Night and Day - Virginia Woolf (best novels for beginners txt) 📗
- Author: Virginia Woolf
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She turned. Katharine had not moved; she was leaning a little forward
in her chair and looking into the fire. Something in the attitude
reminded Mary of Ralph. So he would sit, leaning forward, looking
rather fixedly in front of him, while his mind went far away,
exploring, speculating, until he broke off with his, “Well, Mary?”—
and the silence, that had been so full of romance to her, gave way to
the most delightful talk that she had ever known.
Something unfamiliar in the pose of the silent figure, something
still, solemn, significant about it, made her hold her breath. She
paused. Her thoughts were without bitterness. She was surprised by her
own quiet and confidence. She came back silently, and sat once more by
Katharine’s side. Mary had no wish to speak. In the silence she seemed
to have lost her isolation; she was at once the sufferer and the
pitiful spectator of suffering; she was happier than she had ever
been; she was more bereft; she was rejected, and she was immensely
beloved. Attempt to express these sensations was vain, and, moreover,
she could not help believing that, without any words on her side, they
were shared. Thus for some time longer they sat silent, side by side,
while Mary fingered the fur on the skirt of the old dress.
The fact that she would be late in keeping her engagement with William
was not the only reason which sent Katharine almost at racing speed
along the Strand in the direction of his rooms. Punctuality might have
been achieved by taking a cab, had she not wished the open air to fan
into flame the glow kindled by Mary’s words. For among all the
impressions of the evening’s talk one was of the nature of a
revelation and subdued the rest to insignificance. Thus one looked;
thus one spoke; such was love.
“She sat up straight and looked at me, and then she said, ‘I’m in
love,’” Katharine mused, trying to set the whole scene in motion. It
was a scene to dwell on with so much wonder that not a grain of pity
occurred to her; it was a flame blazing suddenly in the dark; by its
light Katharine perceived far too vividly for her comfort the
mediocrity, indeed the entirely fictitious character of her own
feelings so far as they pretended to correspond with Mary’s feelings.
She made up her mind to act instantly upon the knowledge thus gained,
and cast her mind in amazement back to the scene upon the heath, when
she had yielded, heaven knows why, for reasons which seemed now
imperceptible. So in broad daylight one might revisit the place where
one has groped and turned and succumbed to utter bewilderment in a
fog.
“It’s all so simple,” she said to herself. “There can’t be any doubt.
I’ve only got to speak now. I’ve only got to speak,” she went on
saying, in time to her own footsteps, and completely forgot Mary
Datchet.
William Rodney, having come back earlier from the office than he
expected, sat down to pick out the melodies in “The Magic Flute” upon
the piano. Katharine was late, but that was nothing new, and, as she
had no particular liking for music, and he felt in the mood for it,
perhaps it was as well. This defect in Katharine was the more strange,
William reflected, because, as a rule, the women of her family were
unusually musical. Her cousin, Cassandra Otway, for example, had a
very fine taste in music, and he had charming recollections of her in
a light fantastic attitude, playing the flute in the morning-room at
Stogdon House. He recalled with pleasure the amusing way in which her
nose, long like all the Otway noses, seemed to extend itself into the
flute, as if she were some inimitably graceful species of musical
mole. The little picture suggested very happily her melodious and
whimsical temperament. The enthusiasms of a young girl of
distinguished upbringing appealed to William, and suggested a thousand
ways in which, with his training and accomplishments, he could be of
service to her. She ought to be given the chance of hearing good
music, as it is played by those who have inherited the great
tradition. Moreover, from one or two remarks let fall in the course of
conversation, he thought it possible that she had what Katharine
professed to lack, a passionate, if untaught, appreciation of
literature. He had lent her his play. Meanwhile, as Katharine was
certain to be late, and “The Magic Flute” is nothing without a voice,
he felt inclined to spend the time of waiting in writing a letter to
Cassandra, exhorting her to read Pope in preference to Dostoevsky,
until her feeling for form was more highly developed. He set himself
down to compose this piece of advice in a shape which was light and
playful, and yet did no injury to a cause which he had near at heart,
when he heard Katharine upon the stairs. A moment later it was plain
that he had been mistaken, it was not Katharine; but he could not
settle himself to his letter. His temper had changed from one of
urbane contentment—indeed of delicious expansion—to one of
uneasiness and expectation. The dinner was brought in, and had to be
set by the fire to keep hot. It was now a quarter of an hour beyond
the specified time. He bethought him of a piece of news which had
depressed him in the earlier part of the day. Owing to the illness of
one of his fellow-clerks, it was likely that he would get no holiday
until later in the year, which would mean the postponement of their
marriage. But this possibility, after all, was not so disagreeable as
the probability which forced itself upon him with every tick of the
clock that Katharine had completely forgotten her engagement. Such
things had happened less frequently since Christmas, but what if they
were going to begin to happen again? What if their marriage should
turn out, as she had said, a farce? He acquitted her of any wish to
hurt him wantonly, but there was something in her character which made
it impossible for her to help hurting people. Was she cold? Was she
self-absorbed? He tried to fit her with each of these descriptions,
but he had to own that she puzzled him.
“There are so many things that she doesn’t understand,” he reflected,
glancing at the letter to Cassandra which he had begun and laid aside.
What prevented him from finishing the letter which he had so much
enjoyed beginning? The reason was that Katharine might, at any moment,
enter the room. The thought, implying his bondage to her, irritated
him acutely. It occurred to him that he would leave the letter lying
open for her to see, and he would take the opportunity of telling her
that he had sent his play to Cassandra for her to criticize. Possibly,
but not by any means certainly, this would annoy her—and as he
reached the doubtful comfort of this conclusion, there was a knock on
the door and Katharine came in. They kissed each other coldly and she
made no apology for being late. Nevertheless, her mere presence moved
him strangely; but he was determined that this should not weaken his
resolution to make some kind of stand against her; to get at the truth
about her. He let her make her own disposition of clothes and busied
himself with the plates.
“I’ve got a piece of news for you, Katharine,” he said directly they
sat down to table; “I shan’t get my holiday in April. We shall have to
put off our marriage.”
He rapped the words out with a certain degree of briskness. Katharine
started a little, as if the announcement disturbed her thoughts.
“That won’t make any difference, will it? I mean the lease isn’t
signed,” she replied. “But why? What has happened?”
He told her, in an off-hand way, how one of his fellow-clerks had
broken down, and might have to be away for months, six months even, in
which case they would have to think over their position. He said it in
a way which struck her, at last, as oddly casual. She looked at him.
There was no outward sign that he was annoyed with her. Was she well
dressed? She thought sufficiently so. Perhaps she was late? She looked
for a clock.
“It’s a good thing we didn’t take the house then,” she repeated
thoughtfully.
“It’ll mean, too, I’m afraid, that I shan’t be as free for a
considerable time as I have been,” he continued. She had time to
reflect that she gained something by all this, though it was too soon
to determine what. But the light which had been burning with such
intensity as she came along was suddenly overclouded, as much by his
manner as by his news. She had been prepared to meet opposition, which
is simple to encounter compared with—she did not know what it was
that she had to encounter. The meal passed in quiet, well-controlled
talk about indifferent things. Music was not a subject about which she
knew anything, but she liked him to tell her things; and could, she
mused, as he talked, fancy the evenings of married life spent thus,
over the fire; spent thus, or with a book, perhaps, for then she would
have time to read her books, and to grasp firmly with every muscle of
her unused mind what she longed to know. The atmosphere was very free.
Suddenly William broke off. She looked up apprehensively, brushing
aside these thoughts with annoyance.
“Where should I address a letter to Cassandra?” he asked her. It was
obvious again that William had some meaning or other to-night, or was
in some mood. “We’ve struck up a friendship,” he added.
“She’s at home, I think,” Katharine replied.
“They keep her too much at home,” said William. “Why don’t you ask her
to stay with you, and let her hear a little good music? I’ll just
finish what I was saying, if you don’t mind, because I’m particularly
anxious that she should hear tomorrow.”
Katharine sank back in her chair, and Rodney took the paper on his
knees, and went on with his sentence. “Style, you know, is what we
tend to neglect—”; but he was far more conscious of Katharine’s eye
upon him than of what he was saying about style. He knew that she was
looking at him, but whether with irritation or indifference he could
not guess.
In truth, she had fallen sufficiently into his trap to feel
uncomfortably roused and disturbed and unable to proceed on the lines
laid down for herself. This indifferent, if not hostile, attitude on
William’s part made it impossible to break off without animosity,
largely and completely. Infinitely preferable was Mary’s state, she
thought, where there was a simple thing to do and one did it. In fact,
she could not help supposing that some littleness of nature had a part
in all the refinements, reserves, and subtleties of feeling for which
her friends and family were so distinguished. For example, although
she liked Cassandra well enough, her fantastic method of life struck
her as purely frivolous; now it was socialism, now it was silkworms,
now it was music—which last she supposed was the cause of William’s
sudden interest in her. Never before had William wasted the minutes of
her presence in writing his letters. With a curious sense of light
opening where all, hitherto, had been opaque, it dawned upon her that,
after all, possibly, yes, probably, nay, certainly, the devotion which
she had almost wearily taken for granted existed in a much slighter
degree than she
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