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off in the silent darkness.

It seems to me a curious little incident--this passing of four singers in the night; it might have seemed as if our travelers, by a kind of chance, were allowed to overhear the affairs of a world other than their own--and the more curious because Frank seems to have been so much absorbed by it. Of course, from a practical point of view, it is almost painfully obvious what is the explanation. It must have been a quartette from the cathedral choir, returning from some festivity in the suburbs; and it must have happened that they followed the same route, though walking on the grass, along which Frank himself had come that evening.


(II)

The second incident is even more ordinary, and once again I must declare that nothing would have induced me to incorporate it into this story had it not appeared, described very minutely in the sort of log-book into which Frank's diary occasionally degenerates.

They were within a very few miles of the outskirts of London, and December had succeeded November. They had had a day or two of work upon some farm or other. (I have not been able to identify the place), and had run into, and, indeed, exchanged remarks with two or three groups of tramps also London bound.

They were given temporary lodgings in a loft over a stable, by the farmer for whom they worked, and this stable was situated in a court at the end of the village street, with gates that stood open all day, since the yard was overlooked by the windows of the farmer's living-house--and, besides, there was really nothing to steal.

They had finished their work in the fields (I think it had to do with the sheep and mangel-wurzels, or something of the kind); they had returned to their lodgings, received their pay, packed up their belongings, and had already reached the further end of the village on their way to London, when Frank discovered that he had left a pair of socks behind. This would never do: socks cost money, and their absence meant sore feet and weariness; so he told the Major and Gertie to walk on slowly while he went back. He would catch them up, he said, before they had gone half a mile. He hid his bundle under a hedge--every pound of weight made a difference at the end of a day's work--and set off.

It was just at that moment between day and night--between four and five o'clock--as he came back into the yard. He went straight through the open gates, glancing about, to explain matters to the farmer if necessary, but, not seeing him, went up the rickety stairs, groped his way across to the window, took down his socks from the nail an which he had hung them last night, and came down again.

As he came into the yard, he thought he heard something stirring within the open door of the stable on his right, and thinking it to be the farmer, and that an explanation would be advisable, looked in.

At first he saw nothing, though he could hear a horse moving about in the loose-box in the corner. Then he saw a light shine beneath the crack of the second door, beside the loose-box, that led into the farm-yard proper; and the next instant the door opened, a man came in with a lantern obviously just lighted, as the flame was not yet burned up, and stopped with a half-frightened look on seeing Frank. But he said nothing.

Frank himself was just on the point of giving an explanation when he, too, stopped dead and stared. It seemed to him that he had been here before, under exactly the same circumstances; he tried to remember what happened next, but he could not....

For this was what he saw as the flame burned up more brightly.

The man who held the lantern and looked at him in silence with a half-deprecating air was a middle-aged man, bearded and bare-headed. He had thrown over his shoulders a piece of sacking, that hung from him almost like a robe. The light that he carried threw heavy wavering shadows about the stable, and Frank noticed the great head of a cart-horse in the loose-box peering through the bars, as if to inquire what the company wanted. Then, still without speaking, Frank let his eyes rove round, and they stopped suddenly at the sight of yet one more living being in the stable. Next to the loose-box was a stall, empty except for one occupant; for there, sitting on a box with her back to the manger and one arm flung along it to support her weight, was the figure of a girl. Her head, wrapped in an old shawl, leaned back against her arm, and a very white and weary face, absolutely motionless, looked at him. She had great eyes, with shadows beneath, and her lips were half opened. By her side lay a regular tramp's bundle.

Frank looked at her steadily a moment, then he looked back at the man, who still had not moved or spoken. The draught from the door behind blew in and shook the flame of his lantern, and the horse sighed long and loud in the shadows behind. Once more Frank glanced at the girl; she had lowered her arm from the manger and now sat looking at him, it seemed, with a curious intentness and expectancy.

There was nothing to be said. Frank bowed a little, almost apologetically, and went out.

Now that was absolutely all that happened. Frank says so expressly in his diary. He did not speak to them, nor they to him; nor was any explanation given on either side. He went out across the yard in silence, seeing nothing of the farmer, but hearing a piano begin to play beyond the brightly lighted windows, of which he could catch a glimpse over the low wall separating the yard from the garden. He walked quickly up the village street and caught up his companions, as he had said, less than half a mile further on. He said nothing to them of his experience--indeed, what was there to say?--but he must have written it down that same night when they reached their next lodging, and written it down, too, with that minuteness of detail which surprised me so much when I first read it.

* * * * *


For the explanation of the whole thing is as foolishly obvious as was that of the singing that the three had heard in the suburbs of Peterborough. Obviously a couple of tramps had turned into this stable for shelter. Perhaps the girl was the man's daughter; perhaps his wife; perhaps neither. Plainly they had no right there--and that would explain the embarrassed silence of the two: they knew they were trespassing, and feared to be turned away. Perhaps already they had been turned away from the village inn. But the girl was obviously tired out, and the man had determined to risk it.

That, then, was the whole affair--commonplace, and even a little sordid. And yet Frank thought that it was worth writing down!


CHAPTER VI

_An extract, taken by permission, from a few pages of Frank Guiseley's diary. These pages were written with the encouragement of Dom Hildebrand Maple, O.S.B., and were sent to him later at his own request._

"... He told me a great many things that surprised me. For instance, he seemed to know all about certain ideas that I had had, before I told him of them, and said that I was not responsible, and he picked out one or two other things that I had said, and told me that these were much more serious....

"I went to confession to him on Friday morning, in the church. He did not say a great deal then, but he asked if I would care to talk to him afterwards. I said I would, and went to him in the parlor after dinner. The first thing that happened was that he asked me to tell him as plainly as I could anything that had happened to me--in my soul, I mean--since I had left Cambridge. So I tried to describe it.

"I said that at first things went pretty well in my soul, and that it was only bodily things that troubled me--getting fearfully tired and stiff, being uncomfortable, the food, the sleeping, and so on. Then, as soon as this wore off I met the Major and Gertie. I was rather afraid of saying all that I felt about these; but he made me, and I told him how extraordinarily I seemed to hate them sometimes, how I felt almost sick now and then when the Major talked to me and told me stories.... The thing that seemed to torment me most during this time was the contrast between Cambridge and Merefield and the people there, and the company of this pair; and the only relief was that I knew I _could_, as a matter of fact, chuck them whenever I wanted and go home again. But this relief was taken away from me as soon as I understood that I had to keep with them, and do my best somehow to separate them. Of course, I must get Gertie back to her people some time, and till that's done it's no good thinking about anything else.

"After a while, however--I think it was just before I got into trouble with the police--I began to see that I was a conceited ass for hating the Major so much. It was absurd for me, I said, to put on airs, when the difference between him and me was just that he had been brought up in one way and I in another. I hated the things he did and said, not because they were wrong, but because they were what I called 'bad form.' That was really the whole thing. Then I saw a lot more, and it made me feel miserable. I used to think that it was rather good of me to be kind to animals and children, but I began to see that it was simply the way I was made: it wasn't any effort to me. I simply 'saw red' when I came across cruelty. And I saw that that was no good.

"Then I began to see that I had done absolutely nothing of any good whatever--that nothing had _really_ cost me anything; and that the things I was proud of were simply self-will--my leaving Cambridge, and all the rest. They were theatrical, or romantic, or egotistical; there was no real sacrifice. I should have minded much more not doing them. I began to feel extraordinarily small.

"Then the whole series of things began that simply smashed me up.

"First there was the prison business. That came about in this way:

"I had just begun to see that I was all wrong with the Major--that by giving way to my feelings about him (I don't mean that I ever showed it, but that was only because I thought it more dignified not to!), I was getting all wrong with regard to both him and myself, and that I must do something that my whole soul hated if it was to be of any use. Then there came that minute in the barn, when I heard the police were after us, and that there was really no hope of escape. The particular thing that settled me was
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