Aaron's Rod - D. H. Lawrence (poetry books to read .TXT) 📗

flight in their hearts. Not so much terror as the frenzy of running away. In a breath the street was empty.

And all the time, there above on the stone coping stood the long- faced, fair-haired boy, while four stout carabinieri in the street below stood with uplifted revolvers and covered him, shouting that if he moved they would shoot. So there he stood, still looking down, still holding with his left hand behind him, covered by the four revolvers. He was not so much afraid as twitchily self-conscious because of his false position.

Meanwhile down below the crowd had dispersed—melted momentaneously. The carabinieri were busy arresting the men who had fallen and been trodden underfoot, or who had foolishly let themselves be taken; perhaps half a dozen men, half a dozen prisoners; less rather than more. The sergeant ordered these to be secured between soldiers. And last of all the youth up above, still covered by the revolvers, was ordered to come down. He turned quite quietly, and quite humbly, cautiously picked his way along the coping towards the drain-pipe. He reached this pipe and began, in humiliation, to climb down. It was a real climb down.

Once in the street he was surrounded by the grey uniforms. The soldiers formed up. The sergeant gave the order. And away they marched, the dejected youth a prisoner between them.

Then were heard a few scattered yells of derision and protest, a few shouts of anger and derision against the carabinieri. There were once more gangs of men and groups of youths along the street. They sent up an occasional shout. But always over their shoulders, and pretending it was not they who shouted. They were all cowed and hang-dog once more, and made not the slightest effort to save the youth. Nevertheless, they prowled and watched, ready for the next time.

So, away went the prisoner and the grey-green soldiers, and the street was left to the little gangs and groups of hangdog, discontented men, all thoroughly out of countenance. The scene was ended.

Aaron looked round, dazed. And then for the first time he noticed, on the next balcony to his own, two young men: young gentlemen, he would have said. The one was tall and handsome and well-coloured, might be Italian. But the other with his pale thin face and his rimless monocle in his eye, he was surely an Englishman. He was surely one of the young officers shattered by the war. A look of strange, arch, bird- like pleasure was on his face at this moment: if one could imagine the gleaming smile of a white owl over the events that had just passed, this was the impression produced on Aaron by the face of the young man with the monocle. The other youth, the ruddy, handsome one, had knitted his brows in mock distress, and was glancing with a look of shrewd curiosity at Aaron, and with a look of almost self-satisfied excitement first to one end of the street, then to the other.

“But imagine, Angus, it’s all over!” he said, laying his hand on the arm of the monocled young man, and making great eyes—not without a shrewd glance in Aaron’s direction.

“Did you see him fall!” replied Angus, with another strange gleam.

“Yes. But was he HURT—?”

“I don’t know. I should think so. He fell right back out of that on to those stones!”

“But how perfectly AWFUL! Did you ever see anything like it?”

“No. It’s one of the funniest things I ever did see. I saw nothing quite like it, even in the war—”

Here Aaron withdrew into his room. His mind and soul were in a whirl. He sat down in his chair, and did not move again for a great while. When he did move, he took his flute and played he knew not what. But strange, strange his soul passed into his instrument. Or passed half into his instrument. There was a big residue left, to go bitter, or to ferment into gold old wine of wisdom.

He did not notice the dinner gong, and only the arrival of the chamber- maid, to put the wash-table in order, sent him down to the restaurant. The first thing he saw, as he entered, was the two young Englishmen seated at a table in a corner just behind him. Their hair was brushed straight back from their foreheads, making the sweep of the head bright and impeccable, and leaving both the young faces clear as if in cameo. Angus had laid his monocle on the table, and was looking round the room with wide, light-blue eyes, looking hard, like some bird-creature, and seeming to see nothing. He had evidently been very ill: was still very ill. His cheeks and even his jaw seemed shrunken, almost withered. He forgot his dinner: or he did not care for it. Probably the latter.

“What do you think, Francis,” he said, “of making a plan to see Florence and Sienna and Orvieto on the way down, instead of going straight to Rome?” He spoke in precise, particularly-enunciated words, in a public-school manner, but with a strong twang of South Wales.

“Why, Angus,” came the graceful voice of Francis, “I thought we had settled to go straight through via Pisa.” Francis was graceful in everything—in his tall, elegant figure, in the poses of his handsome head, in the modulation of his voice.

“Yes, but I see we can go either way—either Pisa or Florence. And I thought it might be nice to look at Florence and Sienna and Orvieto. I believe they’re very lovely,” came the soft, precise voice of Angus, ending in a touch of odd emotion on the words “very lovely,” as if it were a new experience to him to be using them.

“I’m SURE they’re marvellous. I’m quite sure they’re marvellously beautiful,” said Francis, in his assured, elegant way. “Well, then, Angus—suppose we do that, then?—When shall we start?”

Angus was the nervous insister. Francis was quite occupied with his own thoughts and calculations and curiosity. For he was very curious, not to say inquisitive. And at the present moment he had a new subject to ponder.

This new subject was Aaron, who sat with his back to our new couple, and who, with his fine sharp ears, caught every word that they said. Aaron’s back was broad enough, and his shoulders square, and his head rather small and fairish and well-shaped—and Francis was intrigued. He wanted to know, was the man English. He looked so English— yet he might be—he might perhaps be Danish, Scandinavian, or Dutch. Therefore, the elegant young man watched and listened with all his ears.

The waiter who had brought Aaron his soup now came very free and easy, to ask for further orders.

“What would you like to drink? Wine? Chianti? Or white wine? Or beer?”—The old-fashioned “Sir” was dropped. It is too old-fashioned now, since the war.

“What SHOULD I drink?” said Aaron, whose acquaintance with wines was not very large.

“Half-litre of Chianti: that is very good,” said the waiter, with the air of a man who knew only too well how to bring up his betters, and train them in the way they should go.

“All right,” said Aaron.

The welcome sound of these two magic words, All Right! was what the waiter most desired. “All right! Yes! All Right!” This is the pith, the marrow, the sum and essence of the English language to a southerner. Of course it is not all right. It is Or-rye—and one word at that. The blow that would be given to most foreign waiters, if they were forced to realize that the famous orye was really composed of two words, and spelt all right, would be too cruel, perhaps.

“Half litre Chianti. Orye,” said the waiter. And we’ll let him say it.

“ENGLISH!” whispered Francis melodramatically in the ear of Angus. “I THOUGHT so. The flautist.”

Angus put in his monocle, and stared at the oblivious shoulders of Aaron, without apparently seeing anything. “Yes. Obviously English,” said Angus, pursing like a bird.

“Oh, but I heard him,” whispered Francis emphatically. “Quite,” said Angus. “But quite inoffensive.”

“Oh, but Angus, my dear—he’s the FLAUTIST. Don’t you remember? The divine bit of Scriabin. At least I believe it was Scriabin.— But PERFECTLY DIVINE!!! I adore the flute above all things—” And Francis placed his hand on Angus’ arm, and rolled his eyes—Lay this to the credit of a bottle of Lacrimae Cristi, if you like.

“Yes. So do I,” said Angus, again looking archly through the monocle, and seeing nothing. “I wonder what he’s doing here.”

“Don’t you think we might ASK him?” said Francis, in a vehement whisper. “After all, we are the only three English people in the place.”

“For the moment, apparently we are,” said Angus. “But the English are all over the place wherever you go, like bits of orange peel in the street. Don’t forget that, Francesco.”

“No, Angus, I don’t. The point is, his flute is PERFECTLY DIVINE—and he seems quite attractive in himself. Don’t you think so?”

“Oh, quite,” said Angus, whose observations had got no further than the black cloth of the back of Aaron’s jacket. That there was a man inside he had not yet paused to consider.

“Quite a musician,” said Francis.

“The hired sort,” said Angus, “most probably.”

“But he PLAYS—he plays most marvellously. THAT you can’t get away from, Angus.”

“I quite agree,” said Angus.

“Well, then? Don’t you think we might hear him again? Don’t you think we might get him to play for us?—But I should love it more than anything.”

“Yes, I should, too,” said Angus. “You might ask him to coffee and a liqueur.”

“I should like to—most awfully. But do you think I might?”

“Oh, yes. He won’t mind being offered a coffee and liqueur. We can give him something decent—Where’s the waiter?” Angus lifted his pinched, ugly bare face and looked round with weird command for the waiter. The waiter, having not much to do, and feeling ready to draw these two weird young birds, allowed himself to be summoned.

“Where’s the wine list? What liqueurs have you got?” demanded Angus abruptly.

The waiter rattled off a list, beginning with Strega and ending with cherry brandy.

“Grand Marnier,” said Angus. “And leave the bottle.”

Then he looked with arch triumph at Francis, like a wicked bird. Francis bit his finger moodily, and glowered with handsome, dark-blue uncertain eyes at Mr. Aaron, who was just surveying the Frutte, which consisted of two rather old pomegranates and various pale yellow apples, with a sprinkling of withered dried figs. At the moment, they all looked like a Natura Morta arrangement.

“But do you think I might—?” said Francis moodily. Angus pursed his lips with a reckless brightness.

“Why not? I see no reason why you shouldn’t,” he said. Whereupon Francis cleared his throat, disposed of his serviette, and rose to his feet, slowly but gracefully. Then he composed himself, and took on the air he wished to assume at the moment. It was a nice degage air, half naive and half enthusiastic. Then he crossed to Aaron’s table, and stood on