Ardath - Marie Corelli (love story novels in english .txt) 📗

those who, like yourselves obey the creed of sweet self indulgence, … the world-wide creed wherein men find no fault, no shadow of inconsistency! The truest wisdom is to enjoy,—the only philosophy that which teaches us how best to gratify our own desires! Delight cannot satiate the soul, nor mirth engender weariness! Follow me!—”

and with a lithe movement she swept toward the door, her pet tigress creeping closely after her; then suddenly looking back she darted a lustiously caressing glance over her shoulder at Sahluma and stretched out her hand. He at once caught it in his own and kissed it with an almost brusque eagerness.

 

“I thought you had forgotten me!” he murmured in a vexed, half-reproachful tone.

 

“Forgotten you? Forgotten Sahluma? Impossible!” and her silvery laughter shook the air into little throbs of music. “When the greatest poet of the age is forgotten, then fall Al-Kyris! … for there shall be no more need of kingdoms!”

 

Laughing still and allowing her hand to remain in his, she passed out of the pavilion, and Theos followed them both as a man might follow the beckoning sylphs in a fairy dream.

 

A mellow, luminous, witch-like radiance seemed to surround them as they went—two dazzling figures gliding on before him with the slow, light grace of moonbeams flitting over a smooth ocean. They seemed made for each other, … he could not separate them in his thoughts; but the strangest part of the matter was the feeling he had, that he himself somehow belonged to them and they to him. His ideas on the subject, however, were very indefinite; he was in a condition of more or less absolute passiveness, save when strong shudders of grief, memory, remorse or roused passion shook him with sudden force like a storm blast shaking some melancholy cypress whose roots are in the grave. He mused on Lysia’s scornful words with a perplexed pain. Was he then so selfish? “The one great absolute ‘I’ scrawled on the face of Nature!” Could that apply to him? Surely not! since in his present state of mind he could hardly lay claim to any distinct personality, seeing that that personality was forever merging itself and getting lost in the more clearly perfect identity of Sahluma, whom he regarded with a species of profound hero-worship such as one man seldom feels for another. To call himself a Poet NOW seemed the acme of absurdity; how should such an one as he attempt to conquer fame with a rival like Sahluma already in the field and already supremely victorious?

 

Full of these fancies, he scarcely heeded the wonders through which he passed, as he followed his two radiant guides along. His eyes were tired, and rested almost indifferently on the magnificence that everywhere surrounded him, though here and there certain objects attracted his attention as being curiously familiar. These lofty corridors, gorgeously frescoed, . . these splendid groups of statuary, . . these palm-shaded nooks of verdure where imprisoned nightingales warbled plaintive songs that were all the sweeter for their sadness, … these spacious marble loggias cooled by the rising and falling spray of myriad fountains—did he not dimly recognize all these things? He thought so, yet was not sure,—for he had arrived at a pass when he could neither rely on his reason nor his memory. Naught of deeper humiliation could he have than this, to feel within himself that he was still AN INTELLECTUAL, THINKING, SENTIENT HUMAN BEING, and that yet at the same time, his INTELLIGENCE COULD DO NOTHING TO

EXTRICATE HIM from the terrific mystery which had engulfed him like a huge flood, and wherein he was now tossed to and fro as helplessly as a floating straw.

 

On, still on he went, treading closely in Sahluma’s footsteps and wistfully noting how often the myrtle-garlanded head of his friend drooped caressingly toward Lysia’s dusky perfumed locks, whence those jewelled serpents’ fangs darted flashingly upward like light from darkness. On, still on, till at last he found himself in a grand vestibule, built entirely of sparkling red granite. Here were ten sphinxes, so huge in form that a dozen men might have lounged at ease on each one of their enormous paws; they were ranged in rows of five on each side, and their coldly meditative eyes appeared to dwell steadfastly on the polished face of a large black Disc placed conspicuously on a pedestal in the exact centre of the pavement. Strange letters shone from time to time on this ebony tablet, . . letters that seemed to be written in quicksilver; they glittered for a second, then ran off like phosphorescent drops of water, and again reappeared, but the same signs were never repeated twice over. All were different, . . all were rapid in their coming and going as flashes of lightning. Lysia, approaching the Disc, turned it slightly; at her touch it revolved like a flying wheel, and for a brief space was literally covered with mysterious characters, which the beautiful Priestess perused with an apparent air of satisfaction. All at once the fiery writing vanished, the Disc was left black and bare,—and then a silver ball fell suddenly upon it, with a clang, from some unseen height, and rolling off again instantly disappeared. At the same moment a harsh voice, rising as it were from the deepest underground, chanted the following words in a monotonous recitative: “Fall, O thou lost Hour, into the dreadful Past! Sink, O thou Pearl of Time, into the dark and fathomless abyss! Not all the glory of kings or the wealth of empires can purchase thee back again! Not all the strength of warriors or the wisdom of sages can draw thee forth from the Abode of Silence whither thou art fled!

Farewell, lost Hour!—and may the gods defend us from thy reproach at the Day of Doom! In the name of the Sun and Nagaya, … Peace!”

 

The voice died away in a muffled echo, and the slow, solemn boom of a brazen-tongued bell struck midnight. Then Theos, raising his eyes, saw that all further progress was impeded by a great wall of solid rock that glistened at every point with flashes of pale and dark violet light—a wall composed entirely of adamantine spar, crusted thick with the rough growth of oriental amethyst. It rose sheer up from the ground to an altitude of about a hundred feet, and apparently closed in and completed the vestibule.

 

Surely there was no passing through such a barrier as this? … he thought wonderingly; nevertheless Lysia and Sahluma still went on, and he—as perforce he was compelled—still followed. Arrived at the foot of the huge erection that towered above him like a steep cliff of molten gems, he fancied he heard a faint sound behind it as of clinking glasses and boisterous laughter, but before he had time to consider what this might mean, Lysia laid her hand lightly on a small, protruding knob of crystal, pressed it, and lo! … the whole massive structure yawned open suddenly without any noise, suspending itself as it were in sparkling festoons of purple stalactites over the voluptuously magnificent scene disclosed.

 

At first it was difficult to discern more than a gorgeous maze of swaying light and color as though a great field of tulips in full bloom should be seen waving to and fro in the breath of a soft wind; but gradually this bewildering dazzle of gold and green, violet and crimson, resolved itself into definite form and substance; and Theos, standing beside his two companions on the elevated threshold of the partition through which they had entered, was able to look down and survey with tolerable composure the wondrous details of the glittering picture—a picture that looked like a fairy-fantasy poised in a haze of jewel-like radiance as of vaporized sapphire.

 

He saw beneath him a vast circular hall or amphitheatre, roofed in by a lofty dome of richest malachite, from the centre of which was suspended a huge globe of fire, that revolved with incredible swiftness, flinging vivid, blood-red rays on the amber-colored silken carpets and embroideries that strewed the floor below. The dome was supported by rows upon rows of tall, tapering crystal columns, clear as translucent water and green as the grass in spring, . . and between and beyond these columns on the left-hand side there were large, oval-shaped casements set wide open to the night, through which the gleam of a broad lake laden with water-lilies could be seen shimmering in the yellow moon. The middle of the hall was occupied by a round table covered with draperies of gold, white, and green, and heaped with all the costly accessories of a sumptuous banquet such as might have been spread before the gods of Olympus in the full height of their legendary prime. Here were the lovely hues of heaped-up fruit,—the tender bloom of scattered flowers,—the glisten of jewelled flagons and goblets, the flash of massive golden dishes carried aloft by black slaves attired in white and crimson,—the red glow of poured-out wine; and here, in the drowsy warmth, lounging on divans of velvet and embroidered satin, eating, drinking, idly gossiping, loudly laughing, and occasionally bursting into wild snatches of song, were a company of brilliant-looking personages,—all men, all young, all handsome, all richly clad, and all evidently bent on enjoying the pleasures offered by the immediate hour. Suddenly, however, their noisy voices ceased—with one accord, as though drawn by some magnetic spell, they all turned their heads toward the platform where Lysia had just silently made her appearance,—

and springing from their seats they broke into a boisterous shout of acclamation and welcome. One young man whose flushed face had all the joyous, wanton, effeminate beauty of a pictured Dionysius, reeled forward, goblet in hand, and tossing the wine in air so that it splashed down again at his feet, staining his white garments as it fell with a stain as of blood, he cried, tipsily: “All hail, Lysia! Where hast thou wandered so long, thou Goddess of Morn? We have been lost in the blackness of night, sunk in the depths of a hell-like gloom—but lo! now the clouds have broken in the east, and our hearts rejoice at the birth of day! Vanish, dull moon, and be ashamed! … for a fairer planet rules the sky!

Hence, ye stars! … puny glow-worms lazily crawling in the fields of ether! Lysia invests the heaven and earth, and in her smile we live! Ha! art thou there, Sahluma? Come, praise me for my improvised lovelines; they are as good as thine, I warrant thee!

Canst compose when thou art drunk, my dainty Laureate? Drain a cup then, and string me a stanza! Where is thy fool Zebastes? I would fain tickle his long ears with ribald rhyme, and hearken to the barbarous braying forth of his asinine reflections! Lysia! what, Lysia! … dost thou frown at me? Frown not, sweet queen, but rather laugh! … thy laughter kills, ‘tis true, but thy frown doth torture spirits after death! Unbend thy brows! Night looms between them like a chaos! … we will have no more night, I say, but only noon! … a long, languorous, lovely noon, flower-girdled and sunbeam-clad!

 

“‘With roses, roses, roses crown my head, For my days are few! And remember, sweet, when I am dead, That my heart was true!’”

 

Singing unsteadily, with the empty goblet upside-down in his hand, he looked up laughing,—his bright eyes flashing with a wild feverish fire, his fair hair tossed back from his brows and entangled in a half-crushed wreath of vine-leaves,—his rich garments disordered, his whole demeanor that of one possessed by a semi-delirium of sensuous pleasure…when all at once, meeting Lysia’s keen glance, he started as though he had been suddenly stabbed,—the goblet fell from his clasp, and a