London Pride, Or, When the World Was Younger by M. E. Braddon (books to read to be successful .txt) 📗

roaring trade would be done there! I never loved a woman yet but she offered me her life, or an instalment of it."

"I have emptied your drawer," laughing coyly. "There is just enough to keep Lewin in good humour till you are well again, and we can be partners at basset."

"It will be very long before I play basset in London."

"Oh, but indeed you will soon be well."

"Well enough to change the scene, I hope. It needs change of places and persons to make life bearable. I long to be at the Louvre again, to see a play by Molière's company, as only they can act, instead of the loathsome translations we get here, in which all that there is of wit and charm in the original is transmuted to coarseness and vulgarity. When I leave this bed, Lucrèce, it will be for Paris."

"Why, it will be ages before you are strong enough for such a journey."

"Oh, I will risk that. I hate London so badly, that to escape from it will work a miraculous cure for me."

* * * * *

An armed neutrality! Even the children felt the change in the atmosphere of home, and nestled closer to their aunt, who never changed to them.

"Father mostly looks angry," Henriette complained, "and mother is always unhappy, if she is not laughing and talking in the midst of company; and neither of them ever seems to want me. I wish I was grown up, so that I could be maid of honour to the Queen or the Duchess, and live at Whitehall. Mademoiselle told me that there is always life and pleasure at Court."

"Your father does not love the Court, dearest, and mademoiselle should be wiser than to talk to you of such things, when she is here to teach you dancing and French literature."

"Mademoiselle" was a governess lately imported from Paris, recommended by Mademoiselle Scudéry, and full of high-flown ideas expressed in high-flown language. All Paris had laughed at Molière's Precieuses Ridicules; but the Précieuses themselves, and their friends, protested that the popular farce was aimed only at the low-born imitators of those great ladies who had originated the school of superfine culture and romantic aspirations.

"Sapho" herself, in tracing her own portrait with a careful and elaborate pencil, told the world how shamefully she had been imitated by the spurious middle-class Saphos, who set up their salons, and vied with the sacred house of Rambouillet, and the privileged coterie of the Rue de Temple.

Lady Fareham had not ceased to believe in her dear, plain, witty Scudéry, and was delighted to secure a governess of her choosing, whereby Papillon, who loved freedom and idleness, and hated lessons of all kinds, was set down to write themes upon chivalry, politeness, benevolence, pride, war, and other abstractions; or to fill in bouts-rimés, by way of enlarging her acquaintance with the French language, which she had chattered freely all her life. Mademoiselle insisted upon all the niceties of phraseology as discussed in the Rue Saint Thomas du Louvre.

There had been a change of late in Fareham's manner to his sister-in-law, a change refreshing to her troubled spirit as mercy, that gentle dew from heaven, to the criminal. He had been kinder; and though he spent very few of his hours with the women of his household, he had talked to Angela somewhat in the friendly tone of those fondly remembered days at Chilton, when he had taught her to row and ride, to manage a spirited palfrey and fly a falcon, and had been in all things her mentor and friend. He seemed less oppressed with gloom as time went on, but had his sullen fits still, and, after being kind and courteous to wife and sister, and playful with his children, would leave them suddenly, and return no more to the saloon or drawing-room that evening. Yet on the whole the sky was lightening. He ignored Hyacinth's resentment, endured her pettishness, and was studiously polite to her.

* * * * *

It was on Lady Fareham's visiting-day, deep in that very severe winter, that some news was told her which came like a thunder-clap, and which it needed all the weak soul's power of self-repression to suffer without swooning or hysterics.

Lady Sarah Tewkesbury, gorgeous in velvet and fur, her thickly painted countenance framed in a furred hood, entered fussily upon a little coterie in which Masaroon, vapouring about the last performance at the King's theatre, was the principal figure.

"There was a little woman spoke the epilogue," he said, "a little creature in a monstrous big hat, as large and as round as a cart-wheel, which vastly amused his Majesty."

"The hat?"

"Nay, it was woman and hat. The thing is so small it might have been scarce noticed without the hat, but it has a pretty little, insignificant, crumpled face, and laughs all over its face till it has no eyes, and then stops laughing suddenly, and the eyes shine out, twinkling and dancing like stars reflected in running water, and it stamps its little foot upon the stage in a comic passion—and—nous verrons. It sold oranges in the pit, folks tell me, a year ago. It may be selling sinecures and captaincies in a year or two, and putting another shilling in the pound upon land."

"Is it that brazen little comedy actress you are talking of, Masaroon?" Lady Sarah asked, when she had exchanged curtsies with the ladies of the company, and established herself on the most comfortable tabouret, near Lady Fareham's tea-table; "Mrs. Glyn—Wynn—Gwyn? I wonder a man of wit can notice such a vulgar creature, a she-jack-pudden, fit only to please the rabble in the gallery."

"Ay, but there is a finer sort of rabble—a rabble of quality—beginning with his Majesty, that are always pleased with anything new. And this little creature is as fresh as a spring morning. To see her laugh, to hear the ring of it, clear and sweet as a skylark's song! On my life, madam, the town has a new toy; and Mrs. Gwyn will be the rage in high quarters. You should have seen Castlemaine's scowl when Rowley laughed, and ducked under the box almost, in an ecstasy of amusement at the huge hat."

"Lady Castlemaine's brow would thunder-cloud if his Majesty looked at a fly on a window-pane. But she has something else to provoke her frowns to-day."

"What is that, chère dame?" asked Hyacinth, snatching a favourite fan from Sir Ralph, who was teasing one of the Blenheims with African feathers that were almost priceless.

"The desertion of an old friend. The Comte de Malfort has left England."

Lady Fareham turned livid under her rouge. Angela ran to her and leant over her, upon a pretence of rescuing the fan and chiding the dogs; and so contrived to screen her sister's change of complexion from the malignity of her dearest friends.

"Left England! Why, he is confined to his bed with a fever!" Hyacinth said faintly, when she had somewhat recovered from the shock.

"Nay, it seems that he began to go abroad last week, but would see no company, except a confidential friend or so. He left London this morning for Dover."

"No doubt he has business in Burgundy, where his estate is, and at Paris, where he is of importance at the Court," said Hyacinth, as lightly as she could; "but I'll wager anything anybody likes that he will be in London again in a month."

"I'll take you for those black pearls in your ears, ma mie," said Lady Sarah. "His furniture is to be sold by auction next week. I saw a bill on the house this afternoon. It is sudden! Perhaps the Castlemaine had become too exacting!"

"Castlemaine!" faltered Hyacinth, agitated beyond her power of self-control. "Why, what is she to him more than she is to other men?"

"Very little, perhaps," said Sir Ralph, and then everybody laughed, and Hyacinth felt herself sitting among them like a child, understanding nothing of their smiles and shrugs, the malice in their sly interchange of glances.

She sat among them feeling as if her heart were turned to stone. He had left the country without even bidding her farewell—her faithful slave, upon whose devotion she counted as surely as upon the rising of the sun. Whatever her husband might do to separate her from this friend of her girlhood, she had feared no defection upon De Malfort's part. He would always be near at hand, waiting and watching for the happier days that were to smile upon their innocent loves. She had written to him every day during his illness. Good Mrs. Lewin had taken the letters to him, and had brought her his replies. He had not written so often, or at such length, as she, and had pleaded the languor of convalescence as his excuse; but all his billets-doux had been in the same delicious hyperbole, the language of the Pays du Tendre. She sat silent while her visitors talked about him, plucking a reputation as mercilessly as a kitchen wench plucks a fowl. He was gone. He had left the country deep in debt. It was his landlord who had stuck up that notice of a sale by auction. Tailors and shoemakers, perruquiers and perfumers were bewailing his flight.

So much for the sordid side of things. But what of those numerous affairs of the heart—those entanglements which had made his life one long intrigue?

Lady Sarah sat simpering and nodding as Masaroon whispered close in her ear.

Barbara? Oh, that was almost as old as the story of Antony and Cleopatra. She had paid his debts—and he had paid hers. Their purse had been in common. And the handsome maid of honour? Ah, poor silly soul! That was a horrid, ugly business, and his Majesty's part in it the horridest. And Mrs. Levington, the rich silk mercer's wife? That was a serious attachment. It was said that the husband attempted poison, when De Malfort refused him the satisfaction of a gentleman. And the poor woman was sent to die of ennui and rheumatism in a castle among the Irish bogs, where her citizen husband had set up as a landed squire.

The fine company discussed all these foul stories with gusto, insinuating much more than they expressed in words. Never until to-day had they spoken so freely of De Malfort in Lady Fareham's presence; but the story had got about of a breach between Hyacinth and her admirer, and it was supposed that any abuse of the defaulter would be pleasant in her ears. And then, he was ruined and gone; and there is no vulture's feast sweeter than to banquet upon a departed rival's character.

Hyacinth listened in dull silence, as if her sensations were suddenly benumbed. She felt nothing but a horrible surprise. Her lover—her platonic lover—that other half of her mind and heart—with whom she had been in such tender sympathy, in unison of spirit, so subtle that the same thoughts sprang up simultaneously in the minds of each, the same language leapt to their lips, and they laughed to find their words alike. It had been only a shallow woman's shallow love—but trivial woes are tragedies for trivial minds; and when her guests had gradually melted away, dispersing themselves with reciprocal curtsies and airy compliments, elegant in their modish iniquity as a troop of vicious fairies—Hyacinth stood on the hearth where they had left her, a statue of despair.

Angela went to her, when the stately double doors had closed on the last of the gossips and lackeys, and they two were alone amidst the spacious splendour. The younger sister hugged the elder to her breast, and kissed her, and cried over her, like a mother comforting her disappointed child.

"Don't heed that shameful talk, dearest. No character is safe with them. Be sure Monsieur de Malfort is not the reprobate they would make him. You have known him nearly all your life. You know him too well to judge him by the idle talk of the town."

"No, no; I have never known him. He has always worn a mask. He is as false as Satan. Don't talk to me—don't kiss me, child. You have smeared my face horribly with your kisses and tears. Your pity drives me