Cousin Betty - Honoré de Balzac (best ebook reader for laptop .TXT) 📗
- Author: Honoré de Balzac
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he was thrice stabbed as he went into the synagogue."
"I had no idea I was so learned," said Valerie, annoyed at this interruption to her _tete-a-tete_.
"Women know everything by instinct," replied Claude Vignon.
"Well, then, you promise me?" she said to Steinbock, taking his hand with the timidity of a girl in love.
"You are indeed a happy man, my dear fellow," cried Stidmann, "if madame asks a favor of you!"
"What is it?" asked Claude Vignon.
"A small bronze group," replied Steinbock, "Delilah cutting off Samson's hair."
"It is difficult," remarked Vignon. "A bed----"
"On the contrary, it is exceedingly easy," replied Valerie, smiling.
"Ah ha! teach us sculpture!" said Stidmann.
"You should take madame for your subject," replied Vignon, with a keen glance at Valerie.
"Well," she went on, "this is my notion of the composition. Samson on waking finds he has no hair, like many a dandy with a false top-knot. The hero is sitting on the bed, so you need only show the foot of it, covered with hangings and drapery. There he is, like Marius among the ruins of Carthage, his arms folded, his head shaven--Napoleon at Saint-Helena--what you will! Delilah is on her knees, a good deal like Canova's Magdalen. When a hussy has ruined her man, she adores him. As I see it, the Jewess was afraid of Samson in his strength and terrors, but she must have loved him when she saw him a child again. So Delilah is bewailing her sin, she would like to give her lover his hair again. She hardly dares to look at him; but she does look, with a smile, for she reads forgiveness in Samson's weakness. Such a group as this, and one of the ferocious Judith, would epitomize woman. Virtue cuts off your head; vice only cuts off your hair. Take care of your wigs, gentlemen!"
And she left the artists quite overpowered, to sing her praises in concert with the critic.
"It is impossible to be more bewitching!" cried Stidmann.
"Oh! she is the most intelligent and desirable woman I have ever met," said Claude Vignon. "Such a combination of beauty and cleverness is so rare."
"And if you who had the honor of being intimate with Camille Maupin can pronounce such a verdict," replied Stidmann, "what are we to think?"
"If you will make your Delilah a portrait of Valerie, my dear Count," said Crevel, who had risen for a moment from the card-table, and who had heard what had been said, "I will give you a thousand crowns for an example--yes, by the Powers! I will shell out to the tune of a thousand crowns!"
"Shell out! What does that mean?" asked Beauvisage of Claude Vignon.
"Madame must do me the honor to sit for it then," said Steinbock to Crevel. "Ask her--"
At this moment Valerie herself brought Steinbock a cup of tea. This was more than a compliment, it was a favor. There is a complete language in the manner in which a woman does this little civility; but women are fully aware of the fact, and it is a curious thing to study their movements, their manner, their look, tone, and accent when they perform this apparently simple act of politeness.--From the question, "Do you take tea?"--"Will you have some tea?"--"A cup of tea?" coldly asked, and followed by instructions to the nymph of the urn to bring it, to the eloquent poem of the odalisque coming from the tea-table, cup in hand, towards the pasha of her heart, presenting it submissively, offering it in an insinuating voice, with a look full of intoxicating promises, a physiologist could deduce the whole scale of feminine emotion, from aversion or indifference to Phaedra's declaration to Hippolytus. Women can make it, at will, contemptuous to the verge of insult, or humble to the expression of Oriental servility.
And Valerie was more than woman; she was the serpent made woman; she crowned her diabolical work by going up to Steinbock, a cup of tea in her hand.
"I will drink as many cups of tea as you will give me," said the artist, murmuring in her ear as he rose, and touching her fingers with his, "to have them given to me thus!"
"What were you saying about sitting?" said she, without betraying that this declaration, so frantically desired, had gone straight to her heart.
"Old Crevel promises me a thousand crowns for a copy of your group."
"He! a thousand crowns for a bronze group?"
"Yes--if you will sit for Delilah," said Steinbock.
"He will not be there to see, I hope!" replied she. "The group would be worth more than all his fortune, for Delilah's costume is rather un-dressy."
Just as Crevel loved to strike an attitude, every woman has a victorious gesture, a studied movement, which she knows must win admiration. You may see in a drawing-room how one spends all her time looking down at her tucker or pulling up the shoulder-piece of her gown, how another makes play with the brightness of her eyes by glancing up at the cornice. Madame Marneffe's triumph, however, was not face to face like that of other women. She turned sharply round to return to Lisbeth at the tea-table. This ballet-dancer's pirouette, whisking her skirts, by which she had overthrown Hulot, now fascinated Steinbock.
"Your vengeance is secure," said Valerie to Lisbeth in a whisper. "Hortense will cry out all her tears, and curse the day when she robbed you of Wenceslas."
"Till I am Madame la Marechale I shall not think myself successful," replied the cousin; "but they are all beginning to wish for it.--This morning I went to Victorin's--I forgot to tell you.--The young Hulots have bought up their father's notes of hand given to Vauvinet, and to-morrow they will endorse a bill for seventy-two thousand francs at five per cent, payable in three years, and secured by a mortgage on their house. So the young people are in straits for three years; they can raise no more money on that property. Victorin is dreadfully distressed; he understands his father. And Crevel is capable of refusing to see them; he will be so angry at this piece of self-sacrifice."
"The Baron cannot have a sou now," said Valerie, and she smiled at Hulot.
"I don't see where he can get it. But he will draw his salary again in September."
"And he has his policy of insurance; he has renewed it. Come, it is high time he should get Marneffe promoted. I will drive it home this evening."
"My dear cousin," said Lisbeth to Wenceslas, "go home, I beg. You are quite ridiculous. Your eyes are fixed on Valerie in a way that is enough to compromise her, and her husband is insanely jealous. Do not tread in your father-in-law's footsteps. Go home; I am sure Hortense is sitting up for you."
"Madame Marneffe told me to stay till the last to settle my little business with you and her," replied Wenceslas.
"No, no," said Lisbeth; "I will bring you the ten thousand francs, for her husband has his eye on you. It would be rash to remain. To-morrow at eleven o'clock bring your note of hand; at that hour that mandarin Marneffe is at his office, Valerie is free.--Have you really asked her to sit for your group?--Come up to my rooms first.--Ah! I was sure of it," she added, as she caught the look which Steinbock flashed at Valerie, "I knew you were a profligate in the bud! Well, Valerie is lovely--but try not to bring trouble on Hortense."
Nothing annoys a married man so much as finding his wife perpetually interposing between himself and his wishes, however transient.
Wenceslas got home at about one in the morning; Hortense had expected him ever since half-past nine. From half-past nine till ten she had listened to the passing carriages, telling herself that never before had her husband come in so late from dining with Florent and Chanor. She sat sewing by the child's cot, for she had begun to save a needlewoman's pay for the day by doing the mending herself.--From ten till half-past, a suspicion crossed her mind; she sat wondering:
"Is he really gone to dinner, as he told me, with Chanor and Florent? He put on his best cravat and his handsomest pin when he dressed. He took as long over his toilet as a woman when she wants to make the best of herself.--I am crazy! He loves me!--And here he is!"
But instead of stopping, the cab she heard went past.
From eleven till midnight Hortense was a victim to terrible alarms; the quarter where they lived was now deserted.
"If he has set out on foot, some accident may have happened," thought she. "A man may be killed by tumbling over a curbstone or failing to see a gap. Artists are so heedless! Or if he should have been stopped by robbers!--It is the first time he has ever left me alone here for six hours and a half!--But why should I worry myself? He cares for no one but me."
Men ought to be faithful to the wives who love them, were it only on account of the perpetual miracles wrought by true love in the sublime regions of the spiritual world. The woman who loves is, in relation to the man she loves, in the position of a somnambulist to whom the magnetizer should give the painful power, when she ceases to be the mirror of the world, of being conscious as a woman of what she has seen as a somnambulist. Passion raises the nervous tension of a woman to the ecstatic pitch at which presentiment is as acute as the insight of a clairvoyant. A wife knows she is betrayed; she will not let herself say so, she doubts still--she loves so much! She gives the lie to the outcry of her own Pythian power. This paroxysm of love deserves a special form of worship.
In noble souls, admiration of this divine phenomenon will always be a safeguard to protect them from infidelity. How should a man not worship a beautiful and intellectual creature whose soul can soar to such manifestations?
By one in the morning Hortense was in a state of such intense anguish, that she flew to the door as she recognized her husband's ring at the bell, and clasped him in her arms like a mother.
"At last--here you are!" cried she, finding her voice again. "My dearest, henceforth where you go I go, for I cannot again endure the torture of such waiting.--I pictured you stumbling over a curbstone, with a fractured skull! Killed by thieves!--No, a second time I know I should go mad.--Have you enjoyed yourself so much?--And without me!--Bad boy!"
"What can I say, my darling? There was Bixiou, who drew fresh caricatures for us; Leon de Lora, as witty as ever; Claude Vignon, to whom I owe the only consolatory article that has come out about the Montcornet statue. There were--"
"Were there no ladies?" Hortense eagerly inquired.
"Worthy Madame Florent--"
"You said the Rocher de Cancale.--Were you at the Florents'?"
"Yes, at their house; I made a mistake."
"You did not take a coach to come home?"
"No."
"And you have walked from the Rue des Tournelles?"
"Stidmann and Bixiou came back with me along the boulevards as far as the Madeleine, talking all the way."
"It is dry then on the boulevards and the Place de la Concorde and the Rue de Bourgogne? You are not muddy at all!" said
"I had no idea I was so learned," said Valerie, annoyed at this interruption to her _tete-a-tete_.
"Women know everything by instinct," replied Claude Vignon.
"Well, then, you promise me?" she said to Steinbock, taking his hand with the timidity of a girl in love.
"You are indeed a happy man, my dear fellow," cried Stidmann, "if madame asks a favor of you!"
"What is it?" asked Claude Vignon.
"A small bronze group," replied Steinbock, "Delilah cutting off Samson's hair."
"It is difficult," remarked Vignon. "A bed----"
"On the contrary, it is exceedingly easy," replied Valerie, smiling.
"Ah ha! teach us sculpture!" said Stidmann.
"You should take madame for your subject," replied Vignon, with a keen glance at Valerie.
"Well," she went on, "this is my notion of the composition. Samson on waking finds he has no hair, like many a dandy with a false top-knot. The hero is sitting on the bed, so you need only show the foot of it, covered with hangings and drapery. There he is, like Marius among the ruins of Carthage, his arms folded, his head shaven--Napoleon at Saint-Helena--what you will! Delilah is on her knees, a good deal like Canova's Magdalen. When a hussy has ruined her man, she adores him. As I see it, the Jewess was afraid of Samson in his strength and terrors, but she must have loved him when she saw him a child again. So Delilah is bewailing her sin, she would like to give her lover his hair again. She hardly dares to look at him; but she does look, with a smile, for she reads forgiveness in Samson's weakness. Such a group as this, and one of the ferocious Judith, would epitomize woman. Virtue cuts off your head; vice only cuts off your hair. Take care of your wigs, gentlemen!"
And she left the artists quite overpowered, to sing her praises in concert with the critic.
"It is impossible to be more bewitching!" cried Stidmann.
"Oh! she is the most intelligent and desirable woman I have ever met," said Claude Vignon. "Such a combination of beauty and cleverness is so rare."
"And if you who had the honor of being intimate with Camille Maupin can pronounce such a verdict," replied Stidmann, "what are we to think?"
"If you will make your Delilah a portrait of Valerie, my dear Count," said Crevel, who had risen for a moment from the card-table, and who had heard what had been said, "I will give you a thousand crowns for an example--yes, by the Powers! I will shell out to the tune of a thousand crowns!"
"Shell out! What does that mean?" asked Beauvisage of Claude Vignon.
"Madame must do me the honor to sit for it then," said Steinbock to Crevel. "Ask her--"
At this moment Valerie herself brought Steinbock a cup of tea. This was more than a compliment, it was a favor. There is a complete language in the manner in which a woman does this little civility; but women are fully aware of the fact, and it is a curious thing to study their movements, their manner, their look, tone, and accent when they perform this apparently simple act of politeness.--From the question, "Do you take tea?"--"Will you have some tea?"--"A cup of tea?" coldly asked, and followed by instructions to the nymph of the urn to bring it, to the eloquent poem of the odalisque coming from the tea-table, cup in hand, towards the pasha of her heart, presenting it submissively, offering it in an insinuating voice, with a look full of intoxicating promises, a physiologist could deduce the whole scale of feminine emotion, from aversion or indifference to Phaedra's declaration to Hippolytus. Women can make it, at will, contemptuous to the verge of insult, or humble to the expression of Oriental servility.
And Valerie was more than woman; she was the serpent made woman; she crowned her diabolical work by going up to Steinbock, a cup of tea in her hand.
"I will drink as many cups of tea as you will give me," said the artist, murmuring in her ear as he rose, and touching her fingers with his, "to have them given to me thus!"
"What were you saying about sitting?" said she, without betraying that this declaration, so frantically desired, had gone straight to her heart.
"Old Crevel promises me a thousand crowns for a copy of your group."
"He! a thousand crowns for a bronze group?"
"Yes--if you will sit for Delilah," said Steinbock.
"He will not be there to see, I hope!" replied she. "The group would be worth more than all his fortune, for Delilah's costume is rather un-dressy."
Just as Crevel loved to strike an attitude, every woman has a victorious gesture, a studied movement, which she knows must win admiration. You may see in a drawing-room how one spends all her time looking down at her tucker or pulling up the shoulder-piece of her gown, how another makes play with the brightness of her eyes by glancing up at the cornice. Madame Marneffe's triumph, however, was not face to face like that of other women. She turned sharply round to return to Lisbeth at the tea-table. This ballet-dancer's pirouette, whisking her skirts, by which she had overthrown Hulot, now fascinated Steinbock.
"Your vengeance is secure," said Valerie to Lisbeth in a whisper. "Hortense will cry out all her tears, and curse the day when she robbed you of Wenceslas."
"Till I am Madame la Marechale I shall not think myself successful," replied the cousin; "but they are all beginning to wish for it.--This morning I went to Victorin's--I forgot to tell you.--The young Hulots have bought up their father's notes of hand given to Vauvinet, and to-morrow they will endorse a bill for seventy-two thousand francs at five per cent, payable in three years, and secured by a mortgage on their house. So the young people are in straits for three years; they can raise no more money on that property. Victorin is dreadfully distressed; he understands his father. And Crevel is capable of refusing to see them; he will be so angry at this piece of self-sacrifice."
"The Baron cannot have a sou now," said Valerie, and she smiled at Hulot.
"I don't see where he can get it. But he will draw his salary again in September."
"And he has his policy of insurance; he has renewed it. Come, it is high time he should get Marneffe promoted. I will drive it home this evening."
"My dear cousin," said Lisbeth to Wenceslas, "go home, I beg. You are quite ridiculous. Your eyes are fixed on Valerie in a way that is enough to compromise her, and her husband is insanely jealous. Do not tread in your father-in-law's footsteps. Go home; I am sure Hortense is sitting up for you."
"Madame Marneffe told me to stay till the last to settle my little business with you and her," replied Wenceslas.
"No, no," said Lisbeth; "I will bring you the ten thousand francs, for her husband has his eye on you. It would be rash to remain. To-morrow at eleven o'clock bring your note of hand; at that hour that mandarin Marneffe is at his office, Valerie is free.--Have you really asked her to sit for your group?--Come up to my rooms first.--Ah! I was sure of it," she added, as she caught the look which Steinbock flashed at Valerie, "I knew you were a profligate in the bud! Well, Valerie is lovely--but try not to bring trouble on Hortense."
Nothing annoys a married man so much as finding his wife perpetually interposing between himself and his wishes, however transient.
Wenceslas got home at about one in the morning; Hortense had expected him ever since half-past nine. From half-past nine till ten she had listened to the passing carriages, telling herself that never before had her husband come in so late from dining with Florent and Chanor. She sat sewing by the child's cot, for she had begun to save a needlewoman's pay for the day by doing the mending herself.--From ten till half-past, a suspicion crossed her mind; she sat wondering:
"Is he really gone to dinner, as he told me, with Chanor and Florent? He put on his best cravat and his handsomest pin when he dressed. He took as long over his toilet as a woman when she wants to make the best of herself.--I am crazy! He loves me!--And here he is!"
But instead of stopping, the cab she heard went past.
From eleven till midnight Hortense was a victim to terrible alarms; the quarter where they lived was now deserted.
"If he has set out on foot, some accident may have happened," thought she. "A man may be killed by tumbling over a curbstone or failing to see a gap. Artists are so heedless! Or if he should have been stopped by robbers!--It is the first time he has ever left me alone here for six hours and a half!--But why should I worry myself? He cares for no one but me."
Men ought to be faithful to the wives who love them, were it only on account of the perpetual miracles wrought by true love in the sublime regions of the spiritual world. The woman who loves is, in relation to the man she loves, in the position of a somnambulist to whom the magnetizer should give the painful power, when she ceases to be the mirror of the world, of being conscious as a woman of what she has seen as a somnambulist. Passion raises the nervous tension of a woman to the ecstatic pitch at which presentiment is as acute as the insight of a clairvoyant. A wife knows she is betrayed; she will not let herself say so, she doubts still--she loves so much! She gives the lie to the outcry of her own Pythian power. This paroxysm of love deserves a special form of worship.
In noble souls, admiration of this divine phenomenon will always be a safeguard to protect them from infidelity. How should a man not worship a beautiful and intellectual creature whose soul can soar to such manifestations?
By one in the morning Hortense was in a state of such intense anguish, that she flew to the door as she recognized her husband's ring at the bell, and clasped him in her arms like a mother.
"At last--here you are!" cried she, finding her voice again. "My dearest, henceforth where you go I go, for I cannot again endure the torture of such waiting.--I pictured you stumbling over a curbstone, with a fractured skull! Killed by thieves!--No, a second time I know I should go mad.--Have you enjoyed yourself so much?--And without me!--Bad boy!"
"What can I say, my darling? There was Bixiou, who drew fresh caricatures for us; Leon de Lora, as witty as ever; Claude Vignon, to whom I owe the only consolatory article that has come out about the Montcornet statue. There were--"
"Were there no ladies?" Hortense eagerly inquired.
"Worthy Madame Florent--"
"You said the Rocher de Cancale.--Were you at the Florents'?"
"Yes, at their house; I made a mistake."
"You did not take a coach to come home?"
"No."
"And you have walked from the Rue des Tournelles?"
"Stidmann and Bixiou came back with me along the boulevards as far as the Madeleine, talking all the way."
"It is dry then on the boulevards and the Place de la Concorde and the Rue de Bourgogne? You are not muddy at all!" said
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