The Headsman - James Fenimore Cooper (top novels .TXT) 📗
- Author: James Fenimore Cooper
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case, long ere thou wert thought of for this office, or I knew a sorrowful hour."
"The Signor Grimaldi shall judge between us: I maintain that restraint is necessary to those in high trusts."
"I will decide when the actors have all played their parts," returned the Genoese, smiling; "at present, here cometh one to whom all old soldiers pay homage. We will not fail of respect in so great a presence, on account of a little difference in taste."
Peter Hofmeister was not a small drinker, and as the approach of the god of the cup was announced by a flourish from some twenty instruments made to speak on a key suited to the vault of heaven, he was obliged to reserve his opinions for another time. After the passage of the musicians, and a train of the abbaye's servants, for especial honors were paid to the ruby deity, there came three officials of the sacrifice, one leading a goat with gilded horns, while the two others bore the knife and the hatchet. To these succeeded the altar adorned with vines, the incense-bearers, and the high-priest of Bacchus, who led the way for the appearance of the youthful god himself. The deity was seated astride on a cask, his head encircled with a garland of generous grapes, bearing a cup in one hand, and a vine entwined and fruit-crowned sceptre in the other. Four Nubians carried him on their shoulders, while others shaded his form with an appropriate canopy; fauns wearing tiger-skins, and playing their characteristic antics, danced in his train, while twenty laughing and light-footed Bacchantes flourished their instruments, moving in measure in the rear.
A general shout in the multitude preceded the appearance of Silenus, who was sustained in his place on an ass by two blackamoors. The half-empty skin at his side, the vacant laugh, the foolish eye, the lolling tongue, the bloated lip, and the idiotic countenance, gave reason to suspect that there was a better motive for their support than any which belonged to the truth of the representation. Two youths then advanced, bearing on a pole a cluster of grapes that nearly descended to the ground, and which was intended to represent the fruit brought from Canaan by the messengers of Joshua--a symbol much affected by the artists and mummers of the other hemisphere, on occasions suited to its display. A huge vehicle, ycleped the ark of Noah, closed the procession. It held a wine-press, having its workmen embowered among the vines, and it contained the family of the second father of the human race. As it rolled past, traces of the rich liquor were left in the tracks of its wheels.
Then came the sacrifice, the chant, and the dance, as in most of the preceding exhibitions, each of which, like this of Bacchus, had contained allusions to the peculiar habits and attributes of the different deities. The bacchanal that closed the scene was performed in character; the trumpets flourished, and the procession departed in the order in which it had arrived.
Peter relented a little from his usual political reserve, as he witnessed these games in honor of a deity to whom he so habitually did practical homage, for it was seldom that this elaborate functionary, who might be termed quite a doctrinaire in his way, composed his senses in sleep, without having pretty effectually steeped them in the liquor of the neighboring hills; a habit that was of far more general use among men of his class in that age than in this of ours, which seems so eminently to be the season of sobriety.
"This is not amiss, of a verity;" observed the contented bailiff, as the Fauns and Bacchantes moved off the sward, capering and cutting their classical antics with far more agility and zeal than grace. "This looks like the inspiration of good wine, Signior Genoese, and were the truth known, it would be found that the rogue who plays the part of the fat person on the ass--how dost call the knave, noble Melchior?"
"Body o' me! if I am wiser than thyself, worthy bailiff; it is clearly a rogue who can never have done his mummery so expertly, without some aid from the flask."
"Twill be well to know the fellow's character, for there may be the occasion to commend him to the gentlemen of the abbaye, when all is over. Your skilful ruler has two great instruments that he need use with discretion, Baron de Willading, and these are, fear and flattery; and Berne hath no servant more ready to apply both, or either, as there may be necessity, than one of her poor bailiffs that hath not received all his dues from the general opinion, if truth were spoken. But it is well to be prepared to speak these good people of the abbaye fairly, touching their exploits. Harkee master halberdier; thou art of Vévey, I think, and a warm citizen in thy every-day character, or my eyes do us both injustice."
"I am, as you have said, Monsieur le Bailli, a Vévaisan, and one that is well known among our artisans."
"True, that was visible, spite of thy halberd. Thou art, no doubt, rarely gifted, and taught to the letter in these games. Wilt name the character that has just ridden past on the ass--he that hath so well enacted the drunkard, I mean? His name hath gone out of our minds for the moment, though his acting never can, for a better performance of one overcome by liquor is seldom seen."
"Lord keep you! worshipful bailiff, that is Antoine Giraud, the fat butcher of La Tour de Peil, and a better at the cup there is not in all the country of Vaud! No wonder that he hath done his part so readily; for, while the others have been reading in books, or drilling like so many awkward recruits under the school-master, Antoine hath had little more to perform than to dip into the skin at his elbow. When the officers of the abbaye complain, lest he should disturb the ceremonies, he bids them not to make fools of themselves, for every swallow he gives is just so much done in honor of the representation; and he swears, by the creed of Calvin! that there shall be more truth in his acting than in that of any other of the whole party."
"'Odds my life! the fellow hath humor as well as good acting in him--this Antoine Giraud! Will you look into the written order they have given as, fair Adelheid, that we may make sure this artisan-halberdier hath not deceived us? We in authority must not trust a Vévaisan too lightly."
"It will be vain, I fear, Herr Bailiff, since the characters, and not the names of the actors, appear in the lists. The man in question represents Silenus I should think, judging from his appearance and all the other circumstances."
"Well, let it be as thou wilt. Silenus himself could not play his own part better than it hath been done by this Antoine Giraud. The fellow would gain gold like water at the court of the emperor as a mime, were he only advised to resort thither. I warrant you, now, he would do Pluto or Minerva, or any other god, just as well as he hath done this rogue Silenus!"
The honest admiration of Peter, who, sooth to say, had not much of the learning of the age, as the phrase is, raised a smile on the lip of the beauteous daughter of the baron, and she glanced a look to catch the eye of Sigismund, towards whom all her secret sympathies, whether of sorrow or of joy, so naturally and so strongly tended. But the averted head, the fixed attention, and the nearly immovable and statue-like attitude in which he stood, showed that a more powerful interest drew his gaze to the next group. Though ignorant of the cause of his intense regard, Adelheid instantly forgot the bailiff, his dogmatism, and his want of erudition, in the wish to examine those who approached.
The more classical portion of the ceremonies was now duly observed. The council of the abbaye intended to close with an exhibition that was more intelligible to the mass of the spectators than anything which had preceded it, since it was addressed to the sympathies and habits of every people, and in all conditions of society. This was the spectacle that so engrossingly attracted the attention of Sigismund. It was termed the procession of the nuptials, and it was now slowly advancing to occupy the space left vacant by the retreat of Antoine Giraud and his companions.
There came in front the customary band, playing a lively air which use has long appropriated to the festivities of Hymen. The lord of the manor, or, as he was termed, the baron, and his lady-partner led the train, both apparelled in the rich and quaint attire of the period. Six ancient couples, the representatives of happy married lives, followed by a long succession of offspring of every age, including equally the infant at the breast and the husband and wife in the flower of their days, walked next to the noble pair. Then appeared the section of a dwelling, which was made to portray the interior of domestic economy, having its kitchen, its utensils, and most of the useful and necessary objects that may be said to compose the material elements of an humble ménage . Within this moiety of a house, one female plied the wheel, and another was occupied in baking. The notary, bearing the register beneath an arm, with hat in hand, and dressed in an exaggerated costume of his profession, strutted in the rear of the two industrious housemaids. His appearance was greeted with a general laugh, for the spectators relished the humor of the caricature with infinite goût. But this sudden and general burst of merriment was as quickly forgotten in the desire to behold the bride and bridegroom, whose station was next to that of the officer of the law. It was understood that these parties were not actors, but that the abbaye had sought out a couple, of corresponding rank and means, who had consented to join their fortunes in reality on the occasion of this great jubilee, thereby lending to it a greater appearance of that genuine joy and festivity which it was the desire of the heads of the association to represent. Such a search had not been made without exciting deep interest in the simple communities which surrounded Vévey. Many requisites had been proclaimed to be necessary in the candidates--such as beauty, modesty, merit, and the submission of her sex, in the bride; and in her partner those qualities which might fairly entitle him to be the repository of the happiness of a maiden so endowed.
Many had been the speculations of the Vévaisans touching the individuals who had been selected to perform these grave and important characters which, for fidelity of representation, were to outdo that of Silenus himself; but so much care had been taken by the agents of the abbaye to conceal the names of those they had selected, that, until this moment, when disguise was no longer possible, the public was completely in the dark on the interesting point. It was so usual to make matches of this kind on occasions of public rejoicing, and marriages of convenience, as they are not unaptly termed, enter so completely into the habits of all European communities--perhaps we might say of all old communities--that common opinion would not have been violently outraged had it been known that the chosen pair saw each other for the second or third time in the procession, and that they had now presented themselves to take the nuptial vow,
"The Signor Grimaldi shall judge between us: I maintain that restraint is necessary to those in high trusts."
"I will decide when the actors have all played their parts," returned the Genoese, smiling; "at present, here cometh one to whom all old soldiers pay homage. We will not fail of respect in so great a presence, on account of a little difference in taste."
Peter Hofmeister was not a small drinker, and as the approach of the god of the cup was announced by a flourish from some twenty instruments made to speak on a key suited to the vault of heaven, he was obliged to reserve his opinions for another time. After the passage of the musicians, and a train of the abbaye's servants, for especial honors were paid to the ruby deity, there came three officials of the sacrifice, one leading a goat with gilded horns, while the two others bore the knife and the hatchet. To these succeeded the altar adorned with vines, the incense-bearers, and the high-priest of Bacchus, who led the way for the appearance of the youthful god himself. The deity was seated astride on a cask, his head encircled with a garland of generous grapes, bearing a cup in one hand, and a vine entwined and fruit-crowned sceptre in the other. Four Nubians carried him on their shoulders, while others shaded his form with an appropriate canopy; fauns wearing tiger-skins, and playing their characteristic antics, danced in his train, while twenty laughing and light-footed Bacchantes flourished their instruments, moving in measure in the rear.
A general shout in the multitude preceded the appearance of Silenus, who was sustained in his place on an ass by two blackamoors. The half-empty skin at his side, the vacant laugh, the foolish eye, the lolling tongue, the bloated lip, and the idiotic countenance, gave reason to suspect that there was a better motive for their support than any which belonged to the truth of the representation. Two youths then advanced, bearing on a pole a cluster of grapes that nearly descended to the ground, and which was intended to represent the fruit brought from Canaan by the messengers of Joshua--a symbol much affected by the artists and mummers of the other hemisphere, on occasions suited to its display. A huge vehicle, ycleped the ark of Noah, closed the procession. It held a wine-press, having its workmen embowered among the vines, and it contained the family of the second father of the human race. As it rolled past, traces of the rich liquor were left in the tracks of its wheels.
Then came the sacrifice, the chant, and the dance, as in most of the preceding exhibitions, each of which, like this of Bacchus, had contained allusions to the peculiar habits and attributes of the different deities. The bacchanal that closed the scene was performed in character; the trumpets flourished, and the procession departed in the order in which it had arrived.
Peter relented a little from his usual political reserve, as he witnessed these games in honor of a deity to whom he so habitually did practical homage, for it was seldom that this elaborate functionary, who might be termed quite a doctrinaire in his way, composed his senses in sleep, without having pretty effectually steeped them in the liquor of the neighboring hills; a habit that was of far more general use among men of his class in that age than in this of ours, which seems so eminently to be the season of sobriety.
"This is not amiss, of a verity;" observed the contented bailiff, as the Fauns and Bacchantes moved off the sward, capering and cutting their classical antics with far more agility and zeal than grace. "This looks like the inspiration of good wine, Signior Genoese, and were the truth known, it would be found that the rogue who plays the part of the fat person on the ass--how dost call the knave, noble Melchior?"
"Body o' me! if I am wiser than thyself, worthy bailiff; it is clearly a rogue who can never have done his mummery so expertly, without some aid from the flask."
"Twill be well to know the fellow's character, for there may be the occasion to commend him to the gentlemen of the abbaye, when all is over. Your skilful ruler has two great instruments that he need use with discretion, Baron de Willading, and these are, fear and flattery; and Berne hath no servant more ready to apply both, or either, as there may be necessity, than one of her poor bailiffs that hath not received all his dues from the general opinion, if truth were spoken. But it is well to be prepared to speak these good people of the abbaye fairly, touching their exploits. Harkee master halberdier; thou art of Vévey, I think, and a warm citizen in thy every-day character, or my eyes do us both injustice."
"I am, as you have said, Monsieur le Bailli, a Vévaisan, and one that is well known among our artisans."
"True, that was visible, spite of thy halberd. Thou art, no doubt, rarely gifted, and taught to the letter in these games. Wilt name the character that has just ridden past on the ass--he that hath so well enacted the drunkard, I mean? His name hath gone out of our minds for the moment, though his acting never can, for a better performance of one overcome by liquor is seldom seen."
"Lord keep you! worshipful bailiff, that is Antoine Giraud, the fat butcher of La Tour de Peil, and a better at the cup there is not in all the country of Vaud! No wonder that he hath done his part so readily; for, while the others have been reading in books, or drilling like so many awkward recruits under the school-master, Antoine hath had little more to perform than to dip into the skin at his elbow. When the officers of the abbaye complain, lest he should disturb the ceremonies, he bids them not to make fools of themselves, for every swallow he gives is just so much done in honor of the representation; and he swears, by the creed of Calvin! that there shall be more truth in his acting than in that of any other of the whole party."
"'Odds my life! the fellow hath humor as well as good acting in him--this Antoine Giraud! Will you look into the written order they have given as, fair Adelheid, that we may make sure this artisan-halberdier hath not deceived us? We in authority must not trust a Vévaisan too lightly."
"It will be vain, I fear, Herr Bailiff, since the characters, and not the names of the actors, appear in the lists. The man in question represents Silenus I should think, judging from his appearance and all the other circumstances."
"Well, let it be as thou wilt. Silenus himself could not play his own part better than it hath been done by this Antoine Giraud. The fellow would gain gold like water at the court of the emperor as a mime, were he only advised to resort thither. I warrant you, now, he would do Pluto or Minerva, or any other god, just as well as he hath done this rogue Silenus!"
The honest admiration of Peter, who, sooth to say, had not much of the learning of the age, as the phrase is, raised a smile on the lip of the beauteous daughter of the baron, and she glanced a look to catch the eye of Sigismund, towards whom all her secret sympathies, whether of sorrow or of joy, so naturally and so strongly tended. But the averted head, the fixed attention, and the nearly immovable and statue-like attitude in which he stood, showed that a more powerful interest drew his gaze to the next group. Though ignorant of the cause of his intense regard, Adelheid instantly forgot the bailiff, his dogmatism, and his want of erudition, in the wish to examine those who approached.
The more classical portion of the ceremonies was now duly observed. The council of the abbaye intended to close with an exhibition that was more intelligible to the mass of the spectators than anything which had preceded it, since it was addressed to the sympathies and habits of every people, and in all conditions of society. This was the spectacle that so engrossingly attracted the attention of Sigismund. It was termed the procession of the nuptials, and it was now slowly advancing to occupy the space left vacant by the retreat of Antoine Giraud and his companions.
There came in front the customary band, playing a lively air which use has long appropriated to the festivities of Hymen. The lord of the manor, or, as he was termed, the baron, and his lady-partner led the train, both apparelled in the rich and quaint attire of the period. Six ancient couples, the representatives of happy married lives, followed by a long succession of offspring of every age, including equally the infant at the breast and the husband and wife in the flower of their days, walked next to the noble pair. Then appeared the section of a dwelling, which was made to portray the interior of domestic economy, having its kitchen, its utensils, and most of the useful and necessary objects that may be said to compose the material elements of an humble ménage . Within this moiety of a house, one female plied the wheel, and another was occupied in baking. The notary, bearing the register beneath an arm, with hat in hand, and dressed in an exaggerated costume of his profession, strutted in the rear of the two industrious housemaids. His appearance was greeted with a general laugh, for the spectators relished the humor of the caricature with infinite goût. But this sudden and general burst of merriment was as quickly forgotten in the desire to behold the bride and bridegroom, whose station was next to that of the officer of the law. It was understood that these parties were not actors, but that the abbaye had sought out a couple, of corresponding rank and means, who had consented to join their fortunes in reality on the occasion of this great jubilee, thereby lending to it a greater appearance of that genuine joy and festivity which it was the desire of the heads of the association to represent. Such a search had not been made without exciting deep interest in the simple communities which surrounded Vévey. Many requisites had been proclaimed to be necessary in the candidates--such as beauty, modesty, merit, and the submission of her sex, in the bride; and in her partner those qualities which might fairly entitle him to be the repository of the happiness of a maiden so endowed.
Many had been the speculations of the Vévaisans touching the individuals who had been selected to perform these grave and important characters which, for fidelity of representation, were to outdo that of Silenus himself; but so much care had been taken by the agents of the abbaye to conceal the names of those they had selected, that, until this moment, when disguise was no longer possible, the public was completely in the dark on the interesting point. It was so usual to make matches of this kind on occasions of public rejoicing, and marriages of convenience, as they are not unaptly termed, enter so completely into the habits of all European communities--perhaps we might say of all old communities--that common opinion would not have been violently outraged had it been known that the chosen pair saw each other for the second or third time in the procession, and that they had now presented themselves to take the nuptial vow,
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