The Jungle Fugitives: A Tale of Life and Adventure in India<br />Including also Many Stories of Amer by Ellis (ebook reader play store .TXT) 📗

takes the noose in his lasso hand. I will use my left, as it is a trifle handier for me. He grips the rope, not too firmly, holding the standing part and the side of the noose about half the length of the loop away from the knot. That is to enable him to swing the noose so that it will fall open. If he holds it at the knot he will throw a long, narrow noose that is very likely to cross and kink.

"Meanwhile I, representing our cowboy, hold the remaining coils in my other hand, only changing the position of my forefinger so as to secure better control of the coils. Then comes the third maneuver—enlarging the noose. Of course, you have to have a larger noose than one a foot in diameter to drop over a steer's horns forty feet away. The noose is enlarged by swinging the noose in your lasso hand until the centrifugal force pulls it out the size you wish (this is the reason you do not grasp it too firmly), letting go with the other hand, of course, as many coils as are necessary to make the noose the right size. Now you have the noose in the air you do not cease making it circle around your head until you let it go. When the noose has been let out to the right size the next trouble is to keep it open and to avoid entangling it in the brush or other surrounding obstructions. You keep it open, as I said, by holding the noose from quarter to half its length from the knot, and by a peculiar twist of the wrist that is only attainable by practice. To keep it clear of the brush is often a more difficult job, for the cowboy is not always in a clear place when he wants to throw his rope. Then it is that his judgment comes into play and determines whether his cast is a lost one or not. I have seen vaqueros swing a lasso swiftly almost in the midst of a thicket, and keep it clear without losing speed, and then let it drive straight as an arrow between two close trees and rope an object that could not pass where the noose had gone. Such skill, to be sure, comes only after long practice.

"Well, now we have got the noose circling about the vaquero's head, and the next thing is to let it fly. There is not much to describe about this part of throwing a riata, important though it may be. It is only incessant practice that will enable a man to make a certain cast. The main thing is to swing the rope just long enough—neither so long as to give it a side-wise motion when you throw it, nor short enough to prevent its getting all the force you require. Then the riata man must throw at a particular limb or projection. This thing of tossing blindly at an object and trusting to luck that the animal will get into the rope somehow will not do. You must pick out your mark as carefully as if you were shooting at it, and then time it. A steer jumping along changes his position constantly as regards you. If you throw at his head high up the chances are that it will be away down when your rope reaches him, and you will overthrow. Now, if you pick out a foot you must reckon so that that foot will be off the ground when your rope reaches him. The noose does not travel like a bullet, and this element of time is most important.

"Of even more importance is it that the distances are gauged correctly. You remember I spoke about holding the coils lightly in two or three fingers. Well, that is done in order that as many coils as may be considered necessary may be let go. If you are wielding a riata you know that each of your coils is almost two feet or two and one half feet long. So if you want to lasso something twenty feet away you let go ten coils.

"As to letting go, you simply open your hand at the correct time and the rope slips off.

"But even after you have roped your steer your work is not over. Almost any animal can pull you from your horse, and to prevent this you must get your rope around the horn of your saddle. There is where you have to be quick. There are two ways of making this hitch that are used ordinarily. The one I prefer is simply to take two turns around the horn, taking care that the second turn comes lower and overlaps the other. No pull in the world could make that rope slip, while I can, simply by throwing off one turn, let it all slide off. This other fashion, which is really taking a 'half-inch' around the horn, holds just as fast, but you have to push the rope through to loosen it. You see, in making this sudden twist, a finger is very likely to get caught, and I have known many fingers being taken off before such a hitch could be unfastened.

"It is often advisable to take an extra twist around anything you have lassoed, and this is done by simply throwing a coil. Practice again is the only thing that can teach this.

"Now you have the whole theory of throwing a rope.

"There are four sorts of throws, but they are all made alike, only the position of the arm being different. They are the overthrow, the underthrow, the sidethrow, and the backthrow."

"Backthrow?"

"Yes, backthrow—catching an object behind you—something that you need not even see. That sounds difficult, does it? Well, you stand behind me and you can see it done."

The reporter took his station twenty feet behind Mr. Ohnimus, quite out of sight, of course. He swung the loop around his head, and, without turning, let it fly backward. It circled the newspaper man exactly, and by pulling it quickly Ohnimus had his arms pinioned to his side.

"Are there any more trick throws?" asked the reporter.

"Lots of them. I never put myself up as a crack riata man, and I am out of practice now, but I can lay the noose on the ground at my feet and kick it around your neck, or pick it off the ground from my horse and land it around you while the horse is going at full speed, and do lots of things like that, but none of them is any good. That backthrow has been used by the Mexican highwaymen to considerable advantage. You see, in that country the traveler always looks out for danger from the rear and is prepared for it, but when a pleasant horseman rides past him, playing with his riata, and wishing him 'Good-day' as he passes, he is likely to consider the danger as gone by, as well as the man. That has caused the death of a good many. The bandit gets the right distance ahead and then lassoes him as I did you. A touch of his spur jerks his victim from the saddle and that ends it."

"How is the lasso as a weapon of defence?"

"Good. A quick riata man can beat a fellow with a pistol at fairly close quarters."

"How?"

"Well, here is a pistol. Put it in your pocket and draw it on me as I come toward you."

The reporter did as he was directed. He had not raised the weapon when the noose was around his hand and the pistol was jerked a dozen feet.

"Try again, and tighter," said Ohnimus.

The reporter did so. The pistol was not jerked from his hand this time,