Under Fire: The Story of a Squad - Henri Barbusse (free ebooks romance novels .txt) 📗

cannot recognize it. This plain, which had then seemed to me quite level, though it really slopes, is an amazing charnel-house. It swarms with corpses, and might be a cemetery of which the top has been taken away.

Groups of men are moving about it, identifying the dead of last evening and last night, turning the remains over, recognizing them by some detail in spite of their faces. One of these searchers, kneeling, draws from a dead hand an effaced and mangled photograph--a portrait killed.

In the distance, black shell-smoke goes up in scrolls, then detonates over the horizon. The wide and stippled flight of an army of crows sweeps the sky.

Down below among the motionless multitude, and identifiable by their wasting and disfigurement, there are zouaves, tirailleurs, and Foreign Legionaries from the May attack. The extreme end of our lines was then on Berthonval Wood, five or six kilometers from here. In that attack, which was one of the most terrible of the war or of any war, those men got here in a single rush. They thus formed a point too far advanced in the wave of attack, and were caught on the flanks between the machine-guns posted to right and to left on the lines they had overshot. It is some months now since death hollowed their eyes and consumed their cheeks, but even in those storm-scattered and dissolving remains one can identify the havoc of the machine-guns that destroyed them, piercing their backs and loins and severing them in the middle. By the side of heads black and waxen as Egyptian mummies, clotted with grubs and the wreckage of insects, where white teeth still gleam in some cavities, by the side of poor darkening stumps that abound like a field of old roots laid bare, one discovers naked yellow skulls wearing the red cloth fez, whose gray cover has crumbled like paper. Some thigh-bones protrude from the heaps of rags stuck together with reddish mud; and from the holes filled with clothes shredded and daubed with a sort of tar, a spinal fragment emerges. Some ribs are scattered on the soil like old cages broken; and close by, blackened leathers are afloat, with water-bottles and drinking-cups pierced and flattened. About a cloven knapsack, on the top of some bones and a cluster of bits of cloth and accouterments, some white points are evenly scattered; by stooping one can see that they are the finger and toe constructions of what was once a corpse.

Sometimes only a rag emerges from long mounds to indicate that some human being was there destroyed, for all these unburied dead end by entering the soil.

The Germans, who were here yesterday, abandoned their soldiers by the side of ours without interring them--as witness these three putrefied corpses on the top of each other, in each other, with their round gray caps whose red edge is hidden with a gray band, their yellow-gray jackets, and their green faces. I look for the features of one of them. From the depth of his neck up to the tufts of hair that stick to the brim of his cap is just an earthy mass, the face become an anthill, and two rotten berries in place of the eyes. Another is a dried emptiness flat on its belly, the back in tatters that almost flutter, the hands, feet, and face enrooted in the soil.

"Look! It's a new one, this--"

In the middle of the plateau and in the depth of the rainy and bitter air, on the ghastly morrow of this debauch of slaughter, there is a head planted in the ground, a wet and bloodless head, with a heavy beard.

It is one of ours, and the helmet is beside it. The distended eyelids permit a little to be seen of the dull porcelain of his eyes, and one lip shines like a slug in the shapeless beard. No doubt he fell into a shell-hole, which was filled up by another shell, burying him up to the neck like the cat's-head German of the Red Tavern at Souchez.

"I don't know him," says Joseph, who has come up very slowly and speaks with difficulty.

"I recognize him," replies Volpatte.

"That bearded man?" says Joseph.

"He has no beard. Look--" Stooping, Volpatte passes the end of his stick under the chin of the corpse and breaks off a sort of slab of mud in which the head was set, a slab that looked like a beard. Then he picks up the dead man's helmet and puts it on his head, and for a moment holds before the eyes the round handles of his famous scissors so as to imitate spectacles.

"Ah!" we all cried together, "it's Cocon!"

When you hear of or see the death of one of those who fought by your side and lived exactly the same life, you receive a direct blow in the flesh before even understanding. It is truly as if one heard of his own destruction. It is only later that one begins to mourn.

We look at the hideous head that is murder's jest, the murdered head already and cruelly effacing our memories of Cocon. Another comrade less. We remain there around him, afraid.

"He was--"

We should like to speak a little, but do not know what to say that would be sufficiently serious or telling or true.

"Come," says Joseph, with an effort, wholly engrossed by his severe suffering, "I haven't strength enough to be stopping all the time."

We leave poor Cocon, the ex-statistician, with a last look, a look too short and almost vacant.

"One cannot imagine--" says Volpatte.

No, one cannot imagine. All these disappearances at once surpass the imagination. There are not enough survivors now. But we have vague idea of the grandeur of these dead. They have given all; by degrees they have given all their strength, and finally they have given themselves, en bloc. They have outpaced life, and their effort has something of superhuman perfection.

* * * * *


"Tiens, he's just been wounded, that one, and yet--" A fresh wound is moistening the neck of a body that is almost a skeleton.

"It's a rat," says Volpatte. "The stiffs are old ones, but the rats talk to 'em. You see some rats laid out--poisoned, p'raps--near every body or under it. Tiens, this poor old chap shall show us his." He lifts up the foot of the collapsed remains and reveals two dead rats.

"I should like to find Farfadet again," says Volpatte. "I told him to wait just when we started running and he clipped hold of me. Poor lad, let's hope he waited!"

So he goes to and fro, attracted towards the dead by a strange curiosity; and these, indifferent, bandy him about from one to another, and at each step he looks on the ground. Suddenly he utters a cry of distress. With his hand he beckons us as he kneels to a dead man.

Bertrand!

Acute emotion grips us. He has been killed; he, too, like the rest, he who most towered over us by his energy and intelligence. By virtue of always doing his duty, he has at last got killed. He has at last found death where indeed it was.

We look at him, and then turn away from the sight and look upon each other.

The shock of his loss is aggravated by the spectacle that his remains present, for they are abominable to see. Death has bestowed a grotesque look and attitude on the man who was so comely and so tranquil. With his hair scattered over his eyes, his mustache trailing in his mouth, and his face swollen--he is laughing. One eye is widely open, the other shut, and the tongue lolls out. His arms are outstretched in the form of a cross: the hands open, the fingers separated. The right leg is straight. The left, whence flowed the hemorrhage that made him die, has been broken by a shell; it is twisted into a circle, dislocated, slack, invertebrate. A mournful irony has invested the last writhe of his agony with the appearance of a clown's antic.

We arrange him, and lay him straight, and tranquillize the horrible masks. Volpatte has taken a pocket-book from him and places it reverently among his own papers, by the side of the portrait of his own wife and children. That done, he shakes his head: "He--he was truly a good sort, old man. When he said anything, that was the proof that it was true. Ah, we needed him badly!"

"Yes," I said, "we had need of him always."

"Ah, la, la!" murmurs Volpatte, and he trembles. Joseph repeats in a weak voice, "Ah, nom de Dieu! Ah, nom de Dieu!"

The plateau is as covered with people as a public square; fatigue-parties in detachments, and isolated men. Here and there, the stretcher-bearers are beginning (patiently and in a small way) their huge and endless task.

Volpatte leaves us, to return to the trench and announce our new losses, and above all the great gap left by Bertrand. He says to Joseph, "We shan't lose sight of you, eh? Write us a line now and again--just, 'All goes well; signed, Camembert,' eh?" He disappears among the people who cross each other's path in the expanse now completely possessed by a mournful and endless rain.

Joseph leans on me and we go down into the ravine. The slope by which we descend is known as the Zouaves' Cells. In the May attack, the Zouaves had all begun to dig themselves individual shelters, and round these they were exterminated. Some are still seen, prone on the brim of an incipient hole, with their trenching-tools in their fleshless hands or looking at them with the cavernous hollows where shrivel the entrails of eyes. The ground is so full of dead that the earth-falls uncover places that bristle with feet, with half-clothed skeletons, and with ossuaries of skulls placed side by side on the steep slope like porcelain globe-jars.

In the ground here there are several strata of dead and in many places the delving of the shells has brought out the oldest and set them out in display on the top of the new ones. The bottom of the ravine is completely carpeted with debris of weapons, clothing, and implements. One tramples shell fragments, old iron, loaves and even biscuits that have fallen from knapsacks and are not yet dissolved by the rain. Mess-tins, pots of jam, and helmets are pierced and riddled by bullets--the scrapings and scum of a hell-broth; and the dislocated posts that survive are stippled with holes.

The trenches that run in this valley have a look of earthquake crevasses, and as if whole tombs of uncouth things had been emptied on the ruins of the earth's convulsion. And there, where no dead are, the very earth is cadaverous.

We follow the International Trench, still fluttering with rainbow rags--a shapeless trench which the confusion of torn stuffs invests with an air of a trench assassinated--to a place where the irregular and winding ditch forms an elbow. All the way along, as far as an earthwork barricade that blocks the way, German corpses are entangled and knotted as in a torrent of the damned, some of them emerging from muddy caves in the middle of a bewildering conglomerate of beams, ropes, creepers of iron, trench-rollers, hurdles, and bullet-screens. At the barrier itself, one corpse stands upright, fixed in the other dead, while another, planted