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the essential childishness of our "official business" as contrasted with the substantial solidity of our developing literature. Possibly the plan of Mr. Campbell, as experimentally tried during the present year, will alter Mr. Moitoret's present opinion. Taken altogether, we are not sure whether the Sun will prove beneficial or harmful to the United. We most assuredly need some sort of stimulus to activity, yet the comparatively crude atmosphere of newspaperdom is anything but inspiring in a literary society. We cannot descend from the ideals of Homer to those of Hearst without a distinct loss of quality, for which no possible gain in mere enthusiasm can compensate. Headlines such as "Columbus Bunch Boosting Paul" or "Hep Still Shows Pep", are positive affronts to the dignity of amateur journalism. There is room for an alert and informing news sheet in the United, yet we feel certain that the Sun must become a far more sedate and[57] scholarly publication before it can adequately supply the need. At present, its garish rays dazzle and blind more than they illuminate; in a perusal of its pages we experience more of sunstroke than of sunshine. Of "The Best Sport Page In Amateurdom" we find it difficult to speak or write. Not since perusing the delectable lines of "Tom Crib's Memorial to Congress", by jovial old "Anacreon Moore", have we beheld such an invasion of prize-fight philosophy and race-track rhetoric. We learn with interest that a former United member named "Handsome Harry" has now graduated from literature to left field, and has, through sheer genius, risen from the lowly level of the ambitious author, to the exalted eminence of the classy slugger. Too proud to push the pen, he now swats the pill. Of such doth the dizzy quality of sempiternal Fame consist! Speaking without levity, we cannot but censure Mr. Dowdell's introduction of the ringside or ball-field spirit into an Association purporting to promote culture and lettered skill. Our members can scarcely be expected to place the Stygian-hued John Arthur Johnson, Esq., on a pedestal beside his well-known namesake Samuel; or calmly to compare the stinging wit of a Sidney Smith with the stinging fist-cuffs of a "Gunboat" Smith. In a word, what is suited to the street-corner is not always suited to the library, and the taste of the United is as yet but imperfectly attuned to the lyrical liltings of the pool-room Muse. It is both hard and unwise to take the "Best Sport Page" seriously. As a copy of "yellow" models it is a work of artistic verisimilitude; indeed, were Mr. Dowdell a somewhat older man, we might justly suspect a satirical intention on his part.

We trust that The Cleveland Sun may shine on without cloud or setting, though we must needs hope that the United's atmosphere of academic refinement will temper somewhat the scorching glare with which the bright orb has risen.

The Conservative for April opens with Andrew Francis Lockhart's melodious and attractive poem entitled "Benediction". As a whole, this is possibly the best piece of verse which Mr. Lockhart has yet written; the sentiment is apt, if not entirely novel, whilst the technical construction is well-nigh faultless. Such expressions as "pearl-scarr'd" serve to exhibit the active and original quality of Mr. Lockhart's genius. "Another Endless Day", by Rheinhart Kleiner, is a beautiful and harmonious poetical protest against monotony. Much to be regretted is the misprint in line 3 of the third stanza, where the text should read:

"A love to thrill with new delight".

"April", by Winifred Virginia Jordan, is a seasonable and extremely tuneful poem whose imagery is of that dainty, sprightly sort which only Mrs. Jordan can create. "In Morven's Mead", also by Mrs. Jordan, contains an elusive and haunting suggestion of the unreal, in the author's characteristic style. "The Night Wind Bared My Heart" completes a highly meritorious trilogy. In justice to the author, it should be stated that the last of these three poems is, as here presented, merely a rough draft. Through our own reprehensible editorial oversight, the printer received this unpolished copy instead of the finished poem. The following emendations should be observed:

Stanza I, line 4, to read: "Awak'd my anguish'd sighs".

Stanza II, line 3, to read: "But Oh, from grief were prest".

"The Best Wine", by William de Ryee, is an earnestly introspective poem, well cast in iambic pentameter quatrains. "Ye Ballade of Patrick von Flynn" is a comic delineation of the cheap pseudo-Irish, England-hating agitators who have been so offensively noisy on this side of the Atlantic ever since the European war began, and particularly since the late riots in Dublin. This class, which so sadly misrepresents the loyal Irish people, deserves but little patience from Americans. Its members stutter childishly about "breaches of neutrality" every time a real American dares speak a word in favour of the Mother Country; yet they constantly violate neutrality themselves in their clumsy attempts to use the United States as a catspaw against England. The actual German propagandists have the excuse of patriotism for their race and Vaterland, but these Hibernian hybrids, neither good Irishmen nor good Americans, have no excuse whatever when they try to subvert the functions of the country which is giving them protection and livelihood.

The Conservative for July pays a deserved tribute to one of the most lucid and acute of[58] our amateur essayists, by devoting the entire issue to his work. Henry Clapham McGavack, in "The American Proletariat versus England", exposes with admirable fearlessness the silly Anglophobic notions which a mistaken conception of the Revolution, and an ignorant Irish population, have diffused among our lower classes. It is seldom that an author ventures to speak so frankly on this subject, for the servile tendency of the times impels most writers and publishers to play the demagogue by essaying to feed the Irish masses with the anti-English swill they desire; but Mr. McGavack wields an independent pen, and records the truth without fear of the mobile vulgus and its shallow views. In power, directness, urbanity, and impartiality, Mr. McGavack cannot be excelled. He marshals his arguments without passion, bias, or circumlocution; piling proof upon proof until none but the most stubborn England-hater can fail to blush at the equal injustice and stupidity of those who malign that mighty empire to whose earth-wide circle of civilisation we all belong.

The Coyote for April is a Special English Number, dedicated to our soldier-member, George William Stokes of Newcastle-on-Tyne. The opening poem "To England", well exhibits the versatility of Mrs. Winifred V. Jordan, who here appears as a national panegyrist of commendable dignity and unexceptionable taste. The word at the beginning of the fourth line should read "Is" instead of "To". The short yet stirring metre is particularly well selected. "Active English Amateurs I Have Met", by Ernest A. Dench, is a rather good prose piece, though not without marks of careless composition. "The Vultur", by Henry J. Winterbone of the B. A. P. A., is a remarkably good story whose development and conclusion would do credit to a professional pen. We hope Mr. Winterbone may join the United, thereby giving American readers a more ample opportunity to enjoy his work. Editor William T. Harrington, whose prose is so rapidly acquiring polish and fluency, contributes two brief but able essays: "History Repeats" and "How Great Britain Keeps Her Empire". In "History Repeats", certain parts of the second sentence might well be amended a trifle in structure, to read thus: "it must be remembered that the first half was a series of victories for the South, and that only after the Battle of Gettysburg did the strength of the North begin to assert itself". This number

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