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more; he was hopeless, but all a man could do to make Elspeth love David he did.

The doctor was quite unaware of it. "Fortunately, her brother had a headache yesterday and was lying down," he told Grizel, with calm brutality, "so I saw her alone for a few minutes."

"The fibs I have to invent," said Tommy, to the same confidante, "to get myself out of their way!"

"Luckily he does not care for music," David said, "so when she is at the piano he sometimes remains in the kitchen talking to Aaron."

Tommy and Aaron left together! Tommy described those scenes with much good humour. "I was amazed at first," he said to Grizel, "to find Aaron determinedly enduring me, but now I understand. He wants what we want. He says not a word about it, but he is watching those two courting like a born match-maker. Aaron has several reasons for hoping that Elspeth will get our friend (as he would express it): one, that this would keep her in Thrums; another, that to be the wife of a doctor is second only in worldly grandeur to marrying the manse; and thirdly and lastly, because he is convinced that it would be such a staggerer to me. For he thinks I have not a notion of what is going on, and that, if I had, I would whisk her away to London."

He gave Grizel the most graphic, solemn pictures of those evenings in the cottage. "Conceive the four of us gathered round the kitchen fire--three men and a maid; the three men yearning to know what is in the maid's mind, and each concealing his anxiety from the others. Elspeth gives the doctor a look which may mean much or nothing, and he glares at me as if I were in the way, and I glance at Aaron, and he is on tenterhooks lest I have noticed anything. Next minute, perhaps, David gives utterance to a plaintive sigh, and Aaron and I pounce upon Elspeth (with our eyes) to observe its effect on her, and Elspeth wonders why Aaron is staring, and he looks apprehensively at me, and I am gazing absent-mindedly at the fender.

"You may smile, Grizel," Tommy would say, "and now that I think of it, I can smile myself, but we are an eerie quartet at the time. When the strain becomes unendurable, one of us rises and mends the fire with his foot, and then I think the rest of us could say 'Thank you.' We talk desperately for a little after that, but soon again the awful pall creeps down."

"If I were there," cried Grizel, "I would not have the parlour standing empty all this time."

"We are coming to the parlour," Tommy replies impressively. "The parlour, Grizel, now begins to stir. Elspeth has disappeared from the kitchen, we three men know not whither. We did not notice her go; we don't even observe that she has gone--we are too busy looking at the fire. By and by the tremulous tinkling of an aged piano reaches us from an adjoining chamber, and Aaron looks at me through his fingers, and I take a lightning glance at Mr. David, and he uncrosses his legs and rises, and sits down again. Aaron, in the most unconcerned way, proceeds to cut tobacco and rub it between his fingers, and I stretch out my legs and contemplate them with passionate approval. While we are thus occupied David has risen, and he is so thoroughly at his ease that he has begun to hum. He strolls round the kitchen, looking with sudden interest at the mantelpiece ornaments; he reads, for the hundredth time, the sampler on the wall. Next the clock engages his attention; it is ticking, and that seems to impress him as novel and curious. By this time he has reached the door; it opens to his touch, and in a fit of abstraction he leaves the room."

"You don't follow him into the parlour?" asks Grizel, anxiously.

"Follow whom?" Tommy replies severely. "I don't even know that he has gone to the parlour; now that I think of it, I have not even noticed that he has left the kitchen; nor has Aaron noticed it. Aaron and I are not in a condition to notice such things; we are conscious only that at last we have the opportunity for the quiet social chat we so much enjoy in each other's company. That, at least, is Aaron's way of looking at it, and he keeps me there with talk of the most varied and absorbing character; one topic down, another up; when very hard put to it, he even questions me about my next book, as if he would like to read the proof-sheets, and when I seem to be listening, a little restively, for sounds from the parlour (the piano has stopped), he has the face of one who would bar the door rather than lose my society. Aaron appreciates me at my true value at last, Grizel. I had begun to despair almost of ever bringing him under my charm."

"I should be very angry with you," Grizel said warningly, "if I thought you teased the poor old man."

"Tease him! The consideration I show that poor old man, Grizel, while I know all the time that he is plotting to diddle me! You should see me when it is he who is fidgeting to know why the piano has stopped. He stretches his head to listen, and does something to his ear that sends it another inch nearer the door; he chuckles and groans on the sly; and I--I notice nothing. Oh, he is becoming quite fond of me; he thinks me an idiot."

"Why not tell him that you want it as much as he?"

"He would not believe me. Aaron is firmly convinced that I am too jealous of Elspeth's affection to give away a thimbleful of it. He blames me for preventing her caring much even for him."

"At any rate," said Grizel, "he is on our side, and it is because he sees it would be so much the best thing for her."

"And, at the same time, such a shock to me. That poor old man, Grizel! I have seen him rubbing his hands together with glee and looking quite leery as he thought of what was coming to me."

But Grizel could not laugh now. When Tommy saw so well through Aaron and David, through everyone he came in contact with, indeed, what hope could there be that he was deceived in Elspeth?

"And yet she knows what takes him there; she must know it!" she cried.

"A woman," Tommy said, "is never sure that a man is in love with her until he proposes. She may fancy--but it is never safe to fancy, as so many have discovered."

"She has no right," declared Grizel, "to wait until she is sure, if she does not care for him. If she fears that he is falling in love with her, she knows how to discourage him; there are surely a hundred easy, kind ways of doing that."

"Fears he is falling in love with her!" Tommy repeated. "Is any woman ever afraid of that?"

He really bewildered her. "No woman would like it," Grizel answered promptly for them all, because she would not have liked it. "She must see that it would result only in pain to him."

"Still----" said Tommy.

"Oh, but how dense you are!" she said, in surprise. "Don't you understand that she would stop him, though it were for no better reasons than selfish ones? Consider her shame if, in thinking it over afterwards, she saw that she might have stopped him sooner! Why," she cried, with a sudden smile, "it is in your book! You say: 'Every maiden carries secretly in her heart an idea of love so pure and sacred that, if by any act she is once false to that conception, her punishment is that she never dares to look at it again.' And this is one of the acts you mean."

"I had not thought of it, though," he said humbly. He was never prouder of Grizel than at that moment. "If Elspeth's outlook," he went on, "is different----"

"It can't be different."

"If it is, the fault is mine; yes, though I wrote the passage that you interpret so nobly, Grizel. Shall I tell you," he said gently, "what I believe is Elspeth's outlook exactly, just now? She knows that the doctor is attracted by her, and it gives her little thrills of exultation; but that it can be love--she puts that question in such a low voice, as if to prevent herself hearing it. And yet she listens, Grizel, like one who would like to know! Elspeth is pitifully distrustful of anyone's really loving her, and she will never admit to herself that he does until he tells her."

"And then?"

Tommy had to droop his head.

"I see you have still no hope!" she said.

"It would be so easy to pretend I have," he replied, with longing, "in order to cheer you for the moment. Oh, it would even be easy to me to deceive myself; but should I do it?"

"No, no," she said; "anything but that; I can bear anything but that," and she shuddered. "But we seem to be treating David cruelly."

"I don't think so," he assured her. "Men like to have these things to look back to. But, if you want it, Grizel, I have to say only a word to Elspeth to bring it to an end. She is as tender as she is innocent, and--but it would be a hard task to me," he admitted, his heart suddenly going out to Elspeth; he had never deprived her of any gratification before. "Still, I am willing to do it."

"No!" Grizel cried, restraining him with her hand. "I am a coward, I suppose, but I can't help wanting to hope for a little longer, and David won't grudge it to me."

It was but a very little longer that they had to wait. Tommy, returning home one day from a walk with his old school-friend, Gav Dishart (now M.A.), found Aaron suspiciously near the parlour keyhole.

"There's a better fire in the other end," Aaron said, luring him into the kitchen. So desirous was he of keeping Tommy there, fixed down on a stool, that "I'll play you at the dambrod," he said briskly.

"Anyone with Elspeth?"

"Some women-folk you dinna like," replied Aaron.

Tommy rose. Aaron, with a subdued snarl, got between him and the door.

"I was wondering, merely," Tommy said, pointing pleasantly to something on the dresser, "why one of them wore the doctor's hat."

"I forgot; he's there, too," Aaron said promptly; but he looked at Tommy with misgivings. They sat down to their game.

"You begin," said Tommy; "you're black." And Aaron opened with the Double Corner; but so preoccupied was he that it became a variation of the Ayrshire lassie, without his knowing. His suspicions had to find vent in words: "You dinna speir wha the women-folk are?"

"No."

"Do you think I'm just pretending they're there?" Aaron asked apprehensively.

"Not at all," said Tommy, with much politeness, "but I thought you might be mistaken." He could have "blown" Aaron immediately thereafter, but, with great consideration, forbore. The old man was so troubled that he could not lift a king without its falling in two. His sleeve got in the way of his fingers. At last he sat back in his chair. "Do you ken
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