Clayhanger - Arnold Bennett (best business books of all time .TXT) 📗

upon the theme of everlasting torture by incandescence and thirst. Nominally addressing a deity, but in fact preaching to his audience, he announced that, even for the veriest infant on a lorry, there was no escape from the eternal fires save by complete immersion in the blood. And he was so convinced and convincing that an imaginative nose could have detected the odour of burnt flesh. And all the while the great purple banner waved insistently: "The Blood of the Lamb."

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THREE.

When the prayer was finished for the benefit of the little ones, another old and favourite hymn had to be sung. (None but the classical lyrics of British Christianity had found a place in the programme of the great day.) Guided by the orchestra, the youth of Bursley and the maturity thereof chanted with gusto--


There is a fountain filled with blood
Drawn from Emmanuel's veins;
And sinners, plunged beneath that flood,
Lose all their guilty stains.
...
Dear dying Lamb, Thy precious blood--


Edwin, like everybody, knew every line of the poem. With the purple banner waving there a bloody motto, he foresaw each sanguinary detail of the verse ere it came to him from the shrill childish throats. And a phrase from another hymn jumped from somewhere in his mind just as William Cowper's ended and a speech commenced. The phrase was `India's coral strand.' In thinking upon it he forgot to listen to the speech. He saw the flags, banners, and pennons floating in the sunshine and in the heavy breeze; he felt the reverberation of the tropic sun on his head; he saw the crowded humanity of the Square attired in its crude, primary colours; he saw the great brass serpentine instruments gleaming; he saw the red dais; he saw, bursting with infancy, the immense cams to which were attached the fantastically plaited horses; he saw the venerable zealots on the dais raving lest after all the institutions whose centenary they had met to honour should not save these children from hopeless and excruciating torture for ever and ever; he saw those majestic purple folds in the centre embroidered with the legend of the blood of the mystic Paschal Lamb; he saw the meek, stupid, and superstitious faces, all turned one way, all for the moment under the empire of one horrible idea, all convinced that the consequences of sins could be prevented by an act of belief, all gloating over inexhaustible tides of blood. And it seemed to him that he was not in England any longer. It seemed to him that in the dim cellars under the shambles behind the Town Hall, where he had once been, there dwelt, squatting, a strange and savage god who would blast all those who did not enter his presence dripping with gore, be they child or grandfather. It seemed to him that the drums were tom-toms, and Baines's a bazaar. He could fit every detail of the scene to harmonise with a vision of India's coral strand.

There was no mist before his eyes now. His sight was so clear that he could distinguish his father at a window of the Bank, at the other top corner of the Square. Part of his mind was so idle that he could wonder how his father had contrived to get there, and whether Maggie was staying at home with Clara. But the visualisation of India's coral strand in Saint Luke's Square persisted. A phrase in the speech loosed some catch in him and he turned suddenly to Hilda, and in an intimate half-whisper murmured--

"More blood!"

"What?" she harshly questioned. But he knew that she understood.

"Well," he said audaciously, "look at it! It only wants the Ganges at the bottom of the Square!"

No one heard save she. But she put her hand on his arm protestingly. "Even if we don't believe," said she--not harshly, but imploringly, "we needn't make fun."

"We don't believe!" And that new tone of entreaty! She had comprehended without explanation. She was a weird woman. Was there another creature, male or female, to whom he would have dared to say what he had said to her? He had chosen to say it to her because he despised her, because he wished to trample on her feelings. She roused the brute in him, and perhaps no one was more astonished than himself to witness the brute stirring. Imagine saying to the gentle and sensitive Janet: "It only wants the Ganges at the bottom of the Square--" He could not.

They stood silent, gazing and listening. And the sun went higher in the sky and blazed down more cruelly. And then the speech ended, and the speaker wiped his head with an enormous handkerchief. And the multitude, led by the brazen instruments, which in a moment it overpowered, was singing to a solemn air--

When I survey the wondrous cross On which the Prince of Glory died, My richest gain I count but loss, And pour contempt on all my pride.

Hilda shook her head.

"What's the matter?" he asked, leaning towards her from his barrel.

"That's the most splendid religious verse ever written!" she said passionately. "You can say what you like. It's worth while believing anything, if you can sing words like that and mean them!"

She had an air of restrained fury.

But fancy exciting herself over a hymn!

"Yes, it is fine, that is!" he agreed.

"Do you know who wrote it?" she demanded menacingly.

"I'm afraid I don't remember," he said. The hymn was one of his earliest recollections, but it had never occurred to him to be curious as to its authorship.

Her lips sneered. "Dr Watts, of course!" she snapped.

He could hear her, beneath the tremendous chanting from the Square, repeating the words to herself with her precise and impressive articulation.


VOLUME TWO, CHAPTER THIRTEEN.


THE OLDEST SUNDAY-SCHOOL TEACHER.

From the elevation of his barrel Edwin could survey, in the lordly and negligent manner of people on a height, all the detail of his immediate surroundings. Presently, in common with Hilda and the other aristocrats of barrels, he became aware of the increased vivacity of a scene which was passing at a little distance, near a hokey-pokey barrow. The chief actors in the affair appeared to be a young policeman, the owner of the hokey-pokey barrow, and an old man. It speedily grew into one of those episodes which, occurring on the outskirts of some episode immensely greater, draw too much attention to themselves and thereby outrage the sense of proportion residing in most plain men, and especially in most policemen.

"Give him a ha'porth o' hokey," said a derisive voice. "He hasn't got a tooth in his head, but it wants no chewing, hokey does na'." There was a general guffaw from the little rabble about the barrow.

"Aye! Give us some o' that!" said the piping, silly voice of the old man. "But I mun' get to that there platform, I'm telling ye. I'm telling all of ye." He made a senile plunge against the body of the policeman, as against a moveless barricade, and then his hat was awry and it fell off, and somebody lifted it into the air with a neat kick so that it dropped on the barrow. All laughed. The old man laughed.

"Now, old sodger," said the hot policeman curtly. "None o' this! None o' this! I advise ye civilly to be quiet; that's what I advise ye. You can't go on th' platform without a ticket."

"Nay!" piped the old man. "Don't I tell ye I lost it down th' Sytch!"

"And where's yer rosette?"

"Never had any rosette," the old man replied. "I'm th' oldest Sunday-schoo' teacher i' th' Five Towns. Aye! Fifty years and more since I was Super at Turnhill Primitive Sunday schoo', and all Turnhill knows on it. And I've got to get on that there platform. I'm th' oldest Sunday schoo' teacher i' th' Five Towns. And I was Super--"

Two ribald youngsters intoned `Super, Super,' and another person unceremoniously jammed the felt hat on the old man's head.

"It's nowt to me if ye was forty Supers," said the policeman, with menacing disdain. "I've got my orders, and I'm not here to be knocked about. Where did ye have yer last drink?"

"No wine, no beer, nor spirituous liquors have I tasted for sixty-one years come Martinmas," whimpered the old man. And he gave another lurch against the policeman. "My name's Shushions!" And he repeated in a frantic treble, "My name's Shushions!"

"Go and bury thysen, owd gaffer!" a Herculean young collier advised him.

"Why," murmured Hilda, with a sharp frown, "that must be poor old Mr Shushions from Turnhill, and they're guying him! You must stop it. Something must be done at once."

She jumped down feverishly, and Edwin had to do likewise. He wondered how he should conduct himself so as to emerge creditably from the situation. He felt himself, and had always felt himself, to be the last man in the world capable of figuring with authority in a public altercation. He loathed public altercations. The name of Shushions meant nothing to him; he had forgotten it, if indeed he had ever wittingly heard it. And he did not at first recognise the old man. Descended from the barrel, he was merely an item in the loose-packed crowd. As, in the wake of Hilda, he pushed with false eagerness between stubborn shoulders, he heard the bands striking up again.

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TWO.

Approaching, he saw that the old man was very old. And then memory stirred. He began to surmise that he had met the wizened face before, that he knew something about it. And the face brought up a picture of the shop door and of his father standing beside it, a long time ago. He recalled his last day at school. Yes, of course! This was the old man named Shushions, some sort of an acquaintance of his father's. This was the old man who had wept a surprising tear at sight of him, Edwin. The incident was so far off that it might have been recorded in history books. He had never seen Mr Shushions since. And the old man was changed, nearly out of recognition. The old man had lived too long; he had survived his dignity; he was now nothing but a bundle of capricious and obstinate instincts set in motion by ancient souvenirs remembered at hazard. The front of his face seemed to have given way in general collapse. The lips were in a hollow; the cheeks were concave; the eyes had receded; and there were pits in the forehead. The pale silvery straggling hairs might have been counted. The wrinkled skin was of a curious brown yellow, and the veins, instead of being blue, were outlined in Indian red. The impression given was that the flesh would be unpleasant and uncanny to the touch. The body was bent, and the neck eternally cricked backward in the effort of the eyes