Further Chronicles of Avonlea - Lucy Maud Montgomery (best reads .TXT) 📗
- Author: Lucy Maud Montgomery
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“It has cost us over a hundred dollars,” said Ismay, with a malevolent glance at the sleek Fatima.
“It has cost me more than that,” I said, as I turned to the stairway.
Max held me back for an instant, while Ismay and Fatima pattered down.
“Do you think it has cost too much, Sue?” he whispered.
I looked at him sideways. He was really a dear. Niceness fairly exhaled from him.
“No-o-o,” I said, “but when we are married you will have to take care of Fatima, I won’t.”
“Dear Fatima,” said Max gratefully.
II. THE MATERALIZING OF CECIL
It had never worried me in the least that I wasn’t married, although everybody in Avonlea pitied old maids; but it DID worry me, and I frankly confess it, that I had never had a chance to be. Even Nancy, my old nurse and servant, knew that, and pitied me for it. Nancy is an old maid herself, but she has had two proposals. She did not accept either of them because one was a widower with seven children, and the other a very shiftless, good-for-nothing fellow; but, if anybody twitted Nancy on her single condition, she could point triumphantly to those two as evidence that “she could an she would.” If I had not lived all my life in Avonlea I might have had the benefit of the doubt; but I had, and everybody knew everything about me—or thought they did.
I had really often wondered why nobody had ever fallen in love with me. I was not at all homely; indeed, years ago, George Adoniram Maybrick had written a poem addressed to me, in which he praised my beauty quite extravagantly; that didn’t mean anything because George Adoniram wrote poetry to all the good-looking girls and never went with anybody but Flora King, who was cross-eyed and red-haired, but it proves that it was not my appearance that put me out of the running. Neither was it the fact that I wrote poetry myself—although not of George Adoniram’s kind—because nobody ever knew that. When I felt it coming on I shut myself up in my room and wrote it out in a little blank book I kept locked up. It is nearly full now, because I have been writing poetry all my life. It is the only thing I have ever been able to keep a secret from Nancy. Nancy, in any case, has not a very high opinion of my ability to take care of myself; but I tremble to imagine what she would think if she ever found out about that little book. I am convinced she would send for the doctor post-haste and insist on mustard plasters while waiting for him.
Nevertheless, I kept on at it, and what with my flowers and my cats and my magazines and my little book, I was really very happy and contented. But it DID sting that Adella Gilbert, across the road, who has a drunken husband, should pity “poor Charlotte” because nobody had ever wanted her. Poor Charlotte indeed! If I had thrown myself at a man’s head the way Adella Gilbert did at— but there, there, I must refrain from such thoughts. I must not be uncharitable.
The Sewing Circle met at Mary Gillespie’s on my fortieth birthday. I have given up talking about my birthdays, although that little scheme is not much good in Avonlea where everybody knows your age—or if they make a mistake it is never on the side of youth. But Nancy, who grew accustomed to celebrating my birthdays when I was a little girl, never gets over the habit, and I don’t try to cure her, because, after all, it’s nice to have some one make a fuss over you. She brought me up my breakfast before I got up out of bed—a concession to my laziness that Nancy would scorn to make on any other day of the year. She had cooked everything I like best, and had decorated the tray with roses from the garden and ferns from the woods behind the house. I enjoyed every bit of that breakfast, and then I got up and dressed, putting on my second best muslin gown. I would have put on my really best if I had not had the fear of Nancy before my eyes; but I knew she would never condone THAT, even on a birthday. I watered my flowers and fed my cats, and then I locked myself up and wrote a poem on June. I had given up writing birthday odes after I was thirty.
In the afternoon I went to the Sewing Circle. When I was ready for it I looked in my glass and wondered if I could really be forty. I was quite sure I didn’t look it. My hair was brown and wavy, my cheeks were pink, and the lines could hardly be seen at all, though possibly that was because of the dim light. I always have my mirror hung in the darkest corner of my room. Nancy cannot imagine why. I know the lines are there, of course; but when they don’t show very plain I forget that they are there.
We had a large Sewing Circle, young and old alike attending. I really cannot say I ever enjoyed the meetings—at least not up to that time—although I went religiously because I thought it my duty to go. The married women talked so much of their husbands and children, and of course I had to be quiet on those topics; and the young girls talked in corner groups about their beaux, and stopped it when I joined them, as if they felt sure that an old maid who had never had a beau couldn’t understand at all. As for the other old maids, they talked gossip about every one, and I did not like that either. I knew the minute my back was turned they would fasten into me and hint that I used hair-dye and declare it was perfectly ridiculous for a woman of FIFTY to wear a pink muslin dress with lace-trimmed frills.
There was a full attendance that day, for we were getting ready for a sale of fancy work in aid of parsonage repairs. The young girls were merrier and noisier than usual. Wilhelmina Mercer was there, and she kept them going. The Mercers were quite new to Avonlea, having come here only two months previously.
I was sitting by the window and Wilhelmina Mercer, Maggie Henderson, Susette Cross and Georgie Hall were in a little group just before me. I wasn’t listening to their chatter at all, but presently Georgie exclaimed teasingly:
“Miss Charlotte is laughing at us. I suppose she thinks we are awfully silly to be talking about beaux.”
The truth was that I was simply smiling over some very pretty thoughts that had come to me about the roses which were climbing over Mary Gillespie’s sill. I meant to inscribe them in the little blank book when I went home. Georgie’s speech brought me back to harsh realities with a jolt. It hurt me, as such speeches always did.
“Didn’t you ever have a beau, Miss Holmes?” said Wilhelmina laughingly.
Just as it happened, a silence had fallen over the room for a moment, and everybody in it heard Wilhelmina’s question.
I really do not know what got into me and possessed me. I have never been able to account for what I said and did, because I am naturally a truthful person and hate all deceit. It seemed to me that I simply could not say “No” to Wilhelmina before that whole roomful of women. It was TOO humiliating. I suppose all the prickles and stings and slurs I had endured for fifteen years on account of never having had a lover had what the new doctor calls “a cumulative effect” and came to a head then and there.
“Yes, I had one once, my dear,” I said calmly.
For once in my life I made a sensation. Every woman in that room stopped sewing and stared at me. Most of them, I saw, didn’t believe me, but Wilhelmina did. Her pretty face lighted up with interest.
“Oh, won’t you tell us about him, Miss Holmes?” she coaxed, “and why didn’t you marry him?”
“That is right, Miss Mercer,” said Josephine Cameron, with a nasty little laugh. “Make her tell. We’re all interested. It’s news to us that Charlotte ever had a beau.”
If Josephine had not said that, I might not have gone on. But she did say it, and, moreover, I caught Mary Gillespie and Adella Gilbert exchanging significant smiles. That settled it, and made me quite reckless. “In for a penny, in for a pound,” thought I, and I said with a pensive smile:
“Nobody here knew anything about him, and it was all long, long ago.”
“What was his name?” asked Wilhelmina.
“Cecil Fenwick,” I answered promptly. Cecil had always been my favorite name for a man; it figured quite frequently in the blank book. As for the Fenwick part of it, I had a bit of newspaper in my hand, measuring a hem, with “Try Fenwick’s Porous Plasters” printed across it, and I simply joined the two in sudden and irrevocable matrimony.
“Where did you meet him?” asked Georgie.
I hastily reviewed my past. There was only one place to locate Cecil Fenwick. The only time I had ever been far enough away from Avonlea in my life was when I was eighteen and had gone to visit an aunt in New Brunswick.
“In Blakely, New Brunswick,” I said, almost believing that I had when I saw how they all took it in unsuspectingly. “I was just eighteen and he was twenty-three.”
“What did he look like?” Susette wanted to know.
“Oh, he was very handsome.” I proceeded glibly to sketch my ideal. To tell the dreadful truth, I was enjoying myself; I could see respect dawning in those girls’ eyes, and I knew that I had forever thrown off my reproach. Henceforth I should be a woman with a romantic past, faithful to the one love of her life—a very, very different thing from an old maid who had never had a lover.
“He was tall and dark, with lovely, curly black hair and brilliant, piercing eyes. He had a splendid chin, and a fine nose, and the most fascinating smile!”
“What was he?” asked Maggie.
“A young lawyer,” I said, my choice of profession decided by an enlarged crayon portrait of Mary Gillespie’s deceased brother on an easel before me. He had been a lawyer.
“Why didn’t you marry him?” demanded Susette.
“We quarreled,” I answered sadly. “A terribly bitter quarrel. Oh, we were both so young and so foolish. It was my fault. I vexed Cecil by flirting with another man”—wasn’t I coming on!— “and he was jealous and angry. He went out West and never came back. I have never seen him since, and I do not even know if he is alive. But—but—I could never care for any other man.”
“Oh, how interesting!” sighed Wilhelmina. “I do so love sad love stories. But perhaps he will come back some day yet, Miss Holmes.”
“Oh, no, never now,” I said, shaking my head. “He has forgotten all about me, I dare say. Or if he hasn’t, he has never forgiven me.”
Mary Gillespie’s Susan Jane announced tea at this moment, and I was thankful, for my imagination was giving out, and I didn’t know what question those girls would ask next. But I felt already a change in the mental atmosphere surrounding me, and all through supper I was thrilled with a secret exultation.
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