The Mother - Norman Duncan (the best books to read .txt) 📗

Be Madly In Love With the American Beauty,'" Mr. Poddle composedly replied.

"I don't quite--get you?"

"Us celebrities has our secrets. High life is hollow. Public must be took into account. 'Sacrificed On His Country's Altar.' Git me? 'Good of the Profession.' Broken hearts--and all that."

"Would you have broken the Bearded Lady's heart?"

Mr. Poddle was by this recalled to his own lamentable condition. "I've gone and broke my own," he burst out; "for I'm give to understand that the lovely Sword Swallower is got entangled with a tattooed man. Not," Mr. Poodle hastily added, "with a _real_ tattooed man! Not by no means! Far from it! _He's only half done!_ Git me? His legs is finished; and I'm give to understand that the Chinese dragon on his back is gettin' near the end of its tail. There _may_ be a risin' sun on his chest, and a snake drawed out on his waist; of that I've heard rumors, but I ain't had no reports. Not," said Mr. Poddle, impressively, "what you might call undenigeable reports. And Richard," he whispered, in great excitement and contempt, "that there half-cooked freak won't be done for a year! He's bein' worked over on the installment plan. And I'm give to understand that she'll wait! Oh, wimmen!" the Dog-faced Man apostrophized. "Took by shapes and complexions----"

"Mr. Poddle, excuse me," the boy interrupted, diffidently, "but your eyebrow----"

"Thanks," Mr. Poddle groaned, his frenzy collapsing. "As I was about to say, wimmen is like arithmetic; there ain't a easy sum in the book."

"Mr. Poddle!"

"Thanks," said Mr. Poddle, in deep disgust. "Am I at it again? O'erwhelming grief! This here love will be the ruin of me. 'Bank Cashier Defaulted For a Woman.' I've lost more priceless strands since I seen that charming creature than I'll get back in a year. I've bit 'em off! I've tore 'em out! If this here goes on I'll be a Hairless Wonder in a month. 'Suicided For Love.' Same thing exactly. And what's worse," he continued, dejectedly, "the objeck of my adoration don't look at it right. She takes me for a common audience. No regard for talent. No appreciation for hair in the wrong place. 'Genius Jilted By A Factory Girl.' And she takes that manufactured article of a tattooed man for a regular platform attraction! Don't seem to _know_, Richard, that freaks is born, not made. What's fame, anyhow?"

The boy did not know.

"Why, cuss me!" the Dog-faced Man exploded, "she treats me as if I was dead-headed into the Show!"

"Excuse me, but----"

"Thanks. God knows, Richard, I ain't in love with her throat and stummick. It ain't because the one's unequalled for resistin' razor-edged steel and the other stands unrivalled in its capacity for holdin' cold metal. It ain't her talent, Richard. No, it ain't her talent. It ain't her beauty. It ain't even her fame. It ain't so much her massive proportions. It's just the way she darns stockings. Just the way she sits up there on the platform darnin' them stockings as if there wasn't no such thing as an admirin' public below. It's just her _self_. Git me? 'Give Up A Throne To Wed A Butcher's Daughter.' Understand? Why, God bless you, Richard, if she was a Fiji Island Cannibal I'd love her just the same!"

"I think, Mr. Poddle," the boy ventured, "that I'd tell her."

"I did," Mr. Poddle replied. "Much to my regrets I did. I writ. Worked up a beautiful piece out of 'The Lightning Letter-writer for Lovers.' 'Oh, beauteous Sword-Swallower,' I writ, 'pet of the public, pride of the sideshow, bright particular star in the constellation of natural phenomenons! One who is not unknown to fame is dazzled by your charms. He dares to lift his stricken eyes, to give vent to the tumultuous beatings of his manly bosom, to send you, in fact, this note. And if you want to know who done it, wear a red rose to-night.' Well," Mr. Poddle continued, "she seen me give it to the peanut-boy. And knowin' who it come from, she writ back. She writ," Mr. Poddle dramatically repeated, "right back."

The pause was so long, so painful, that the boy was moved to inquire concerning the answer.

"It stabs me," said Mr. Poddle.

"I think I'd like to know," said the boy.

"'Are you much give,' says she, 'to barkin' in your sleep?'"

A very real tear left the eye of Mr. Poddle, ran down the hair of his cheek, changed its course to the eyebrow, and there hung glistening....

It was apparent that the Dog-faced Man's thoughts must immediately be diverted into more cheerful channels. "Won't you please read to me, Mr. Poddle," said the boy, "what it says in the paper about my mother?"

The ruse was effective. Mr. Poddle looked up with a start. "Eh?" he ejaculated.

"Won't you?" the boy begged.

"I been talkin' so much, Richard," Mr. Poddle stammered, turning hoarse all at once, "that I gone and lost my voice."

He decamped to his room across the hall without another word.


_AT MIDNIGHT_

At midnight the boy had long been sound asleep in bed. The lamp was turned low. It was very quiet in the room--quiet and shadowy in all the tenement.... And the stair creaked; and footfalls shuffled along the hall--and hesitated at the door of the place where the child lay quietly sleeping; and there ceased. There was the rumble of a man's voice, deep, insistent, imperfectly restrained. A woman protested. The door was softly opened; and the boy's mother stepped in, moving on tiptoe, and swiftly turned to bar entrance with her arm.

"Hist!" she whispered, angrily. "Don't speak so loud. You'll wake the boy."

"Let me in, Millie," the man insisted. "Aw, come on, now!"

"I can't, Jim. You know I can't. Go on home now. Stop that! I won't marry you. Let go my arm. You'll wake the boy, I tell you!"

There was a short scuffle: at the end of which, the woman's arm still barred the door.

"Here I ain't seen you in three year," the man complained. "And you won't let me in. That ain't right, Millie. It ain't kind to an old friend like me. You didn't used to be that way."

"No," the woman whispered, abstractedly; "there's been a change. I ain't the same as I used to be."

"You ain't changed for the better, Millie. No, you ain't."

"I don't know," she mused. "Sometimes I think not. It ain't because I don't want you, Jim," she continued, speaking more softly, now, "that I don't let you in. God knows, I like to meet old friends; but----"

It was sufficient. The man gently took her arm from the way. He stepped in--glanced at the sleeping boy, lying still as death, shaded from the lamp--and turned again to the woman.

"Don't wake him!" she said.

They were still standing. The man was short, long-armed, vastly broad at the shoulders, deep-chested: flashy in dress, dull and kind of feature--handsome enough, withal. He was an acrobat. Even in the dim light, he carried the impression of great muscular strength--of grace and agility. For a moment the woman's eyes ran over his stocky body: then, spasmodically clenching her hands, she turned quickly to the boy on the bed; and she moved back from the man, and thereafter regarded him watchfully.

"Don't make no difference if I do wake him," he complained. "The boy knows me."

"But he don't like you."

"Aw, Millie!" said he, in reproach. "Come off!"

"I seen it in his eyes," she insisted.

The man softly laughed.

"Don't you laugh no more!" she flashed. "You can't tell a mother what she sees in her own baby's eyes. I tell you, Jim, he don't like you. He never did."

"That's all fancy, Millie. Why, he ain't seen me in three year! And you can't see nothing in the eyes of a four year old kid. You're too fond of that boy, anyhow," the man continued, indignantly. "What's got into you? You ain't forgot that winter night out there in Idaho, have you? Don't you remember what you said to Dick that night? You said Dick was to blame, Millie, don't you remember? Remember the doctor coming to the hotel? I'll never forget how you went on. Never heard a woman swear like you before. Never seen one go on like you went on. And when you hit Dick, Millie, for what you said he'd done, I felt bad for Dick, though I hadn't much cause to care for what happened to him. Millie, girl, you was a regular wildcat when the doctor told you what was coming. You didn't want no kid, then!"

"Don't!" she gasped. "I ain't forgot. But I'm changed, Jim--since then."

He moved a step nearer.

"I ain't the same as I used to be in them days," she went on, staring at the window, and through the window to the starry night. "And Dick's dead, now. I don't know," she faltered; "it's all sort of--different."

"What's gone and changed you, Millie?"

"I ain't the same!" she repeated.

"What's changed you?"

"And I ain't been the same," she whispered, "since I got the boy!"

In the pause, he took her hand. She seemed not to know it--but let it lie close held in his great palm.

"And you won't have nothing to do with me?" he asked.

"I can't," she answered. "I don't think of myself no more. And the boy--wouldn't like it."

"You always said you would, if it wasn't for Dick; and Dick ain't here no more. There ain't no harm in loving me now." He tried to draw her to him. "Aw, come on!" he pleaded. "You know you like me."

She withdrew her hand--shrank from him. "Don't!" she said. "I like you, Jim. You know I always did. You was always good to me. I never cared much for Dick. Him and me teamed up pretty well. That was all. It was always you, Jim, that I cared for. But, somehow, now, I wish I'd loved Dick--more than I did. I feel different, now. I wish--oh, I wish--that I'd loved him!"

The man frowned.

"He's dead," she continued. "I can't tell him nothing, now. The chance is gone. But I wish I'd loved him!"

"He never done much for you."

"Yes, he did, Jim!" she answered, quickly. "He done all a man can do for a woman!"

She was smiling--but in an absent way. The man started. There was a light in her eyes he had never seen before.

"He give me," she said, "the boy!"

"You're crazy about that kid," the man burst out, a violent, disgusted whisper. "You're gone out of your mind."

"No,