The Uncommercial Traveller - Charles Dickens (new books to read .TXT) 📗

friends, but they are too conceited about the comforts of that establishment when the Night Mail is starting. I know it is a good house to stay at, and I don’t want the fact insisted upon in all its warm bright windows at such an hour. I know the Warden is a stationary edifice that never rolls or pitches, and I object to its big outline seeming to insist upon that circumstance, and, as it were, to come over me with it, when I am reeling on the deck of the boat. Beshrew the Warden likewise, for obstructing that corner, and making the wind so angry as it rushes round. Shall I not know that it blows quite soon enough, without the officious Warden’s interference?

As I wait here on board the night packet, for the South-Eastern Train to come down with the Mail, Dover appears to me to be illuminated for some intensely aggravating festivity in my personal dishonour. All its noises smack of taunting praises of the land, and dispraises of the gloomy sea, and of me for going on it. The drums upon the heights have gone to bed, or I know they would rattle taunts against me for having my unsteady footing on this slippery deck. The many gas eyes of the Marine Parade twinkle in an offensive manner, as if with derision. The distant dogs of Dover bark at me in my misshapen wrappers, as if I were Richard the Third.

A screech, a bell, and two red eyes come gliding down the Admiralty Pier with a smoothness of motion rendered more smooth by the heaving of the boat. The sea makes noises against the pier, as if several hippopotami were lapping at it, and were prevented by circumstances over which they had no control from drinking peaceably. We, the boat, become violently agitated—rumble, hum, scream, roar, and establish an immense family washing-day at each paddle-box. Bright patches break out in the train as the doors of the post-office vans are opened, and instantly stooping figures with sacks upon their backs begin to be beheld among the piles, descending as it would seem in ghostly procession to Davy Jones’s Locker. The passengers come on board; a few shadowy Frenchmen, with hatboxes shaped like the stoppers of gigantic case-bottles; a few shadowy Germans in immense fur coats and boots; a few shadowy Englishmen prepared for the worst and pretending not to expect it.

I cannot disguise from my uncommercial mind the miserable fact that we are a body of outcasts; that the attendants on us are as scant in number as may serve to get rid of us with the least possible delay; that there are no night-loungers interested in us; that the unwilling lamps shiver and shudder at us; that the sole object is to commit us to the deep and abandon us. Lo, the two red eyes glaring in increasing distance, and then the very train itself has gone to bed before we are off!

What is the moral support derived by some sea-going amateurs from an umbrella? Why do certain voyagers across the Channel always put up that article, and hold it up with a grim and fierce tenacity? A fellow-creature near me—whom I only know to BE a fellow-creature, because of his umbrella: without which he might be a dark bit of cliff, pier, or bulkbead—clutches that instrument with a desperate grasp, that will not relax until he lands at Calais. Is there any analogy, in certain constitutions, between keeping an umbrella up, and keeping the spirits up? A hawser thrown on board with a flop replies ‘Stand by!’ ‘Stand by, below!’ ‘Half a turn a head!’

‘Half a turn a head!’ ‘Half speed!’ ‘Half speed!’ ‘Port!’

‘Port!’ ‘Steady!’ ‘Steady!’ ‘Go on!’ ‘Go on!’

A stout wooden wedge driven in at my right temple and out at my left, a floating deposit of lukewarm oil in my throat, and a compression of the bridge of my nose in a blunt pair of pincers,—

these are the personal sensations by which I know we are off, and by which I shall continue to know it until I am on the soil of France. My symptoms have scarcely established themselves comfortably, when two or three skating shadows that have been trying to walk or stand, get flung together, and other two or three shadows in tarpaulin slide with them into corners and cover them up. Then the South Foreland lights begin to hiccup at us in a way that bodes no good.

It is at about this period that my detestation of Calais knows no bounds. Inwardly I resolve afresh that I never will forgive that hated town. I have done so before, many times, but that is past.

Let me register a vow. Implacable animosity to Calais everm-that was an awkward sea, and the funnel seems of my opinion, for it gives a complaining roar.

The wind blows stiffly from the Nor-East, the sea runs high, we ship a deal of water, the night is dark and cold, and the shapeless passengers lie about in melancholy bundles, as if they were sorted out for the laundress; but for my own uncommercial part I cannot pretend that I am much inconvenienced by any of these things. A general howling, whistling, flopping, gurgling, and scooping, I am aware of, and a general knocking about of Nature; but the impressions I receive are very vague. In a sweet faint temper, something like the smell of damaged oranges, I think I should feel languidly benevolent if I had time. I have not time, because I am under a curious compulsion to occupy myself with the Irish melodies. ‘Rich and rare were the gems she wore,’ is the particular melody to which I find myself devoted. I sing it to myself in the most charming manner and with the greatest expression. Now and then, I raise my head (I am sitting on the hardest of wet seats, in the most uncomfortable of wet attitudes, but I don’t mind it,) and notice that I am a whirling shuttlecock between a fiery battledore of a lighthouse on the French coast and a fiery battledore of a lighthouse on the English coast; but I don’t notice it particularly, except to feel envenomed in my hatred of Calais. Then I go on again, ‘Rich and rare were the ge-ems shee-e-e wore, And a bright gold ring on her wa-and she bo-ore, But O

her beauty was fa-a-a-a-r beyond’—I am particularly proud of my execution here, when I become aware of another awkward shock from the sea, and another protest from the funnel, and a fellow-creature at the paddle-box more audibly indisposed than I think he need be—

‘Her sparkling gems, or snow-white wand, But O her beauty was fa-a-a-a-a-r beyond’—another awkward one here, and the fellow-creature with the umbrella down and picked up—‘Her spa-a-rkling ge-ems, or her Port! port! steady! steady! snow-white fellow-creature at the paddle-box very selfishly audible, bump, roar, wash, white wand.’

As my execution of the Irish melodies partakes of my imperfect perceptions of what is going on around me, so what is going on around me becomes something else than what it is. The stokers open the furnace doors below, to feed the fires, and I am again on the box of the old Exeter Telegraph fast coach, and that is the light of the for ever extinguished coach-lamps, and the gleam on the hatches and paddle-boxes is THEIR gleam on cottages and haystacks, and the monotonous noise of the engines is the steady jingle of the splendid team. Anon, the intermittent funnel roar of protest at every violent roll, becomes the regular blast of a high pressure engine, and I recognise the exceedingly explosive steamer in which I ascended the Mississippi when the American civil war was not, and when only its causes were. A fragment of mast on which the light of a lantern falls, an end of rope, and a jerking block or so, become suggestive of Franconi’s Circus at Paris where I shall be this very night mayhap (for it must be morning now), and they dance to the selfsame time and tune as the trained steed, Black Raven.

What may be the speciality of these waves as they come rushing on, I cannot desert the pressing demands made upon me by the gems she wore, to inquire, but they are charged with something about Robinson Crusoe, and I think it was in Yarmouth Roads that he first went a seafaring and was near foundering (what a terrific sound that word had for me when I was a boy!) in his first gale of wind.

Still, through all this, I must ask her (who WAS she I wonder!) for the fiftieth time, and without ever stopping, Does she not fear to stray, So lone and lovely through this bleak way, And are Erin’s sons so good or so cold, As not to be tempted by more fellow-creatures at the paddle-box or gold? Sir Knight I feel not the least alarm, No son of Erin will offer me harm, For though they love fellow-creature with umbrella down again and golden store, Sir Knight they what a tremendous one love honour and virtue more: For though they love Stewards with a bull’s eye bright, they’ll trouble you for your ticket, sir-rough passage to-night!

I freely admit it to be a miserable piece of human weakness and inconsistency, but I no sooner become conscious of those last words from the steward than I begin to soften towards Calais. Whereas I have been vindictively wishing that those Calais burghers who came out of their town by a short cut into the History of England, with those fatal ropes round their necks by which they have since been towed into so many cartoons, had all been hanged on the spot, I now begin to regard them as highly respectable and virtuous tradesmen.

Looking about me, I see the light of Cape Grinez well astern of the boat on the davits to leeward, and the light of Calais Harbour undeniably at its old tricks, but still ahead and shining.

Sentiments of forgiveness of Calais, not to say of attachment to Calais, begin to expand my bosom. I have weak notions that I will stay there a day or two on my way back. A faded and recumbent stranger pausing in a profound reverie over the rim of a basin, asks me what kind of place Calais is? I tell him (Heaven forgive me!) a very agreeable place indeed—rather hilly than otherwise.

So strangely goes the time, and on the whole so quickly—though still I seem to have been on board a week—that I am bumped, rolled, gurgled, washed and pitched into Calais Harbour before her maiden smile has finally lighted her through the Green Isle, When blest for ever is she who relied, On entering Calais at the top of the tide. For we have not to land to-night down among those slimy timbers—covered with green hair as if it were the mermaids’

favourite combing-place—where one crawls to the surface of the jetty, like a stranded shrimp, but we go steaming up the harbour to the Railway Station Quay. And as we go, the sea washes in and out among piles and planks, with dead heavy beats and in quite a furious manner (whereof we are proud), and the lamps shake in the wind, and the bells of Calais striking One seem to send their vibrations struggling against troubled air, as we have come struggling against troubled water. And now, in the sudden relief and wiping of faces, everybody on board seems to have had a prodigious double-tooth out, and to be this very instant free of the Dentist’s hands. And now we all know for the first time how wet and cold we are, and how salt we are; and now I love Calais with my heart of hearts!