The Rosary - Florence Louisa Barclay (read me a book TXT) 📗

to help her through what lay before her; turned the second picture with its face to the easel; and sat down to the quiet contemplation of the first.

The noble figure of a woman, nobly painted, was the first impression which leapt from eye to brain. Yes, nobility came first, in stately pose, in uplifted brow, in breadth of dignity. Then--as you marked the grandly massive figure, too well-proportioned to be cumbersome, but large and full, and amply developed; the length of limb; the firmly planted feet; the large capable hands,--you realised the second impression conveyed by the picture, to be strength;--strength to do; strength to be; strength to continue. Then you looked into the face. And there you were confronted with a great surprise. The third thought expressed by the picture was Love--love, of the highest, holiest, most ideal, kind; yet, withal, of the most tenderly human order; and you found it in that face.

It was a large face, well proportioned to the figure. It had no pretensions whatever to ordinary beauty. The features were good; there was not an ugly line about them; and yet, each one just missed the beautiful; and the general effect was of a good-looking plainness; unadorned, unconcealed, and unashamed. But the longer you looked, the more desirable grew the face; the less you noticed its negations; the more you admired its honesty, its purity, its immense strength of purpose; its noble simplicity. You took in all these outward details; you looked away for a moment, to consider them; you looked back to verify them; and then the miracle happened. Into the face had stolen the "light that never was on sea or land." It shone from the quiet grey eyes,--as, over the head of the man who knelt before her, they looked out of the picture--with an expression of the sublime surrender of a woman's whole soul to an emotion which, though it sways and masters her, yet gives her the power to be more truly herself than ever before. The startled joy in them; the marvel at a mystery not yet understood; the passionate tenderness; and yet the almost divine compassion for the unrestrained violence of feeling, which had flung the man to his knees, and driven him to the haven of her breast; the yearning to soothe, and give, and content;--all these were blended into a look of such exquisite sweetness, that it brought tears to the eyes of the beholder.

The woman was seated on a broad marble parapet. She looked straight before her. Her knees came well forward, and the long curve of the train of her black gown filled the foreground on the right. On the left, slightly to one side of her, knelt a man, a tall slight figure in evening dress, his arms thrown forward around her waist; his face completely hidden in the soft lace at her bosom; only the back of his sleek dark head, visible. And yet the whole figure denoted a passion of tense emotion. She had gathered him to her with what you knew must have been an exquisite gesture, combining the utter self-surrender of the woman, with the tender throb of maternal solicitude; and now her hands were clasped behind his head, holding him closely to her. Not a word was being spoken. The hidden face was obviously silent; and her firm lips above his dark head were folded in a line of calm self-control; though about them hovered the dawning of a smile of bliss ineffable.

A crimson rambler rose climbing some woodwork faintly indicated on the left, and hanging in a glowing mass from the top left-hand corner, supplied the only vivid colour in the picture.

But, from taking in these minor details, the eye returned to that calm tender face, alight with love; to those strong capable hands, now learning for the first time to put forth the protective passion of a woman's tenderness; and the mind whispered the only possible name for that picture: The Wife.

Jane gazed at it long, in silence. Had Garth's little bear been anything less solid than Early Victorian brass; it must have bent and broken under the strong pressure of those clenched hands.

She could not doubt, for a moment, that she looked upon herself; but, oh, merciful heavens! how unlike the reflected self of her own mirror! Once or twice as she looked, her mind refused to work, and she simply gazed blankly at the minor details of the picture. But then again, the expression of the grey eyes drew her, recalling so vividly every feeling she had experienced when that dear head had come so unexpectedly to its resting-place upon her bosom. "It is true," she whispered; and again: "Yes; it is true. I cannot deny it. It is as I felt; it must be as I looked."

And then, suddenly; she fell upon her knees before the picture. "Oh, my God! Is that as I looked? And the next thing that happened was my boy lifting his shining eyes and gazing at me in the moonlight. Is THIS what he saw? Did I look SO? And did the woman who looked so; and who, looking so, pressed his head down again upon her breast, refuse next day to marry him, on the grounds of his youth, and her superiority?... Oh, Garth, Garth! ... O God, help him to understand! ... help him to forgive me!"

In the work-room just below, Maggie the housemaid was singing as she sewed. The sound floated through the open window, each syllable distinct in the clear Scotch voice, and reached Jane where she knelt. Her mind, stunned to blankness by its pain, took eager hold upon the words of Maggie's hymn. And they were these.


"O Love, that will not let me go,
I rest my weary soul in Thee;
I give Thee back the life I owe,
That in Thine ocean depths its flow
May richer, fuller be."

"O Light, that followest all my way,
I yield my flick'ring torch to Thee;
My heart restores its borrowed ray,
That in Thy sunshine's blaze its day
May brighter, fairer be."


Jane took the second picture, and placed it in front of the first.

The same woman, seated as before; but the man was not there; and in her arms, its tiny dark head pillowed against the fulness of her breast, lay a little child. The woman did not look over that small head, but bent above it, and gazed into the baby face.

The crimson rambler had grown right across the picture, and formed a glowing arch above mother and child. A majesty of tenderness was in the large figure of the mother. The face, as regarded contour and features, was no less plain; but again it was transfigured, by the mother-love thereon depicted. You knew "The Wife" had more than fulfilled her abundant promise. The wife was there in fullest realisation; and, added to wifehood, the wonder of motherhood. All mysteries were explained; all joys experienced; and the smile on her calm lips, bespoke ineffable content.

A rambler rose had burst above them, and fallen in a shower of crimson petals upon mother and child. The baby-fingers clasped tightly the soft lace at her bosom. A petal had fallen upon the tiny wrist. She had lifted her hand to remove it; and, catching the baby-eyes, so dark and shining, paused for a moment, and smiled.

Jane, watching them, fell to desperate weeping. The "mere boy" had understood her potential possibilities of motherhood far better than she understood them herself. Having had one glimpse of her as "The Wife," his mind had leaped on, and seen her as "The Mother." And again she was forced to say: "It is true--yes; it is true."

And then she recalled the old line of cruel reasoning:

"It was not the sort of face one would have wanted to see always in front of one at table." Was this the sort of face--this, as Garth had painted it, after a supposed year of marriage? Would any man weary of it, or wish to turn away his eyes?

Jane took one more long look. Then she dropped the little bear, and buried her face in her hands; while a hot blush crept up to the very roots of her hair, and tingled to her finger-tips.

Below, the fresh young voice was singing again.


"O Joy, that seekest me through pain,
I cannot close my heart to Thee;
I trace the rainbow through the rain,
And feel the promise is not vain
That morn shall tearless be."


After a while Jane whispered: "Oh, my darling, forgive me. I was altogether wrong. I will confess; and, God helping me, I will explain; and, oh, my darling, you will forgive me?"

Once more she lifted her head and looked at the picture. A few stray petals of the crimson rambler lay upon the ground; reminding her of those crushed roses, which, falling from her breast, lay scattered on the terrace at Shenstone, emblem of the joyous hopes and glory of love which her decision of that night had laid in the dust of disillusion. But crowning this picture, in rich clusters of abundant bloom, grew the rambler rose. And through the open window came the final verse of Maggie's hymn.


"O Cross, that liftest up my head,
I dare not ask to fly from Thee;
I lay in dust life's glory dead,
And from the ground there blossoms red
Life that shall endless be."


Jane went to the western window, and stood, with her arms stretched above her, looking out upon the radiance of the sunset. The sky blazed into gold and crimson at the horizon; gradually as the eye lifted, paling to primrose, flecked with rosy clouds; and, overhead, deep blue--fathomless, boundless, blue.

Jane gazed at the golden battlements above the purple hills, and repeated, half aloud: "And the city was of pure gold;--and had no need of the sun, neither of the moon to shine in it: for the glory of God did lighten it. And there shall be no more death; neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away."

Ah, how much had passed away since she stood at that western window, not an hour before. All life seemed readjusted; its outlook altered; its perspective changed. Truly Garth had "gone behind his blindness."

Jane raised her eyes to the blue; and a smile of unspeakable anticipation parted her lips. "Life, that shall endless be," she murmured. Then, turning, found the little bear, and restored him to his place upon the mantelpiece; put back the chair; closed the western window; and, picking up the two canvases, left the studio, and made her way carefully downstairs.


CHAPTER XXX


"THE LADY PORTRAYED"

"It has taken you long, Miss Gray. I nearly sent Simpson up, to find out what had happened."

"I am glad you did not do that, Mr. Dalmain. Simpson would have found me weeping on the studio floor; and to ask his assistance under those circumstances, would have been more humbling than inquiring after the fly in the soup!"

Garth turned quickly in his chair. The artist-ear had caught the tone which meant comprehension of his work.

"Weeping!" he said. "Why?"

"Because," answered Nurse Rosemary, "I have been entranced. These pictures are so exquisite. They stir one's deepest depths. And yet they are so pathetic--ah, SO pathetic;