The Goose Girl - Harold MacGrath (best non fiction books of all time .txt) 📗

museum and exhibit him as an intimate friend of the grand duke of Ehrenstein."

But Gretchen did not laugh. It was a serious thing to talk lightly of so grand a person as the duke. Still, the magic word America, where the gold came from, flamed her curiosity.

"You are from America?"

"Yes."

"Are you rich?"

"In fancy, in dreams"-humorously.

"Oh! I thought they were all rich."

"Only one or two of us."

"Is it very large, this America?"

"France, Spain, Prussia would be lonesome if set down in America. Only Russia has anything to boast of."

"Did you fight in the war?"

"Yes. Do you like music?"

"Were you ever wounded?"

"A scratch or two, nothing to speak of. But do you like music?"

"Very, very much. When they play Beethoven, Bach, or Meyerbeer, ach, I seem to live in another country. I hear music in everything, in the leaves, the rain, the wind, the stream."

It seemed strange to him that he had not noticed it at first, the almost Hanoverian purity of her speech and the freedom with which she spoke. The average peasant is diffident, with a vocabulary of few words, ignorant of art or music or where the world lay.

"What is your name?"

"Gretchen."

"It is a good name; it is famous, too."

"Goethe used it."

"So he did." Carmichael ably concealed his surprise: "You have some one who reads to you?"

"No, Herr. I can read and write and do sums in addition."

He was willing to swear that she was making fun of him. Was she a simple goose-girl? Was she not something more, something deeper? War-clouds were forming in the skies; they might gather and strike at any time. And who but the French could produce such a woman spy? Ehrenstein was not Prussia, it was true; but the duchy with its twenty thousand troops was one of the many pulses that beat in unison with this man Bismarck's plans. Carmichael addressed her quickly in French, aiming to catch her off her guard.

"I do not speak French, Herr,"-honestly.

He was certainly puzzled, but a glance at her hands dissolved his doubts. These hands were used to toil, they were in no way disguised. No Frenchwoman would sacrifice her hands for her country; at least, not to this extent. Yet the two things in his mind would not readily cohese: a goose-girl who was familiar with the poets and composers.

"You have been to school?"

"After a manner. My teacher was a kind priest. But he never knew that, with knowledge, he was to open the gates of discontent."

"Then you are not happy with your lot?"

"Is any one, Herr?"-quietly. "And who might you be, and what might you be doing here in Dreiberg, riding with the grand duke?"

"I am the American consul."

Gretchen took a step back.

"Oh, it is nothing that will bite you," he added.

"But perhaps I have been disrespectful!"

"Pray, how?"

Gretchen found that she had no definite explanation to offer.

"What did Colonel Wallenstein say to you?"

"Nothing of importance. I am used to it. I am perfectly able to take care of myself," she answered.

"But he annoyed you."

"That is true," she admitted.

"What did the policeman say?"

"What would he say to a goose-girl?"

"Shall I speak to him?"

"Would it really do any good?"-skeptically.

"It might. The duke is friendly toward me, and I am certain he would not tolerate such conduct in his police."

"You would only make enemies for me; insolence would become persecution. I know. Yet, I thank you, Herr-"

"Carmichael. Now, listen, Gretchen; if at any time you are in trouble, you will find me at the Grand Hotel or at the consulate next door to the Black Eagle."

"I shall remember. Sometimes I work in the Black Eagle." And recollection rose in her mind of the old man who had given her the gold piece.

"Good night," he said.

"Thank you, Herr."

Gretchen extended her hand and Carmichael took it in his own, inspecting it.

"Why do you do that?"

"It is a good hand; it is strong, too."

"It has to be strong, Herr. Good night."

Carmichael raised his hat again, and Gretchen breathed contentedly as she saw him disappear in the crowd. That little act of courtesy made everything brighter. There was only one other who ever touched his hat to her respectfully. And as she stood there, dreaming over the unusual happenings of the day, she felt an arm slip through hers, gently but firmly, even with authority. Her head went round.

"Leo?" she whispered.

The young vintner whom Carmichael had pushed against the wall that day smiled from under the deep shade of his hat, drawn down well over his face.

"Gretchen, who was that speaking to you?"

"Herr Carmichael, the American consul."

"Carmichael!" The arm in Gretchen's stiffened.

"What is it, Leo?"

"Nothing. Only, I grow mad with rage when any of these gentlemen speak to you. Gentlemen! I know them all too well."

"This one means no harm."

"I would I were certain. Ah, how I love you!" he whispered.

Gretchen thrilled and drew his arm closely against her side.

"To me the world began but two weeks ago. I have just begun to live."

"I am glad," said Gretchen. "But listen."

The band was playing again.

"Sometimes I am jealous even of that."

"I love you none the less for loving it."

"I know; but I am sad and lonely to-night"-gloomily. "I want all your thoughts."

"Are they not always yours? And why should you be sad and miserable?"

"Why, indeed!"

"Leo, as much as I love you, there is always a shadow."

"What shadow?"

"It is always at night that I see you, rarely in the bright daytime. What do you do during the day? It is not yet vintage. What do you do?"

"Will you trust me a little longer, Gretchen, just a little longer?"

"Always, not a little longer, always. But wait till the music stops and I will tell you of my adventure."

"You have had an adventure?"-distrustfully.

"Yes. Be still."

There were tones in Gretchen's voice that the young vintner could never quite understand. There was a will little less than imperial, and often as he rebelled, he never failed to bow to it.

"What was this adventure?" he demanded, as the music stopped.

She told him about the geese, the grand duke, and the two crowns. He laughed, and she joined him, for it was amusing now.

The musicians were putting away their instruments, the crowd was melting, the attendants were stacking the chairs, so the two lovers went out of the gardens toward the town and the Krumerweg.

Meanwhile Carmichael had lectured the policeman, who was greatly disturbed.

"Your Excellency, I am sure Colonel von Wallenstein meant no harm."

"Are you truthfully sure?"

The policeman plucked at his beard nervously. "It is every man for himself, as your excellency knows. Had I spoken to the colonel, he would have had me broken."

"You could have appealed to the duke."

"Perhaps. I am sorry for the girl, but I have a family to take care of."

"Well, mark me; this little woman loves music; she comes here often. The next time she is annoyed by Wallenstein or any one else, you report it to me. I'll see that it reaches his highness."

"I shall gladly do that, your Excellency."

Carmichael left the gardens and wandered with aimless step. He was surprised to find that he was opposite the side gates to the royal gardens. His feet had followed the bent of his mind. Yet he did not cross the narrow side street. The sound of carriage wheels caused him to halt. He waited. The carriage he had seen by the fountain drew up before the gates, and the woman in black alighted. She spoke to the sentinel, who opened the gates and closed them. The veiled lady vanished abruptly beyond the shrubbery.

"I wonder who that was?" was Carmichael's internal question. "Bah! Some lady-in-waiting with an affair on hand."


CHAPTER III

FOR HER COUNTRY


"Count, must I tell you again not to broach that subject? There can be no alliance between Ehrenstein and Jugendheit."

"Why?" asked Count von Herbeck, chancellor, coolly returning the angry flash from the ducal eyes.

"There are a thousand reasons why, but it is not my purpose to name them."

"Name only one, your Highness, only one."

"Will that satisfy you?"

"Perhaps."

"One of my reasons is that I do not want any alliance with a country so perfidious as Jugendheit. What! I make overtures? I, who have been so cruelly wronged all these years? You are mad."

"But what positive evidence have you that Jugendheit wronged you?"

"Positive? Have I eyes and ears? Have I not seen and read and heard?" This time the duke struck the desk savagely. "Why do you always rouse me in this fashion, Herbeck? You know how distasteful all this is to me."

"Your highness knows that I look only to the welfare of the country. In the old days it was a foregone conclusion that this alliance was to be formed. Now, you persist in averring that the late king was the chief conspirator in abducting her serene highness, aided by Arnsberg, whose successor I have the honor to be. I have never yet seen any proofs. You have never yet produced them. Show me something which absolutely convicts them, and I'll surrender."

"On your honor?"

"My word."

The grand duke struck the bell on the chancellor's desk.

"My secretary, and tell him to bring me the packet marked A. He will understand."

The two men waited without speaking, each busy with thought. The duke had been in his youth, and was still, a handsome man, splendidly set up, healthy and vigorous, keen mentally, and whatever stubbornness he possessed nicely balanced by common sense. He might have been guilty in his youth of a few human peccadillos, but the kingly and princely excesses which at that time were making the east side of the Rhine the scandal of the world had in no wise sullied his name. Ehrenstein means "stone of honor," and he had always carried the thought of this in his heart. He was frank in his likes and dislikes, he hated secrets, and he loved an opponent who engaged him in the open. Herbeck often labored with him over this open manner, but the mind he sought to work upon was as receptive to political hypocrisy as a wall of granite. It was this extraordinary rectitude which made the duke so powerful an aid to Bismarck in the days that followed. The Man of Iron needed this sort of character as a cover and a buckler to his own duplicities.

Herbeck was an excellent foil. He was as silent and secretive as sand. He moved, as it were, in circles, thus always eluding dangerous corners. He was tall, angular, with a thin, immobile countenance, well guarded by his gray eyes and straight lips. He was a born financier, with almost limitless ambition, though only he himself knew how far this ambition reached. He had not brought prosperity to Ehrenstein, but he had fortified and bastioned