Coningsby - Benjamin Disraeli (web based ebook reader TXT) 📗

it often happens that worthless persons are merely people who are worth nothing.

Lord Monmouth having written to Mr. Rigby of his intention to reside for some months at Coningsby, and having mentioned that he wished a troop of French comedians to be engaged for the summer, Mr. Rigby had immediately consulted Lord Eskdale on the subject, as the best current authority. Thinking this a good opportunity of giving a turn to poor Villebecque, and that it might serve as a capital introduction to their scheme of the London company, Lord Eskdale obtained for him the engagement.

Villebecque and his little troop had now been a month at Coningsby, and had hitherto performed three times a-week. Lord Monmouth was content; his guests much gratified; the company, on the whole, much approved of. It was, indeed, considering its limited numbers, a capital company. There was a young lady who played the old woman's parts, nothing could be more garrulous and venerable; and a lady of maturer years who performed the heroines, gay and graceful as May. Villebecque himself was a celebrity in characters of airy insolence and careless frolic. Their old man, indeed, was rather hard, but handy; could take anything either in the high serious, or the low droll. Their sentimental lover was rather too much bewigged, and spoke too much to the audience, a fault rare with the French; but this hero had a vague idea that he was ultimately destined to run off with a princess.

In this wise, affairs had gone on for a month; very well, but not too well. The enterprising genius of Villebecque, once more a manager, prompted him to action. He felt an itching desire to announce a novelty. He fancied Lord Monmouth had yawned once or twice when the heroine came on. Villebecque wanted to make a _coup._ It was clear that La Petite must sooner or later begin. Could she find a more favourable audience, or a more fitting occasion, than were now offered? True it was she had a great repugnance to come out; but it certainly seemed more to her advantage that she should make her first appearance at a private theatre than at a public one; supported by all the encouraging patronage of Coningsby Castle, than subjected to all the cynical criticism of the stalls of St. James'.

These views and various considerations were urged and represented by Villebecque to La Petite, with all the practised powers of plausibility of which so much experience as a manager had made him master. La Petite looked infinitely distressed, but yielded, as she ever did. And the night of Coningsby's arrival at the Castle was to witness in its private theatre the first appearance of MADEMOISELLE FLORA.


CHAPTER VIII.

The guests re-assembled in the great saloon before they repaired to the theatre. A lady on the arm of the Russian Prince bestowed on Coningsby a haughty, but not ungracious bow; which he returned, unconscious of the person to whom he bent. She was, however, a striking person; not beautiful, her face, indeed, at the first glance was almost repulsive, yet it ever attracted a second gaze. A remarkable pallor distinguished her; her features had neither regularity nor expression; neither were her eyes fine; but her brow impressed you with an idea of power of no ordinary character or capacity. Her figure was as fine and commanding as her face was void of charm. Juno, in the full bloom of her immortality, could have presented nothing more majestic. Coningsby watched her as she swept along like a resistless Fate.

Servants now went round and presented to each of the guests a billet of the performance. It announced in striking characters the _debut_ of Mademoiselle Flora. A principal servant, bearing branch lights, came forward and bowed to the Marquess. Lord Monmouth went immediately to the Grand-duke, and notified to his Imperial Highness that the comedy was ready. The Grand-duke offered his arm to the Ambassadress; the rest were following; Coningsby was called; Madame Colonna wished him to be her beau.

It was a pretty theatre; had been rapidly rubbed up and renovated here and there; the painting just touched; a little gilding on a cornice. There were no boxes, but the ground-floor, which gradually ascended, was carpeted and covered with arm-chairs, and the back of the theatre with a new and rich curtain of green velvet.

They are all seated; a great artist performs on the violin, accompanied by another great artist on the piano. The lights rise; somebody evidently crosses the stage behind the curtain. They are disposing the scene. In a moment the curtain will rise also.

'Have you seen Lucretia?' said the Princess to Coningsby. 'She is so anxious to resume her acquaintance with you.'

But before he could answer the bell rang, and the curtain rose.

The old man, who had a droll part to-night, came forward and maintained a conversation with his housekeeper; not bad. The young woman who played the grave matron performed with great finish. She was a favourite, and was ever applauded. The second scene came; a saloon tastefully furnished; a table with flowers, arranged with grace; birds in cages, a lap-dog on a cushion; some books. The audience were pleased; especially the ladies; they like to recognise signs of _bon ton_ in the details of the scene. A rather awful pause, and Mademoiselle Flora enters. She was greeted with even vehement approbation. Her agitation is extreme; she curtseys and bows her head, as if to hide her face. The face was pleasing, and pretty enough, soft and engaging. Her figure slight and rather graceful. Nothing could be more perfect than her costume; purely white, but the fashion consummate; a single rose her only ornament. All admitted that her hair was arranged to admiration.

At length she spoke; her voice trembled, but she had a good elocution, though her organ wanted force. The gentlemen looked at each other, and nodded approbation. There was something so unobtrusive in her mien, that she instantly became a favourite with the ladies. The scene was not long, but it was successful.

Flora did not appear in the next scene. In the fourth and final one of the act, she had to make a grand display. It was a love-scene, and rather of an impassioned character; Villebecque was her suitor. He entered first on the stage. Never had he looked so well, or performed with more spirit. You would not have given him five-and-twenty years; he seemed redolent of youth. His dress, too, was admirable. He had studied the most distinguished of his audience for the occasion, and had outdone them all. The fact is, he had been assisted a little by a great connoisseur, a celebrated French nobleman, Count D'O----y, who had been one of the guests. The thing was perfect; and Lord Monmouth took a pinch of snuff, and tapped approbation on the top of his box.

Flora now re-appeared, received with renewed approbation. It did not seem, however, that in the interval she had gained courage; she looked agitated. She spoke, she proceeded with her part; it became impassioned. She had to speak of her feelings; to tell the secrets of her heart; to confess that she loved another; her emotion was exquisitely performed, the mournful tenderness of her tones thrilling. There was, throughout the audience, a dead silence; all were absorbed in their admiration of the unrivalled artist; all felt a new genius had visited the stage; but while they were fascinated by the actress, the woman was in torture. The emotion was the disturbance of her own soul; the mournful tenderness of her tones thrilled from the heart: suddenly she clasped her hands with all the exhaustion of woe; an expression of agony flitted over her countenance; and she burst into tears. Villebecque rushed forward, and carried, rather than led, her from the stage; the audience looking at each other, some of them suspecting that this movement was a part of the scene.

'She has talent,' said Lord Monmouth to the Russian Ambassadress, 'but wants practice. Villebecque should send her for a time to the provinces.'

At length M. Villebecque came forward to express his deep regret that the sudden and severe indisposition of Mlle. Flora rendered it impossible for the company to proceed with the piece; but that the curtain would descend to rise again for the second and last piece announced.

All this accordingly took place. The experienced performer who acted the heroines now came forward and disported most jocundly. The failure of Flora had given fresh animation to her perpetual liveliness. She seemed the very soul of elegant frolic. In the last scene she figured in male attire; and in air, fashion, and youth, beat Villebecque out of the field. She looked younger than Coningsby when he went up to his grandpapa.

The comedy was over, the curtain fell; the audience, much amused, chattered brilliant criticism, and quitted the theatre to repair to the saloon, where they were to be diverted tonight with Russian dances. Nobody thought of the unhappy Flora; not a single message to console her in her grief, to compliment her on what she had done, to encourage her future. And yet it was a season for a word of kindness; so, at least, thought one of the audience, as he lingered behind the hurrying crowd, absorbed in their coming amusements.

Coningsby had sat very near the stage; he had observed, with great advantage and attention, the countenance and movements of Flora from the beginning. He was fully persuaded that her woe was genuine and profound. He had felt his eyes moist when she wept. He recoiled from the cruelty and the callousness that, without the slightest symptom of sympathy, could leave a young girl who had been labouring for their amusement, and who was suffering for her trial.

He got on the stage, ran behind the scenes, and asked for Mlle. Flora. They pointed to a door; he requested permission to enter. Flora was sitting at a table, with her face resting on her hands. Villebecque was there, resting on the edge of the tall fender, and still in the dress in which he had performed in the last piece.

'I took the liberty,' said Coningsby, 'of inquiring after Mlle. Flora;' and then advancing to her, who had raised her head, he added, 'I am sure my grandfather must feel much indebted to you, Mademoiselle, for making such exertions when you were suffering under so much indisposition.'

'This is very amiable of you, sir,' said the young lady, looking at him with earnestness.

'Mademoiselle has too much sensibility,' said Villebecque, making an observation by way of diversion.

'And yet that must be the soul of fine acting,' said Coningsby; 'I look forward, all look forward, with great interest to the next occasion on which you will favour us.'

'Never!' said La Petite, in a plaintive tone; 'oh, I hope, never!'

'Mademoiselle is not aware at this moment,' said Coningsby, 'how much her talent is appreciated. I assure you, sir,' he added, turning to Villebecque, 'I heard but one opinion, but one expression of gratification at her feeling and her fine taste.'

'The talent is hereditary,' said Villebecque.

'Indeed you have reason to say so,' said Coningsby.

'Pardon; I was not thinking of myself. My child reminded me so much of another this evening. But that is nothing. I am glad you are here, sir, to reassure Mademoiselle.'

'I came only to congratulate her, and to lament, for our sakes as well as her own, her indisposition.'

'It is not indisposition,' said La Petite, in a low tone, with her eyes cast down.

'Mademoiselle cannot overcome the nervousness incidental to a first appearance,' said Villebecque.