The Secret of the Night by Gaston Leroux (ebook reader for surface pro txt) 📗

All these frustrations in the things he had undertaken that day instead of disheartening him plunged him deep into hard thinking. He returned, his hands in his pockets, whistling softly, to the Place St. Isaac, walked around the church, keeping an eye on the house at the corner, investigated the monument, went inside, examined all its details, came out marveling, and finally went once again to the residence of the Mourazoffs, was told that they had not yet returned from the Finland town, then went and shut himself in his room at the hotel, where he smoked a dozen pipes of tobacco. He emerged from his cloud of smoke at dinner-time.

At ten that evening he stepped out of his carriage before the Krestowsky. The establishment of Krestowsky, which looms among the Isles much as the Aquarium does, is neither a theater, nor a music-hall, nor a cafe-concert, nor a restaurant, nor a public garden; it is all of these and some other things besides. Summer theater, winter theater, open-air theater, hall for spectacles, scenic mountain, exercise-ground, diversions of all sorts, garden promenades, cafes, restaurants, private dining-rooms, everything is combined here that can amuse, charm, lead to the wildest orgies, or provide those who never think of sleep till toward three or four o’clock of a morning the means to await the dawn with patience. The most celebrated companies of the old and the new world play there amid an enthusiasm that is steadily maintained by the foresight of the managers: Russian and foreign dancers, and above all the French chanteuses, the little dolls of the cafes-concerts, so long as they are young, bright, and elegantly dressed, may meet their fortune there. If there is no such luck, they are sure at least to find every evening some old beau, and often some officer, who willingly pays twenty-five roubles for the sole pleasure of having a demoiselle born on the banks of the Seine for his companion at the supper-table. After their turn at the singing, these women display their graces and their eager smiles in the promenades of the garden or among the tables where the champagne-drinkers sit. The head-liners, naturally, are not driven to this wearying perambulation, but can go away to their rest if they are so inclined. However, the management is appreciative if they accept the invitation of some dignitary of the army, of administration, or of finance, who seeks the honor of hearing from the chanteuse, in a private room and with a company of friends not disposed to melancholy, the Bohemian songs of the Vieux Derevnia. They sing, they loll, they talk of Paris, and above all they drink. If sometimes the little fete ends rather roughly, it is the friendly and affectionate champagne that is to blame, but usually the orgies remain quite innocent, of a character that certainly might trouble the temperance societies but need not make M. le Senateur Berenger feel involved.

A war whose powder fumes reeked still, a revolution whose last defeated growls had not died away at the period of these events, had not at all diminished the nightly gayeties of Kretowsky. Many of the young men who displayed their uniforms that evening and called their “Nichevo” along the brilliantly lighted paths of the public gardens, or filled the open-air tables, or drank vodka at the buffets, or admired the figures of the wandering soubrettes, had come here on the eve of their departure for the war and had returned with the same child-like, enchanted smile, the same ideal of futile joy, and kissed their passing comrades as gayly as ever. Some of them had a sleeve lying limp now, or walked with a crutch, or even on a wooden leg, but it was, all the same, “Nichevo!”

The crowd this evening was denser than ordinarily, because there was the chance to hear Annouchka again for the first time since the somber days of Moscow. The students were ready to give her an ovation, and no one opposed it, because, after all, if she sang now it was because the police were willing at last. If the Tsar’s government had granted her her life, it was not in order to compel her to die of hunger. Each earned a livelihood as was possible. Annouchka only knew how to sing and dance, and so she must sing and dance!

When Rouletabille entered the Krestowsky Gardens, Annouchka had commenced her number, which ended with a tremendous “Roussalka.” Surrounded by a chorus of male and female dancers in the national dress and with red boots, striking tambourines with their fingers, then suddenly taking a rigid pose to let the young woman’s voice, which was of rather ordinary register, come out, Annouchka had centered the attention of the immense audience upon herself. All the other parts of the establishment were deserted, the tables had been removed, and a panting crowd pressed about the open-air theater. Rouletabille stood up on his chair at the moment tumultuous “Bravos” sounded from a group of students. Annouchka bowed toward them, seeming to ignore the rest of the audience, which had not dared declare itself yet. She sang the old peasant songs arranged to present-day taste, and interspersed them with dances. They had an enormous success, because she gave her whole soul to them and sang with her voice sometimes caressing, sometimes menacing, and sometimes magnificently desperate, giving much significance to words which on paper had not aroused the suspicions of the censor. The taste of the day was obviously still a taste for the revolution, which retained its influence on the banks of the Neva. What she was doing was certainly very bold, and apparently she realized how audacious she was, because, with great adroitness, she would bring out immediately after some dangerous phrase a patriotic couplet which everybody was anxious to applaud. She succeeded by such means in appealing to all the divergent groups of her audience and secured a complete triumph for herself. The students, the revolutionaries, the radicals and the cadets acclaimed the singer, glorifying not only her art but also and beyond everything else the sister of the engineer Volkousky, who had been doomed to perish with her brother by the bullets of the Semenovsky regiment. The friends of the Court on their side could not forget that it was she who, in front of the Kremlin, had struck aside the arm of Constantin Kochkarof, ordered by the Central Revolutionary Committee to assassinate the Grand Duke Peter Alexandrovitch as he drove up to the governor’s house in his sleigh. The bomb burst ten feet away, killing Constantin Kochkarof himself. It may be that before death came he had time to hear Annouchka cry to him, “Wretch! You were told to kill the prince, not to assassinate his children.” As it happened, Peter Alexandrovitch held on his knees the two little princesses, seven and eight years old. The Court had wished to recompense her for that heroic act. Annouchka had spit at the envoy of the Chief of Police who called to speak to her of money. At the Hermitage in Moscow, where she sang then, some of her admirers had warned her of possible reprisals on the part of the revolutionaries. But the revolutionaries gave her assurance at once that she had nothing to fear. They approved her act and let her know that they now counted on her to kill the Grand Duke some time when he was alone; which had made Annouchka laugh. She was an enfant terrible, whose friends no one knew, who passed for very wise, and whose lines of intrigue were inscrutable. She enjoyed making her hosts in the private supper-rooms quake over their meal. One day she had said bluntly to one of the most powerful tchinovnicks of Moscow: “You, my old friend, you are president of the Black Hundred. Your fate is sealed. Yesterday you were condemned to death by the delegates of the Central Committee at Presnia. Say your prayers.” The man reached for champagne. He never finished his glass. The dvornicks carried him out stricken with apoplexy. Since the time she saved the little grand-duchesses the police had orders to allow her to act and talk as she pleased. She had been mixed up in the deepest