The New Jerusalem - G. K. Chesterton (best authors to read .TXT) 📗
- Author: G. K. Chesterton
- Performer: -
Book online «The New Jerusalem - G. K. Chesterton (best authors to read .TXT) 📗». Author G. K. Chesterton
Anyhow with the failure of Zionism would fall the last and best attempt at a rationalistic theory of the Jew. We should be left facing a mystery which no other rationalism has ever come so near to providing within rational cause and cure. Whatever we do, we shall not return to that insular innocence and comfortable unconsciousness of Christendom, in which the Victorian agnostics could suppose that the Semitic problem was a brief medieval insanity. In this as in greater things, even if we lost our faith we could not recover our agnosticism. We can never recover agnosticism, any more than any other kind of ignorance. We know that there is a Jewish problem; we only hope that there is a Jewish solution. If there is not, there is no other. We cannot believe again that the Jew is an Englishman with certain theological theories, any more than we can believe again any other part of the optimistic materialism whose temple is the Albert Memorial. A scheme of guilds may be attempted and may be a failure; but never again can we respect mere Capitalism for its success. An attack may be made on political corruption, and it may be a failure; but never again can we believe that our politics are not corrupt. And so Zionism may be attempted and may be a failure; but never again can we ourselves be at ease in Zion. Or rather, I should say, if the Jew cannot be at ease in Zion we can never again persuade ourselves that he is at ease out of Zion. We can only salute as it passes that restless and mysterious figure, knowing at last that there must be in him something mystical as well as mysterious; that whether in the sense of the sorrows of Christ or of the sorrows of Cain, he must pass by, for he belongs to God.
CONCLUSION
To have worn a large scallop shell in my hat in the streets of London might have been deemed ostentatious, to say nothing of carrying a staff like a long pole; and wearing sandals might have proclaimed rather that I had not come from Jerusalem but from Letchworth, which some identify with the New Jerusalem descending out of heaven from God. Lacking such attributes, I passed through South England as one who might have come from Ramsgate or from anywhere; and the only symbol left to me of my pilgrimage was a cheap ring of metal coloured like copper and brass. For on it was written in Greek characters the word "Jerusalem," and though it may be less valuable than a brass nail, I do not think you can buy it in the Strand. All those enormous and everlasting things, all those gates of bronze and mosaics of purple and peacock colouring, all those chapels of gold and columns of crimson marble, had all shrivelled up and dwindled down to that one small thread of red metal round my finger. I could not help having a feeling, like Aladdin, that if I rubbed the ring perhaps all those towers would rise again. And there was a sort of feeling of truth in the fancy after all. We talk of the changeless East; but in one sense the impression of it is really rather changing, with its wandering tribes and its shifting sands, in which the genii of the East might well build the palace or the paradise of a day. As I saw the low and solid English cottages rising around me amid damp delightful thickets under rainy skies, I felt that in a deeper sense it is rather we who build for permanence or at least for a sort of peace. It is something more than comfort; a relative and reasonable contentment. And there came back on me like a boomerang a rather indescribable thought which had circled round my head through most of my journey; that Christendom is like a gigantic bronze come out of the furnace of the Near East; that in Asia is only the fire and in Europe the form. The nearest to what I mean was suggested in that very striking book Form and Colour, by Mr. March Philips. When I spoke of the idols of Asia, many moderns may well have murmured against such a description of the ideals of Buddha or Mrs. Besant. To which I can only reply that I do know a little about the ideals, and I think I prefer the idols. I have far more sympathy with the enthusiasm for a nice green or yellow idol, with nine arms and three heads, than with the philosophy ultimately represented by the snake devouring his tail; the awful sceptical argument in a circle by which everything begins and ends in the mind. I would far rather be a fetish worshipper and have a little fun, than be an oriental pessimist expected always to smile like an optimist. Now it seems to me that the fighting Christian creed is the one thing that has been in that mystical circle and broken out of it, and become something real as well. It has gone westward by a sort of centrifugal force, like a stone from a sling; and so made the revolving Eastern mind, as the Franciscan said in Jerusalem, do something at last.
Anyhow, although I carried none of the trappings of a pilgrim I felt strongly disposed to take the privileges of one. I wanted to be entertained at the firesides of total strangers, in the medieval manner, and to tell them interminable tales of my travels. I wanted to linger in Dover, and try it on the citizens of that town. I nearly got out of the train at several wayside stations, where I saw secluded cottages which might be brightened by a little news from the Holy Land. For it seemed to me that all my fellow-countrymen must be my friends; all these English places had come much closer together after travels that seemed in comparison as vast as the spaces between the stars. The hop-fields of Kent seemed to me like outlying parts of my own kitchen garden; and London itself to be really situated at London End. London was perhaps the largest of the suburbs of Beaconsfield. By the time I came to Beaconsfield itself, dusk was dropping over the beechwoods and the white cross-roads. The distance seemed to grow deeper and richer with darkness as I went up the long lanes towards my home; and in that distance, as I drew nearer, I heard the barking of a dog.
***END OF THE PROJECT GUTENBERG EBOOK THE NEW JERUSALEM***
******* This file should be named 13468-h.htm or 13468-h.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.net/1/3/4/6/13468
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for
Comments (0)