The Uncommercial Traveller - Charles Dickens (adult books to read TXT) 📗

town, and to appreciate the shepherdess character of the few milkwomen who purvey so little milk that it would be worth nobody's while to adulterate it, if anybody were left to undertake the task. On the crowded sea-shore, the great demand for milk, combined with the strong local temptation of chalk, would betray itself in the lowered quality of the article. In Arcadian London I derive it from the cow.

The Arcadian simplicity of the metropolis altogether, and the primitive ways into which it has fallen in this autumnal Golden Age, make it entirely new to me. Within a few hundred yards of my retreat, is the house of a friend who maintains a most sumptuous butler. I never, until yesterday, saw that butler out of superfine black broadcloth. Until yesterday, I never saw him off duty, never saw him (he is the best of butlers) with the appearance of having any mind for anything but the glory of his master and his master's friends. Yesterday morning, walking in my slippers near the house of which he is the prop and ornament--a house now a waste of shutters--I encountered that butler, also in his slippers, and in a shooting suit of one colour, and in a low-crowned straw-hat, smoking an early cigar. He felt that we had formerly met in another state of existence, and that we were translated into a new sphere. Wisely and well, he passed me without recognition. Under his arm he carried the morning paper, and shortly afterwards I saw him sitting on a rail in the pleasant open landscape of Regent- street, perusing it at his ease under the ripening sun.

My landlord having taken his whole establishment to be salted down, I am waited on by an elderly woman labouring under a chronic sniff, who, at the shadowy hour of half-past nine o'clock of every evening, gives admittance at the street door to a meagre and mouldy old man whom I have never yet seen detached from a flat pint of beer in a pewter pot. The meagre and mouldy old man is her husband, and the pair have a dejected consciousness that they are not justified in appearing on the surface of the earth. They come out of some hole when London empties itself, and go in again when it fills. I saw them arrive on the evening when I myself took possession, and they arrived with the flat pint of beer, and their bed in a bundle. The old man is a weak old man, and appeared to me to get the bed down the kitchen stairs by tumbling down with and upon it. They make their bed in the lowest and remotest corner of the basement, and they smell of bed, and have no possession but bed: unless it be (which I rather infer from an under-current of flavour in them) cheese. I know their name, through the chance of having called the wife's attention, at half-past nine on the second evening of our acquaintance, to the circumstance of there being some one at the house door; when she apologetically explained, 'It's only Mr. Klem.' What becomes of Mr. Klem all day, or when he goes out, or why, is a mystery I cannot penetrate; but at half-past nine he never fails to turn up on the door-step with the flat pint of beer. And the pint of beer, flat as it is, is so much more important than himself, that it always seems to my fancy as if it had found him drivelling in the street and had humanely brought him home. In making his way below, Mr. Klem never goes down the middle of the passage, like another Christian, but shuffles against the wall as if entreating me to take notice that he is occupying as little space as possible in the house; and whenever I come upon him face to face, he backs from me in fascinated confusion. The most extraordinary circumstance I have traced in connexion with this aged couple, is, that there is a Miss Klem, their daughter, apparently ten years older than either of them, who has also a bed and smells of it, and carries it about the earth at dusk and hides it in deserted houses. I came into this piece of knowledge through Mrs. Klem's beseeching me to sanction the sheltering of Miss Klem under that roof for a single night, 'between her takin' care of the upper part in Pall Mall which the family of his back, and a 'ouse in Serjameses-street, which the family of leaves towng ter-morrer.' I gave my gracious consent (having nothing that I know of to do with it), and in the shadowy hours Miss Klem became perceptible on the door-step, wrestling with a bed in a bundle. Where she made it up for the night I cannot positively state, but, I think, in a sink. I know that with the instinct of a reptile or an insect, she stowed it and herself away in deep obscurity. In the Klem family, I have noticed another remarkable gift of nature, and that is a power they possess of converting everything into flue. Such broken victuals as they take by stealth, appear (whatever the nature of the viands) invariably to generate flue; and even the nightly pint of beer, instead of assimilating naturally, strikes me as breaking out in that form, equally on the shabby gown of Mrs. Klem, and the threadbare coat of her husband.

Mrs. Klem has no idea of my name--as to Mr. Klem he has no idea of anything--and only knows me as her good gentleman. Thus, if doubtful whether I am in my room or no, Mrs. Klem taps at the door and says, 'Is my good gentleman here?' Or, if a messenger desiring to see me were consistent with my solitude, she would show him in with 'Here is my good gentleman.' I find this to be a generic custom. For, I meant to have observed before now, that in its Arcadian time all my part of London is indistinctly pervaded by the Klem species. They creep about with beds, and go to bed in miles of deserted houses. They hold no companionship except that sometimes, after dark, two of them will emerge from opposite houses, and meet in the middle of the road as on neutral ground, or will peep from adjoining houses over an interposing barrier of area railings, and compare a few reserved mistrustful notes respecting their good ladies or good gentlemen. This I have discovered in the course of various solitary rambles I have taken Northward from my retirement, along the awful perspectives of Wimpole-street, Harley- street, and similar frowning regions. Their effect would be scarcely distinguishable from that of the primeval forests, but for the Klem stragglers; these may be dimly observed, when the heavy shadows fall, flitting to and fro, putting up the door-chain, taking in the pint of beer, lowering like phantoms at the dark parlour windows, or secretly consorting underground with the dust- bin and the water-cistern.

In the Burlington Arcade, I observe, with peculiar pleasure, a primitive state of manners to have superseded the baneful influences of ultra civilisation. Nothing can surpass the innocence of the ladies' shoe-shops, the artificial-flower repositories, and the head-dress depots. They are in strange hands at this time of year--hands of unaccustomed persons, who are imperfectly acquainted with the prices of the goods, and contemplate them with unsophisticated delight and wonder. The children of these virtuous people exchange familiarities in the Arcade, and temper the asperity of the two tall beadles. Their youthful prattle blends in an unwonted manner with the harmonious shade of the scene, and the general effect is, as of the voices of birds in a grove. In this happy restoration of the golden time, it has been my privilege even to see the bigger beadle's wife. She brought him his dinner in a basin, and he ate it in his arm-chair, and afterwards fell asleep like a satiated child. At Mr. Truefitt's, the excellent hairdresser's, they are learning French to beguile the time; and even the few solitaries left on guard at Mr. Atkinson's, the perfumer's round the corner (generally the most inexorable gentleman in London, and the most scornful of three-and- sixpence), condescend a little, as they drowsily bide or recall their turn for chasing the ebbing Neptune on the ribbed sea-sand. From Messrs. Hunt and Roskell's, the jewellers, all things are absent but the precious stones, and the gold and silver, and the soldierly pensioner at the door with his decorated breast. I might stand night and day for a month to come, in Saville-row, with my tongue out, yet not find a doctor to look at it for love or money. The dentists' instruments are rusting in their drawers, and their horrible cool parlours, where people pretend to read the Every-Day Book and not to be afraid, are doing penance for their grimness in white sheets. The light-weight of shrewd appearance, with one eye always shut up, as if he were eating a sharp gooseberry in all seasons, who usually stands at the gateway of the livery-stables on very little legs under a very large waistcoat, has gone to Doncaster. Of such undesigning aspect is his guileless yard now, with its gravel and scarlet beans, and the yellow Break housed under a glass roof in a corner, that I almost believe I could not be taken in there, if I tried. In the places of business of the great tailors, the cheval-glasses are dim and dusty for lack of being looked into. Ranges of brown paper coat and waistcoat bodies look as funereal as if they were the hatchments of the customers with whose names they are inscribed; the measuring tapes hang idle on the wall; the order-taker, left on the hopeless chance of some one looking in, yawns in the last extremity over the book of patterns, as if he were trying to read that entertaining library. The hotels in Brook-street have no one in them, and the staffs of servants stare disconsolately for next season out of all the windows. The very man who goes about like an erect Turtle, between two boards recommendatory of the Sixteen Shilling Trousers, is aware of himself as a hollow mockery, and eats filberts while he leans his hinder shell against a wall.

Among these tranquillising objects, it is my delight to walk and meditate. Soothed by the repose around me, I wander insensibly to considerable distances, and guide myself back by the stars. Thus, I enjoy the contrast of a few still partially inhabited and busy spots where all the lights are not fled, where all the garlands are not dead, whence all but I have not departed. Then, does it appear to me that in this age three things are clamorously required of Man in the miscellaneous thoroughfares of the metropolis. Firstly, that he have his boots cleaned. Secondly, that he eat a penny ice. Thirdly, that he get himself photographed. Then do I speculate, What have those seam-worn artists been who stand at the photograph doors in Greek caps, sample in hand, and mysteriously salute the public--the female public with a pressing tenderness--to come in and be 'took'? What did they do with their greasy blandishments, before the era of cheap photography? Of what class were their previous victims, and how victimised? And how did they get, and how did they pay for, that large collection of likenesses, all purporting to have been taken inside, with the taking of none