The Professor - Charlotte Brontë (autobiographies to read .TXT) 📗
- Author: Charlotte Brontë
Book online «The Professor - Charlotte Brontë (autobiographies to read .TXT) 📗». Author Charlotte Brontë
to take wing; we arrived there safely; Frances realized the dream of her lifetime. We spent a whole summer and autumn in travelling from end to end of the British islands, and afterwards passed a winter in London. Then we thought it high time to fix our residence. My heart yearned towards my native county of ----shire; and it is in ----shire I now live; it is in the library of my own home I am now writing. That home lies amid a sequestered and rather hilly region, thirty miles removed from X----; a region whose verdure the smoke of mills has not yet sullied, whose waters still run pure, whose swells of moorland preserve in some ferny glens that lie between them the very primal wildness of nature, her moss, her bracken, her blue-bells, her scents of reed and heather, her free and fresh breezes. My house is a picturesque and not too spacious dwelling, with low and long windows, a trellised and leaf-veiled porch over the front door, just now, on this summer evening, looking like an arch of roses and ivy. The garden is chiefly laid out in lawn, formed of the sod of the hills, with herbage short and soft as moss, full of its own peculiar flowers, tiny and starlike, imbedded in the minute embroidery of their fine foliage. At the bottom of the sloping garden there is a wicket, which opens upon a lane as green as the lawn, very long, shady, and little frequented; on the turf of this lane generally appear the first daisies of spring--whence its name--Daisy Lane; serving also as a distinction to the house.
It terminates (the lane I mean) in a valley full of wood; which wood--chiefly oak and beech--spreads shadowy about the vicinage of a very old mansion, one of the Elizabethan structures, much larger, as well as more antique than Daisy Lane, the property and residence of an individual familiar both to me and to the reader. Yes, in Hunsden Wood--for so are those glades and that grey building, with many gables and more chimneys, named--abides Yorke Hunsden, still unmarried; never, I suppose, having yet found his ideal, though I know at least a score of young ladies within a circuit of forty miles, who would be willing to assist him in the search.
The estate fell to him by the death of his father, five years since; he has given up trade, after having made by it sufficient to pay off some incumbrances by which the family heritage was burdened. I say he abides here, but I do not think he is resident above five months out of the twelve; he wanders from land to land, and spends some part of each winter in town: he frequently brings visitors with him when he comes to ----shire, and these visitors are often foreigners; sometimes he has a German metaphysician, sometimes a French savant; he had once a dissatisfied and savage-looking Italian, who neither sang nor played, and of whom Frances affirmed that he had "tout l'air d'un conspirateur."
What English guests Hunsden invites, are all either men of Birmingham or Manchester--hard men, seemingly knit up in one thought, whose talk is of free trade. The foreign visitors, too, are politicians; they take a wider theme--European progress--the spread of liberal sentiments over the Continent; on their mental tablets, the names of Russia, Austria, and the Pope, are inscribed in red ink. I have heard some of them talk vigorous sense--yea, I have been present at polyglot discussions in the old, oak-lined dining-room at Hunsden Wood, where a singular insight was given of the sentiments entertained by resolute minds respecting old northern despotisms, and old southern superstitions: also, I have heard much twaddle, enounced chiefly in French and Deutsch, but let that pass. Hunsden himself tolerated the drivelling theorists; with the practical men he seemed leagued hand and heart.
When Hunsden is staying alone at the Wood (which seldom happens) he generally finds his way two or three times a week to Daisy Lane. He has a philanthropic motive for coming to smoke his cigar in our porch on summer evenings; he says he does it to kill the earwigs amongst the roses, with which insects, but for his benevolent fumigations, he intimates we should certainly be overrun. On wet days, too, we are almost sure to see him; according to him, it gets on time to work me into lunacy by treading on my mental corns, or to force from Mrs. Crimsworth revelations of the dragon within her, by insulting the memory of Hofer and Tell.
We also go frequently to Hunsden Wood, and both I and Frances relish a visit there highly. If there are other guests, their characters are an interesting study; their conversation is exciting and strange; the absence of all local narrowness both in the host and his chosen society gives a metropolitan, almost a cosmopolitan freedom and largeness to the talk. Hunsden himself is a polite man in his own house: he has, when he chooses to employ it, an inexhaustible power of entertaining guests; his very mansion too is interesting, the rooms look storied, the passages legendary, the low-ceiled chambers, with their long rows of diamond-paned lattices, have an old-world, haunted air: in his travels he has collected stores of articles of VERTU, which are well and tastefully disposed in his panelled or tapestried rooms: I have seen there one or two pictures, and one or two pieces of statuary which many an aristocratic connoisseur might have envied.
When I and Frances have dined and spent an evening with Hunsden, he often walks home with us. His wood is large, and some of the timber is old and of huge growth. There are winding ways in it which, pursued through glade and brake, make the walk back to Daisy Lane a somewhat long one. Many a time, when we have had the benefit of a full moon, and when the night has been mild and balmy, when, moreover, a certain nightingale has been singing, and a certain stream, hid in alders, has lent the song a soft accompaniment, the remote church-bell of the one hamlet in a district of ten miles, has tolled midnight ere the lord of the wood left us at our porch. Free-flowing was his talk at such hours, and far more quiet and gentle than in the day-time and before numbers. He would then forget politics and discussion, and would dwell on the past times of his house, on his family history, on himself and his own feelings--subjects each and all invested with a peculiar zest, for they were each and all unique. One glorious night in June, after I had been taunting him about his ideal bride and asking him when she would come and graft her foreign beauty on the old Hunsden oak, he answered suddenly--
"You call her ideal; but see, here is her shadow; and there cannot be a shadow without a substance."
He had led us from the depth of the "winding way" into a glade from whence the beeches withdrew, leaving it open to the sky; an unclouded moon poured her light into this glade, and Hunsden held out under her beam an ivory miniature.
Frances, with eagerness, examined it first; then she gave it to me--still, however, pushing her little face close to mine, and seeking in my eyes what I thought of the portrait. I thought it represented a very handsome and very individual-looking female face, with, as he had once said, "straight and harmonious features." It was dark; the hair, raven-black, swept not only from the brow, but from the temples--seemed thrust away carelessly, as if such beauty dispensed with, nay, despised arrangement. The Italian eye looked straight into you, and an independent, determined eye it was; the mouth was as firm as fine; the chin ditto. On the back of the miniature was gilded "Lucia."
"That is a real head," was my conclusion.
Hunsden smiled.
"I think so," he replied. "All was real in Lucia."
"And she was somebody you would have liked to marry--but could not?"
"I should certainly have liked to marry her, and that I HAVE not done so is a proof that I COULD not."
He repossessed himself of the miniature, now again in Frances' hand, and put it away.
"What do YOU think of it?" he asked of my wife, as he buttoned his coat over it.
"I am sure Lucia once wore chains and broke them," was the strange answer. "I do not mean matrimonial chains," she added, correcting herself, as if she feared mis-interpretation, "but social chains of some sort. The face is that of one who has made an effort, and a successful and triumphant effort, to wrest some vigorous and valued faculty from insupportable constraint; and when Lucia's faculty got free, I am certain it spread wide pinions and carried her higher than--" she hesitated.
"Than what?" demanded Hunsden.
"Than 'les convenances' permitted you to follow."
"I think you grow spiteful--impertinent."
"Lucia has trodden the stage," continued Frances. "You never seriously thought of marrying her; you admired her originality, her fearlessness, her energy of body and mind; you delighted in her talent, whatever that was, whether song, dance, or dramatic representation; you worshipped her beauty, which was of the sort after your own heart: but I am sure she filled a sphere from whence you would never have thought of taking a wife."
"Ingenious," remarked Hunsden; "whether true or not is another question. Meantime, don't you feel your little lamp of a spirit wax very pale, beside such a girandole as Lucia's?"
"Yes."
"Candid, at least; and the Professor will soon be dissatisfied with the dim light you give?"
"Will you, monsieur?"
"My sight was always too weak to endure a blaze, Frances," and we had now reached the wicket.
I said, a few pages back, that this is a sweet summer evening; it is--there has been a series of lovely days, and this is the loveliest; the hay is just carried from my fields, its perfume still lingers in the air. Frances proposed to me, an hour or two since, to take tea out on the lawn; I see the round table, loaded with china, placed under a certain beech; Hunsden is expected--nay, I hear he is come--there is his voice, laying down the law on some point with authority; that of Frances replies; she opposes him of course. They are disputing about Victor, of whom Hunsden affirms that his mother is making a milksop. Mrs. Crimsworth retaliates:--
"Better a thousand times he should be a milksop than what he, Hunsden, calls 'a fine lad;' and moreover she says that if Hunsden were to become a fixture in the neighbourhood, and were not a mere comet, coming and going, no one knows how, when, where, or why, she should be quite uneasy till she had got Victor away to a school at least a hundred miles off; for that with his mutinous maxims and unpractical dogmas, he would ruin a score of children."
I have a word to say of Victor ere I shut this manuscript in my desk--but it must be a brief one, for I hear the tinkle of silver on porcelain.
Victor is as little of a pretty child as I am of a handsome man, or his mother of a fine woman; he is pale and spare, with large eyes, as dark as those of Frances, and as deeply set as mine. His shape is symmetrical enough, but slight; his health is good. I never saw a child smile less than he does, nor one who knits such a formidable brow when sitting over a book that interests him, or while listening to
It terminates (the lane I mean) in a valley full of wood; which wood--chiefly oak and beech--spreads shadowy about the vicinage of a very old mansion, one of the Elizabethan structures, much larger, as well as more antique than Daisy Lane, the property and residence of an individual familiar both to me and to the reader. Yes, in Hunsden Wood--for so are those glades and that grey building, with many gables and more chimneys, named--abides Yorke Hunsden, still unmarried; never, I suppose, having yet found his ideal, though I know at least a score of young ladies within a circuit of forty miles, who would be willing to assist him in the search.
The estate fell to him by the death of his father, five years since; he has given up trade, after having made by it sufficient to pay off some incumbrances by which the family heritage was burdened. I say he abides here, but I do not think he is resident above five months out of the twelve; he wanders from land to land, and spends some part of each winter in town: he frequently brings visitors with him when he comes to ----shire, and these visitors are often foreigners; sometimes he has a German metaphysician, sometimes a French savant; he had once a dissatisfied and savage-looking Italian, who neither sang nor played, and of whom Frances affirmed that he had "tout l'air d'un conspirateur."
What English guests Hunsden invites, are all either men of Birmingham or Manchester--hard men, seemingly knit up in one thought, whose talk is of free trade. The foreign visitors, too, are politicians; they take a wider theme--European progress--the spread of liberal sentiments over the Continent; on their mental tablets, the names of Russia, Austria, and the Pope, are inscribed in red ink. I have heard some of them talk vigorous sense--yea, I have been present at polyglot discussions in the old, oak-lined dining-room at Hunsden Wood, where a singular insight was given of the sentiments entertained by resolute minds respecting old northern despotisms, and old southern superstitions: also, I have heard much twaddle, enounced chiefly in French and Deutsch, but let that pass. Hunsden himself tolerated the drivelling theorists; with the practical men he seemed leagued hand and heart.
When Hunsden is staying alone at the Wood (which seldom happens) he generally finds his way two or three times a week to Daisy Lane. He has a philanthropic motive for coming to smoke his cigar in our porch on summer evenings; he says he does it to kill the earwigs amongst the roses, with which insects, but for his benevolent fumigations, he intimates we should certainly be overrun. On wet days, too, we are almost sure to see him; according to him, it gets on time to work me into lunacy by treading on my mental corns, or to force from Mrs. Crimsworth revelations of the dragon within her, by insulting the memory of Hofer and Tell.
We also go frequently to Hunsden Wood, and both I and Frances relish a visit there highly. If there are other guests, their characters are an interesting study; their conversation is exciting and strange; the absence of all local narrowness both in the host and his chosen society gives a metropolitan, almost a cosmopolitan freedom and largeness to the talk. Hunsden himself is a polite man in his own house: he has, when he chooses to employ it, an inexhaustible power of entertaining guests; his very mansion too is interesting, the rooms look storied, the passages legendary, the low-ceiled chambers, with their long rows of diamond-paned lattices, have an old-world, haunted air: in his travels he has collected stores of articles of VERTU, which are well and tastefully disposed in his panelled or tapestried rooms: I have seen there one or two pictures, and one or two pieces of statuary which many an aristocratic connoisseur might have envied.
When I and Frances have dined and spent an evening with Hunsden, he often walks home with us. His wood is large, and some of the timber is old and of huge growth. There are winding ways in it which, pursued through glade and brake, make the walk back to Daisy Lane a somewhat long one. Many a time, when we have had the benefit of a full moon, and when the night has been mild and balmy, when, moreover, a certain nightingale has been singing, and a certain stream, hid in alders, has lent the song a soft accompaniment, the remote church-bell of the one hamlet in a district of ten miles, has tolled midnight ere the lord of the wood left us at our porch. Free-flowing was his talk at such hours, and far more quiet and gentle than in the day-time and before numbers. He would then forget politics and discussion, and would dwell on the past times of his house, on his family history, on himself and his own feelings--subjects each and all invested with a peculiar zest, for they were each and all unique. One glorious night in June, after I had been taunting him about his ideal bride and asking him when she would come and graft her foreign beauty on the old Hunsden oak, he answered suddenly--
"You call her ideal; but see, here is her shadow; and there cannot be a shadow without a substance."
He had led us from the depth of the "winding way" into a glade from whence the beeches withdrew, leaving it open to the sky; an unclouded moon poured her light into this glade, and Hunsden held out under her beam an ivory miniature.
Frances, with eagerness, examined it first; then she gave it to me--still, however, pushing her little face close to mine, and seeking in my eyes what I thought of the portrait. I thought it represented a very handsome and very individual-looking female face, with, as he had once said, "straight and harmonious features." It was dark; the hair, raven-black, swept not only from the brow, but from the temples--seemed thrust away carelessly, as if such beauty dispensed with, nay, despised arrangement. The Italian eye looked straight into you, and an independent, determined eye it was; the mouth was as firm as fine; the chin ditto. On the back of the miniature was gilded "Lucia."
"That is a real head," was my conclusion.
Hunsden smiled.
"I think so," he replied. "All was real in Lucia."
"And she was somebody you would have liked to marry--but could not?"
"I should certainly have liked to marry her, and that I HAVE not done so is a proof that I COULD not."
He repossessed himself of the miniature, now again in Frances' hand, and put it away.
"What do YOU think of it?" he asked of my wife, as he buttoned his coat over it.
"I am sure Lucia once wore chains and broke them," was the strange answer. "I do not mean matrimonial chains," she added, correcting herself, as if she feared mis-interpretation, "but social chains of some sort. The face is that of one who has made an effort, and a successful and triumphant effort, to wrest some vigorous and valued faculty from insupportable constraint; and when Lucia's faculty got free, I am certain it spread wide pinions and carried her higher than--" she hesitated.
"Than what?" demanded Hunsden.
"Than 'les convenances' permitted you to follow."
"I think you grow spiteful--impertinent."
"Lucia has trodden the stage," continued Frances. "You never seriously thought of marrying her; you admired her originality, her fearlessness, her energy of body and mind; you delighted in her talent, whatever that was, whether song, dance, or dramatic representation; you worshipped her beauty, which was of the sort after your own heart: but I am sure she filled a sphere from whence you would never have thought of taking a wife."
"Ingenious," remarked Hunsden; "whether true or not is another question. Meantime, don't you feel your little lamp of a spirit wax very pale, beside such a girandole as Lucia's?"
"Yes."
"Candid, at least; and the Professor will soon be dissatisfied with the dim light you give?"
"Will you, monsieur?"
"My sight was always too weak to endure a blaze, Frances," and we had now reached the wicket.
I said, a few pages back, that this is a sweet summer evening; it is--there has been a series of lovely days, and this is the loveliest; the hay is just carried from my fields, its perfume still lingers in the air. Frances proposed to me, an hour or two since, to take tea out on the lawn; I see the round table, loaded with china, placed under a certain beech; Hunsden is expected--nay, I hear he is come--there is his voice, laying down the law on some point with authority; that of Frances replies; she opposes him of course. They are disputing about Victor, of whom Hunsden affirms that his mother is making a milksop. Mrs. Crimsworth retaliates:--
"Better a thousand times he should be a milksop than what he, Hunsden, calls 'a fine lad;' and moreover she says that if Hunsden were to become a fixture in the neighbourhood, and were not a mere comet, coming and going, no one knows how, when, where, or why, she should be quite uneasy till she had got Victor away to a school at least a hundred miles off; for that with his mutinous maxims and unpractical dogmas, he would ruin a score of children."
I have a word to say of Victor ere I shut this manuscript in my desk--but it must be a brief one, for I hear the tinkle of silver on porcelain.
Victor is as little of a pretty child as I am of a handsome man, or his mother of a fine woman; he is pale and spare, with large eyes, as dark as those of Frances, and as deeply set as mine. His shape is symmetrical enough, but slight; his health is good. I never saw a child smile less than he does, nor one who knits such a formidable brow when sitting over a book that interests him, or while listening to
Free e-book «The Professor - Charlotte Brontë (autobiographies to read .TXT) 📗» - read online now
Similar e-books:
Comments (0)