The Works of Lucian of Samosata — Volume 02 by of Samosata Lucian (scary books to read txt) 📗

he that sent thee hath this
day been slain by his neighbour Diocles, with aid of the robbers Magnus,
Celer, and Bubalus, who are taken and in chains.'

I must give you one or two of the answers that fell to my share. I asked whether Alexander was bald, and having sealed it publicly with great care, got a night oracle in reply:

Sabardalachu malach Attis was not he.

Another time I did up the same question—What was Homer's birthplace?—in two packets given in under different names. My servant misled him by saying, when asked what he came for, a cure for lung trouble; so the answer to one packet was:

Cytmide and foam of steed the liniment give.

As for the other packet, he got the information that the sender was inquiring whether the land or the sea route to Italy was preferable. So he answered, without much reference to Homer:

Fare not by sea; land-travel meets thy need.

I laid a good many traps of this kind for him; here is another. I asked only one question, but wrote outside the packet in the usual form, So- and-so's eight Queries, giving a fictitious name and sending the eight shillings. Satisfied with the payment of the money and the inscription on the packet, he gave me eight answers to my one question. This was, When will Alexander's imposture be detected? The answers concerned nothing in heaven or earth, but were all silly and meaningless together. He afterwards found out about this, and also that I had tried to dissuade Rutilianus both from the marriage and from putting any confidence in the oracle; so he naturally conceived a violent dislike for me. When Rutilianus once put a question to him about me, the answer was:

Night-haunts and foul debauch are all his joy.

It is true his dislike was quite justified. On a certain occasion I was passing through Abonutichus, with a spearman and a pikeman whom my friend the governor of Cappadocia had lent me as an escort on my way to the sea. Ascertaining that I was the Lucian he knew of, he sent me a very polite and hospitable invitation. I found him with a numerous company; by good luck I had brought my escort. He gave me his hand to kiss according to his usual custom. I took hold of it as if to kiss, but instead bestowed on it a sound bite that must have come near disabling it. The company, who were already offended at my calling him Alexander instead of Prophet, were inclined to throttle and beat me for sacrilege. But he endured the pain like a man, checked their violence, and assured them that he would easily tame me, and illustrate Glycon's greatness in converting his bitterest foes to friends. He then dismissed them all, and argued the matter with me: he was perfectly aware of my advice to Rutilianus; why had I treated him so, when I might have been preferred by him to great influence in that quarter? By this time I had realized my dangerous position, and was only too glad to welcome these advances; I presently went my way in all friendship with him. The rapid change wrought in me greatly impressed the observers.

When I intended to sail, he sent me many parting gifts, and offered to find us (Xenophon and me, that is; I had sent my father and family on to Amastris) a ship and crew—which offer I accepted in all confidence. When the passage was half over, I observed the master in tears arguing with his men, which made me very uneasy. It turned out that Alexander's orders were to seize and fling us overboard; in that case his war with me would have been lightly won. But the crew were prevailed upon by the master's tears to do us no harm. 'I am sixty years old, as you can see,' he said to me; 'I have lived an honest blameless life so far, and I should not like at my time of life, with a wife and children too, to stain my hands with blood.' And with that preface he informed us what we were there for, and what Alexander had told him to do.

He landed us at Aegiali, of Homeric fame, and thence sailed home. Some Bosphoran envoys happened to be passing, on their way to Bithynia with the annual tribute from their king Eupator. They listened kindly to my account of our dangerous situation, I was taken on board, and reached Amastris safely after my narrow escape. From that time it was war between Alexander and me, and I left no stone unturned to get my revenge. Even before his plot I had hated him, revolted by his abominable practices, and I now busied myself with the attempt to expose him; I found plenty of allies, especially in the circle of Timocrates the Heracleot philosopher. But Avitus, the then governor of Bithynia and Pontus, restrained me, I may almost say with prayers and entreaties. He could not possibly spoil his relations with Rutilianus, he said, by punishing the man, even if he could get clear evidence against him. Thus arrested in my course, I did not persist in what must have been, considering the disposition of the judge, a fruitless prosecution.

Among instances of Alexander's presumption, a high place must be given to his petition to the Emperor: the name of Abonutichus was to be changed to Ionopolis; and a new coin was to be struck, with a representation on the obverse of Glycon, and, on the reverse, Alexander bearing the garlands proper to his paternal grandfather Asclepius, and the famous scimetar of his maternal ancestor Perseus.

He had stated in an oracle that he was destined to live to a hundred and fifty, and then die by a thunderbolt; he had in fact, before he reached seventy, an end very sad for a son of Podalirius, his leg mortifying from foot to groin and being eaten of worms; it then proved that he was bald, as he was forced by pain to let the doctors make cooling applications to his head, which they could not do without removing his wig.

So ended Alexander's heroics; such was the catastrophe of his tragedy; one would like to find a special providence in it, though doubtless chance must have the credit. The funeral celebration was to be worthy of his life, taking the form of a contest—for possession of the oracle. The most prominent of the impostors his accomplices referred it to Rutilianus's arbitration which of them should be selected to succeed to the prophetic office and wear the hierophantic oracular garland. Among these was numbered the grey-haired physician Paetus, dishonouring equally his grey hairs and his profession. But Steward-of-the-Games Rutilianus sent them about their business ungarlanded, and continued the defunct in possession of his holy office.

My object, dear friend, in making this small selection from a great mass of material has been twofold. First, I was willing to oblige a friend and comrade who is for me the pattern of wisdom, sincerity, good humour, justice, tranquillity, and geniality. But secondly I was still more concerned (a preference which you will be very far from resenting) to strike a blow for Epicurus, that great man whose holiness and divinity of nature were not shams, who alone had and imparted true insight into the good, and who brought deliverance to all that consorted with him. Yet I think casual readers too may find my essay not unserviceable, since it is not only destructive, but, for men of sense, constructive also.

OF PANTOMIME [Footnote: 'Pantomime' has been chosen as the most natural translation of orchaesis, which in this dialogue has reference for the most part to the ballet-dancer (pantomimus) of imperial times. On the other hand, Lycinus, in order to establish the antiquity and the universality of an art that for all practical purposes dates only from the Augustan era, and (despite the Greek artists) is Roman in origin, avails himself of the wider meaning of orchaesis to give us the historic and prehistoric associations of dance in Greece and elsewhere; and in such passages it seemed advisable to sacrifice consistency, and to translate orchaesis dance.]

Lycinus. Crato

Ly. Here are heavy charges, Crato; I suppose you have been getting up this subject for some time. You are not content with attacking the whole pantomimic art, practical and theoretic; we too, the pleased spectators thereof, come in for our share: we have been lavishing our admiration, it seems, on effeminate triflers. And now let me show you how completely you have been mistaken; you will find that the art you have been maligning is the greatest boon of our existence. There is some excuse for your strictures: how should you know any better, confirmed ascetic that you are, believing that virtue consists in being uncomfortable?

Cr. Now, my dear sir, can any one who calls himself a man, and an educated man, and in some sort a student of philosophy,—can such a one leave those higher pursuits, leave communing with the sages of old, to sit still and listen to the sound of a flute, and watch the antics of an effeminate creature got up in soft raiment to sing lascivious songs and mimic the passions of prehistoric strumpets, of Rhodopes and Phaedras and Parthenopes, to the accompaniment of twanging string and shrilling pipe and clattering heel? It is too absurd: these are not amusements for a gentleman; not amusements for Lycinus. When I first heard of your spending your time in this way, I was divided betwixt shame and indignation, to think that you could so far forget Plato and Chrysippus and Aristotle, as to sit thus having your ears tickled with a feather. If you want amusements, are there not a thousand things worth seeing and hearing? Can you not hear classical music performed at the great festivals? Are there not lofty tragedy and brilliant comedy,—things that have been deemed worthy of state recognition? My friend, you have a long reckoning to settle with men of learning, if you would not be repudiated altogether, and expelled from the congregation of the wise. I think your best course will be a point-blank denial: declare flatly that you never did anything of the kind. Anyhow, you must watch your conduct for the future: we do not want to find that our Lycinus has changed his sex, and become a Bacchante or a Lydian damsel. That would be as much to our discredit as to yours: for ours should be Odysseus's part,—to tear you from the lotus, and bring you back to your accustomed pursuits; to save you from the clutches of these stage Sirens before it is too late. The Sirens, after all, did but plot against men's ears; it needed but a little wax, and a man might sail past them uninjured: but yours is a captivity of ear and eye, of body and soul.

Ly. Goodness gracious! All the Cynic in you is loose, and snarls at me. At the same time, I think your Lotus-and-Siren simile is rather off the point: you see, the people who ate the Lotus and listened to the Sirens paid for the gratification of ear and palate with their lives: whereas I not only have a great deal more enjoyment than they had, but am all the better for it. I have experienced no oblivion of my domestic affairs, nor blindness to my own interests; in fact—if I may venture to say so—you will find my penetration and practical wisdom considerably increased by my theatrical experiences. Homer has it exactly: the spectator

Returns a gladder and a wiser man.

Cr. Dear, dear! Yours is a sad case, Lycinus. You are not even ashamed; you seem quite pleased with yourself. That is the worst of it: there seems no hope of your recovery, while you can actually commend the mire in which you wallow.

Ly. Now, Crato,—you talk of pantomimes and theatres,—have you seen these performances yourself, that you are so hard on them? or do you decide that they are 'foul mire' without personal experience? If you have seen them, you are just as bad as I am; and if not, are you justified in censuring them? does it not savour of over-confidence, to condemn what you know nothing about?

Cr. Truly that would be the climax: that I should show my long beard and white hairs amid that throng of women and lunatics; and clap and yell in unseemly rapture over the vile contortions of an abandoned buffoon.

Ly. I can make allowance for you. But wait till I have prevailed on you to give it a fair trial, to accept the judgement of your own eyes: