The Awkward Age - Henry James (ap literature book list .txt) 📗

other, but was oddly, almost ludicrously, embarrassed to choose. What was in her face indeed during this short passage might prove to have been, should we penetrate, the flicker of a sense that in spite of all intimacy and amiability they could, at bottom and as things commonly turned out, only be united against her. Yet she made at the end a sort of choice in going on to Mitchy: “He hasn’t at all told you the real reason of Nanda’s idea that you should go in for Aggie.”

“Oh I draw the line there,” said Vanderbank. “Besides, he understands that too.”

Mitchy, on the spot, did himself and every one justice. “Why it just disposes of me, doesn’t it?”

It made Vanderbank, restless now and turning about the room, stop with a smile at Mrs. Brook. “We understand too well!”

“Not if he doesn’t understand,” she replied after a moment while she turned to Mitchy, “that his real ‘combination’ can in the nature of the case only be—!”

“Oh yes”—Mitchy took her straight up—“with the young thing who is, as you say, positively and helplessly modern and the pious fraud of whose classic identity with a sheet of white paper has been—ah tacitly of course, but none the less practically!—dropped. You’ve so often reminded me. I do understand. If I were to go in for Aggie it would only be to oblige. The modern girl, the product of our hard London facts and of her inevitable consciousness of them just as they are—she, wonderful being, IS, I fully recognise, my real affair, and I’m not ashamed to say that when I like the individual I’m not afraid of the type. She knows too much—I don’t say; but she doesn’t know after all a millionth part of what I do.”

“I’m not sure!” Mrs. Brook earnestly exclaimed.

He had rung out and he kept it up with a limpidity unusual. “And product for product, when you come to that, I’m a queerer one myself than any other. The traditions I smash!” Mitchy laughed.

Mrs. Brook had got up and Vanderbank had gone again to the window. “That’s exactly why,” she returned. “You’re a pair of monsters and your monstrosity fits. She does know too much,” she added.

“Well,” said Mitchy with resolution, “it’s all my fault.”

“Not ALL—unless,” Mrs. Brook returned, “that’s only a sweet way of saying that it’s mostly mine.”

“Oh yours too—immensely; in fact every one’s. Even Edward’s, I dare say; and certainly, unmistakably, Harold’s. Ah and Van’s own—rather!” Mitchy continued; “for all he turns his back and will have nothing to say to it.”

It was on the back Vanderbank turned that Mrs. Brook’s eyes now rested. “That’s precisely why he shouldn’t be afraid of her.”

He faced straight about. “Oh I don’t deny my part.”

He shone at them brightly enough, and Mrs. Brook, thoughtful, wistful, candid, took in for a moment the radiance. “And yet to think that after all it has been mere TALK!”

Something in her tone again made her hearers laugh out; so it was still with the air of good humour that Vanderbank answered: “Mere, mere, mere. But perhaps it’s exactly the ‘mere’ that has made us range so wide.”

Mrs. Brook’s intelligence abounded. “You mean that we haven’t had the excuse of passion?”

Her companions once more gave way to mirth, but “There you are!” Vanderbank said after an instant less sociably. With it too he held out his hand.

“You ARE afraid,” she answered as she gave him her own; on which, as he made no rejoinder, she held him before her. “Do you mean you REALLY don’t know if she gets it?”

“The money, if he DOESN’T go in?”—Mitchy broke almost with an air of responsibility into Vanderbank’s silence. “Ah but, as we said, surely—!”

It was Mitchy’s eyes that Vanderbank met. “Yes, I should suppose she gets it.”

“Perhaps then, as a compensation, she’ll even get MORE—!”

“If I don’t go in? Oh!” said Vanderbank. And he changed colour.

He was by this time off, but Mrs. Brook kept Mitchy a moment. “Now—by that suggestion—he has something to show. He won’t go in.”

III

Her visitors had been gone half an hour, but she was still in the drawing-room when Nanda came back. The girl found her, on the sofa, in a posture that might have represented restful oblivion, but that, after a glance, our young lady appeared to interpret as mere intensity of thought. It was a condition from which at all events Mrs. Brook was quickly roused by her daughter’s presence: she opened her eyes and put down her feet, so that the two were confronted as closely as persons may be when it is only one of them who looks at the other. Nanda, gazing vaguely about and not seeking a seat, slowly drew off her gloves while her mother’s sad eyes considered her from top to toe. “Tea’s gone,” Mrs. Brook then said as if there were something in the loss peculiarly irretrievable. “But I suppose,” she added, “he gave you all you want.”

“Oh dear yes, thank you—I’ve had lots.”

Nanda hovered there slim and charming, feathered and ribboned, dressed in thin fresh fabrics and faint colours, with something in the effect of it all to which the sweeter deeper melancholy in her mother’s eyes seemed happily to testify. “Just turn round, dear.” The girl immediately obeyed, and Mrs. Brook once more took everything in. “The back’s best— only she didn’t do what she said she would. How they do lie!” she gently quavered.

“Yes, but we lie so to THEM.” Nanda had swung round again, producing evidently on her mother’s part, by the admirable “hang” of her light skirts, a still deeper peace. “Do you mean the middle fold?—I knew she wouldn’t. I don’t want my back to be best—I don’t walk backward.”

“Yes,” Mrs. Brook resignedly mused; “you dress for yourself.”

“Oh how can you say that,” the girl asked, “when I never stick in a pin but what I think of YOU!”

“Well,” Mrs. Brook moralised, “one must always, I consider, think, as a sort of point de repere, of some one good person. Only it’s best if it’s a person one’s afraid of. You do very well, but I’m not enough. What one really requires is a kind of salutary terror. I never stick in a pin without thinking of your Cousin Jane. What is it that some one quotes somewhere about some one’s having said that ‘Our antagonist is our helper—he prevents our being superficial’? The extent to which with my poor clothes the Duchess prevents ME—!” It was a measure Mrs. Brook could give only by the general soft wail of her submission to fate.

“Yes, the Duchess isn’t a woman, is she? She’s a standard.”

The speech had for Nanda’s companion, however, no effect of pleasantry or irony, and it was a mark of the special intercourse of these good friends that though they showed each other, in manner and tone, such sustained consideration as might almost have given it the stamp of diplomacy, there was yet in it also something of that economy of expression which is the result of a common experience. The recurrence of opportunity to observe them together would have taught a spectator that —on Mrs. Brook’s side doubtless more particularly—their relation was governed by two or three remarkably established and, as might have been said, refined laws, the spirit of which was to guard against the vulgarity so often coming to the surface between parent and child. That they WERE as good friends as if Nanda had not been her daughter was a truth that no passage between them might fail in one way or another to illustrate. Nanda had gathered up, for that matter, early in life, a flower of maternal wisdom: “People talk about conscience, but it seems to me one must just bring it up to a certain point and leave it there. You can let your conscience alone if you’re nice to the second housemaid.” Mrs. Brook was as “nice” to Nanda as she was to Sarah Curd— which involved, as may easily be imagined, the happiest conditions for Sarah. “Well,” she resumed, reverting to the Duchess on a final appraisement of the girl’s air, “I really think I do well by you and that Jane wouldn’t have anything to say to-day. You look awfully like mamma,” she then threw off as if for the first time of mentioning it.

“Oh Cousin Jane doesn’t care for that,” Nanda returned. “What I don’t look like is Aggie, for all I try.”

“Ah you shouldn’t try—you can do nothing with it. One must be what one is.”

Mrs. Brook was almost sententious, but Nanda, with civility, let it pass. “No one in London touches her. She’s quite by herself. When one sees her one feels her to be the real thing.”

Mrs. Brook, without harshness, wondered. “What do you mean by the real thing?”

Even Nanda, however, had to think a moment.

“Well, the real young one. That’s what Lord Petherton calls her,” she mildly joked—“‘the young ‘un’”

Her mother’s echo was not for the joke, but for something else. “I know what you mean. What’s the use of being good?”

“Oh I didn’t mean that,” said Nanda. “Besides, isn’t Aggie of a goodness—?”

“I wasn’t talking of her. I was asking myself what’s the use of MY being.”

“Well, you can’t help it any more than the Duchess can help—!”

“Ah but she could if she would!” Mrs. Brook broke in with a sharper ring than she had yet given. “We can’t help being good perhaps, if that burden’s laid on us—but there are lengths in other directions we’re not absolutely obliged to go. And what I think of when I stick in the pins,” she went on, “is that Jane seems to me really never to have had to pay.” She appeared for a minute to brood on this till she could no longer bear it; after which she jerked out: “Why she has never had to pay for ANYthing!”

Nanda had by this time seated herself, taking her place, under the interest of their talk, on her mother’s sofa, where, except for the removal of her long soft gloves, which one of her hands again and again drew caressingly through the other, she remained very much as if she were some friendly yet circumspect young visitor to whom Mrs. Brook had on some occasion dropped “DO come.” But there was something perhaps more expressly conciliatory in the way she had kept everything on: as if, in particular serenity and to confirm kindly Mrs. Brook’s sense of what had been done for her, she had neither taken off her great feathered hat nor laid down her parasol of pale green silk, the “match” of hat and ribbons and which had an expensive precious knob. Our spectator would possibly have found too much earnestness in her face to be sure if there was also candour. “And do you mean that YOU have had to pay—?”

“Oh yes—all the while.” With this Mrs. Brook was a little short, and also as she added as if to banish a slight awkwardness: “But don’t let it discourage you.”

Nanda seemed an instant to weigh the advice, and the whole thing would have been striking as another touch in the picture of the odd want, on the part of each, of any sense of levity in the other. Whatever escape, face to face, mother or daughter might ever seek would never be the humorous one—a circumstance, notwithstanding, that would not in every case have failed to make their interviews droll for a third person. It would always indeed for such a person have produced an impression of tension beneath the surface. “I could have done much better at the start and have lost less time,” the girl