Lysbeth, a Tale of the Dutch by H. Rider Haggard (red white royal blue TXT) 📗

answered an elderly and good-natured woman who overheard her, “we are only waiting to hear the new governor of the prison read his deed of appointment.”

As she spoke the doors were thrown open and a man—he was a well-known executioner named Baptiste—came out carrying a sword in one hand and a bunch of keys on a salver in the other. After him followed the governor gallantly dressed and escorted by a company of soldiers and the officials of the prison. Drawing a scroll from beneath his cloak he began to read it rapidly and in an almost inaudible voice.

It was his commission as governor of the prison signed by Alva himself, and set out in full his powers, which were considerable, his responsibilities which were small, and other matters, excepting only the sum of money that he had paid for the office, that, given certain conditions, was, as a matter of fact, sold to the highest bidder. As may be guessed, this post of governor of a gaol in one of the large Netherland cities was lucrative enough to those who did not object to such a fashion of growing rich. So lucrative was it, indeed, that the salary supposed to attach to the office was never paid; at least its occupant was expected to help himself to it out of heretical pockets.

As he finished reading through the paper the new governor looked up, to see, perhaps, what impression he had produced upon his audience. Now Elsa saw his face for the first time and gripped Lysbeth’s arm.

“It is Ramiro,” she whispered, “Ramiro the spy, the man who dogged my father at The Hague.”

As well might she have spoken to a statue. Indeed, of a sudden Lysbeth seemed to be smitten into stone, for there she stood staring with a blanched and meaningless face at the face of the man opposite to her. Well might she stare, for she also knew him. Across the gulf of years, one-eyed, bearded, withered, scarred as he was by suffering, passion and evil thoughts, she knew him, for there before her stood one whom she deemed dead, the wretch whom she had believed to be her husband, Juan de Montalvo. Some magnetism drew his gaze to her; out of all the faces of that crowd it was hers that leapt to his eye. He trembled and grew white; he turned away, and swiftly was gone back into the hell of the Gevangenhuis. Like a demon he had come out of it to survey the human world beyond, and search for victims there; like a demon he went back into his own place. So at least it seemed to Lysbeth.

“Come, come,” she muttered and, drawing the girl with her, passed out of the crowd.

Elsa began to talk in a strained voice that from time to time broke into a sob.

“That is the man,” she said. “He hounded down my father; it was his wealth he wanted, but my father swore that he would die before he should win it, and he is dead—dead in the Inquisition, and that man is his murderer.”

Lysbeth made no answer, never a word she uttered, till presently they halted at a mean and humble door. Then she spoke for the first time in cold and constrained accents.

“I am going in here to visit the Vrouw Jansen; you have heard of her, the wife of him whom they burned. She sent to me to say that she is sick, I know not of what, but there is smallpox about; I have heard of four cases of it in the city, so, cousin, it is wisest that you should not enter here. Give me the basket with the food and wine. Look, yonder is the factory, quite close at hand, and there you will find Foy. Oh! never mind Ramiro. What is done is done. Go and walk with Foy, and for a while forget—Ramiro.”

At the door of the factory Elsa found Foy awaiting her, and they walked together through one of the gates of the city into the pleasant meadows that lay beyond. At first they did not speak much, for each of them was occupied with thoughts which pressed their tongues to silence. When they were clear of the town, however, Elsa could contain herself no more; indeed, the anguish awakened in her mind by the sight of Ramiro working upon nerves already overstrung had made her half-hysterical. She began to speak; the words broke from her like water from a dam which it has breached. She told Foy that she had seen the man, and more—much more. All the misery which she had suffered, all the love for the father who was lost to her.

At last Elsa ceased outworn, and, standing still there upon the river bank she wrung her hands and wept. Till now Foy had said nothing, for his good spirits and cheerful readiness seemed to have forsaken him. Even now he said nothing. All he did was to put his arms about this sweet maid’s waist, and, drawing her to him, to kiss her upon brow and eyes and lips. She did not resist; it never seemed to occur to her to show resentment; indeed, she let her head sink upon his shoulder like the head of a little child, and there sobbed herself to silence. At last she lifted her face and asked very simply:

“What do you want with me, Foy van Goorl?”

“What?” he repeated; “why I want to be your husband.”

“Is this a time for marrying and giving in marriage?” she asked again, but almost as though she were speaking to herself.

“I don’t know that it is,” he replied, “but it seems the only thing to do, and in such days two are better than one.”

She drew away and looked at him, shaking her head sadly. “My father,” she began——

“Yes,” he interrupted brightening, “thank you for mentioning him, that reminds me. He wished this, so I hope now that he is gone you will take the same view.”

“It is rather late to talk about that, isn’t it, Foy?” she stammered, looking at his shoulder and smoothing her ruffled hair with her small white hand. “But what do you mean?”

So word for word, as nearly as he could remember it, he told her all that Hendrik Brant had said to him in the cellar at The Hague before they had entered upon the desperate adventure of their flight to the Haarlemer Meer. “He wished it, you see,” he ended.

“My thought was always his thought, and—Foy—I wish it also.”

“Priceless things are not lightly won,” said he, quoting Brant’s words as though by some afterthought.

“There he must have been talking of the treasure, Foy,” she answered, her face lightening to a smile.

“Ay, of the treasure, sweet, the treasure of your dear heart.”

“A poor thing, Foy, but I think that—it rings true.”

“It had need, Elsa, yet the best of coin may crack with rough usage.”

“Mine will wear till death, Foy.”

“I ask no more, Elsa. When I am dead, spend it elsewhere; I shall find it again above where there is no marrying or giving in marriage.”

“There would be but small change left to spend, Foy, so look to your own gold and—see that you do not alter its image and superscription, for metal will melt in the furnace, and each queen has her stamp.”

“Enough,” he broke in impatiently. “Why do you talk of such things, and in these riddles which puzzle me?”

“Because, because, we are not married yet, and—the words are not mine—precious things are dearly won. Perfect love and perfect peace cannot be bought with a few sweet words and kisses; they must be earned in trial and tribulation.”

“Of which I have no doubt we shall find plenty,” Foy replied cheerfully. “Meanwhile, the kisses make a good road to travel on.”

After this Elsa did not argue any more.

At length they turned and walked homeward through the quiet evening twilight, hand clasped in hand, and were happy in their way. It was not a very demonstrative way, for the Dutch have never been excitable, or at least they do not show their excitement. Moreover, the conditions of this betrothal were peculiar; it was as though their hands had been joined from a deathbed, the deathbed of Hendrik Brant, the martyr of The Hague, whose new-shed blood cried out to Heaven for vengeance. This sense pressing on both of them did not tend towards rapturous outbursts of youthful passion, and even if they could have shaken it off and let their young blood have rein, there remained another sense—that of dangers ahead of them.

“Two are better than one,” Foy had said, and for her own reasons she had not wished to argue the point, still Elsa felt that to it there was another side. If two could comfort each other, could help each other, could love each other, could they not also suffer for each other? In short, by doubling their lives, did they not also double their anxieties, or if children should come, treble and quadruple them? This is true of all marriage, but how much more was it true in such days and in such a case as that of Foy and Elsa, both of them heretics, both of them rich, and, therefore, both liable at a moment’s notice to be haled to the torment and the stake? Knowing these things, and having but just seen the hated face of Ramiro, it is not wonderful that although she rejoiced as any woman must that the man to whom her soul turned had declared himself her lover, Elsa could only drink of this joyful cup with a chastened and a fearful spirit. Nor is it wonderful that even in the hour of his triumph Foy’s buoyant and hopeful nature was chilled by the shadow of her fears and the forebodings of his own heart.

When Lysbeth parted from Elsa that afternoon she went straight to the chamber of the Vrouw Jansen. It was a poor place, for after the execution of her husband his wretched widow had been robbed of all her property and now existed upon the charity of her co-religionists. Lysbeth found her in bed, an old woman nursing her, who said that she thought the patient was suffering from a fever. Lysbeth leant over the bed and kissed the sick woman, but started back when she saw that the glands of her neck were swollen into great lumps, while the face was flushed and the eyes so bloodshot as to be almost red. Still she knew her visitor, for she whispered:

“What is the matter with me, Vrouw van Goorl? Is it the smallpox coming on? Tell me, friend, the doctor would not speak.”

“I fear that it is worse; it is the plague,” said Lysbeth, startled into candour.

The poor girl laughed hoarsely. “Oh! I hoped it,” she said. “I am glad, I am glad, for now I shall die and go to join him. But I wish that I had caught it before,” she rambled on to herself, “for then I would have taken it to him in prison and they couldn’t have treated him as they did.” Suddenly she seemed to come to herself, for she added, “Go away, Vrouw van Goorl, go quickly or you may catch my sickness.”

“If so, I am afraid that the mischief is done, for I have kissed you,” answered Lysbeth. “But I do not fear such things, though perhaps if I took it, this would save me many a trouble. Still, there are others to think of, and I will go.” So, having knelt down to pray awhile by the patient, and given the old nurse the basket of soup and food, Lysbeth went.

Next morning she heard that the Vrouw Jansen was dead, the pest that struck her being of the most fatal sort.

Lysbeth knew that she had run great risk, for there is no disease more infectious than the plague. She determined, therefore, that so soon as she reached home she would burn her dress and other articles of clothing and purify herself with the fumes of herbs. Then she dismissed the matter from her mind, which was already filled with another thought, a dominant, soul-possessing thought.

Oh God, Montalvo had returned to Leyden! Out of the blackness of the past, out of the gloom of the galleys, had arisen this evil genius of her life; yes, and, by a strange fatality, of the life of Elsa Brant also, since it was he, she swore, who had dragged down her father. Lysbeth was a brave woman, one who had passed through many dangers, but her whole heart turned sick with terror at the sight of this man, and sick it must remain till she, or he, were dead. She could well guess what he