttered shriek after shriek, so wild, so piercing, they fell like a knell upon the ears of Dierich Brower and his men. All started to their feet and looked at one another.





CHAPTER XVI

Martin Wittenhaagen, standing at the foot of the stairs with his arrow drawn nearly to the head and his knife behind him, was struck with amazement to see the men come back without Gerard: he lowered his bow and looked open-mouthed at them. They, for their part, were equally puzzled at the attitude they had caught him in.

“Why, mates, was the old fellow making ready to shoot at us?”

“Stuff!” said Martin, recovering his stolid composure; “I was but trying my new string. There! I'll unstring my bow, if you think that.”

“Humph!” said Dierich suspiciously, “there is something more in you than I understand: put a log on, and let us dry our hides a bit ere we go.”

A blazing fire was soon made, and the men gathered round it, and their clothes and long hair were soon smoking from the cheerful blaze. Then it was that the shrieks were heard in Margaret's room. They all started up, and one of them seized the candle and ran up the steps that led to the bedrooms.

Martin rose hastily too, and being confused by these sudden screams, and apprehending danger from the man's curiosity, tried to prevent him from going there.

At this Dierich threw his arms round him from behind, and called on the others to keep him. The man that had the candle got clear away, and all the rest fell upon Martin, and after a long and fierce struggle, in the course of which they were more than once all rolling on the floor, with Martin in the middle, they succeeded in mastering the old Samson, and binding him hand and foot with a rope they had brought for Gerard.

Martin groaned aloud. He saw the man had made his way to Margaret's room during the struggle, and here was he powerless.

“Ay, grind your teeth, you old rogue,” said Dierich, panting with the struggle. “You shan't use them.”

“It is my belief, mates, that our lives were scarce safe while this old fellow's bones were free.”

“He makes me think this Gerard is not far off,” put in another.

“No such luck,” replied Dierich. “Hallo, mates. Jorian Ketel is a long time in that girl's bedroom. Best go and see after him, some of us.”

The rude laugh caused by this remark had hardly subsided, when hasty footsteps were heard running along over head.

“Oh, here he comes, at last. Well, Jorian, what is to do now up there?”





CHAPTER XVII

Jorian Ketel went straight to Margaret's room, and there, to his infinite surprise, he found the man he had been in search of, pale and motionless, his head in Margaret's lap, and she kneeling over him, mute now, and stricken to stone. Her eyes were dilated yet glazed, and she neither saw the light nor heard the man, nor cared for anything on earth, but the white face in her lap.

Jorian stood awe-struck, the candle shaking in his hand.

“Why, where was he, then, all the time?”

Margaret heeded him not. Jorian went to the empty chest and inspected it. He began to comprehend. The girl's dumb and frozen despair moved him.

“This is a sorry sight,” said he; “it is a black night's work: all for a few skins! Better have gone with us than so. She is past answering me, poor wench. Stop! let us try whether—”

He took down a little round mirror, no bigger than his hand, and put it to Gerard's mouth and nostrils, and held it there. When he withdrew it, it was

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