Emile - Jean-Jacques Rousseau (english novels for beginners txt) 📗

at the forge. Neither would I have him a mason, still less a shoemaker. All trades must be carried on, but when the choice is ours, cleanliness should be taken into account; this is not a matter of class prejudice, our senses are our guides. In conclusion, I do not like those stupid trades in which the workmen mechanically perform the same action without pause and almost without mental effort. Weaving, stocking-knitting, stone-cutting; why employ intelligent men on such work? it is merely one machine employed on another.

All things considered, the trade I should choose for my pupil, among the trades he likes, is that of a carpenter. It is clean and useful; it may be carried on at home; it gives enough exercise; it calls for skill and industry, and while fashioning articles for everyday use, there is scope for elegance and taste. If your pupil’s talents happened to take a scientific turn, I should not blame you if you gave him a trade in accordance with his tastes, for instance, he might learn to make mathematical instruments, glasses, telescopes, etc.

When Emile learns his trade I shall learn it too. I am convinced he will never learn anything thoroughly unless we learn it together.

So we shall both serve our apprenticeship, and we do not mean to be treated as gentlemen, but as real apprentices who are not there for fun; why should not we actually be apprenticed? Peter the Great was a ship’s carpenter and drummer to his own troops; was not that prince at least your equal in birth and merit? You understand this is addressed not to Emile but to you—to you, whoever you may be.

Unluckily we cannot spend the whole of our time at the workshop.

We are not only ‘prentice-carpenters but ‘prentice-men—a trade whose apprenticeship is longer and more exacting than the rest.

What shall we do? Shall we take a master to teach us the use of the plane and engage him by the hour like the dancing-master? In that case we should be not apprentices but students, and our ambition is not merely to learn carpentry but to be carpenters. Once or twice a week I think we should spend the whole day at our master’s; we should get up when he does, we should be at our work before him, we should take our meals with him, work under his orders, and after having had the honour of supping at his table we may if we please return to sleep upon our own hard beds. This is the way to learn several trades at once, to learn to do manual work without neglecting our apprenticeship to life.

Let us do what is right without ostentation; let us not fall into vanity through our efforts to resist it. To pride ourselves on our victory over prejudice is to succumb to prejudice. It is said that in accordance with an old custom of the Ottomans, the sultan is obliged to work with his hands, and, as every one knows, the handiwork of a king is a masterpiece. So he royally distributes his masterpieces among the great lords of the Porte and the price paid is in accordance with the rank of the workman. It is not this so-called abuse to which I object; on the contrary, it is an advantage, and by compelling the lords to share with him the spoils of the people it is so much the less necessary for the prince to plunder the people himself. Despotism needs some such relaxation, and without it that hateful rule could not last.

The real evil in such a custom is the idea it gives that poor man of his own worth. Like King Midas he sees all things turn to gold at his touch, but he does not see the ass’ ears growing. Let us keep Emile’s hands from money lest he should become an ass, let him take the work but not the wages. Never let his work be judged by any standard but that of the work of a master. Let it be judged as work, not because it is his. If anything is well done, I say, “That is a good piece of work,” but do not ask who did it. If he is pleased and proud and says, “I did it,” answer indifferently, “No matter who did it, it is well done.”

Good mother, be on your guard against the deceptions prepared for you. If your son knows many things, distrust his knowledge; if he is unlucky enough to be rich and educated in Paris he is ruined.

As long as there are clever artists he will have every talent, but apart from his masters he will have none. In Paris a rich man knows everything, it is the poor who are ignorant. Our capital is full of amateurs, especially women, who do their work as M.

Gillaume invents his colours. Among the men I know three striking exceptions, among the women I know no exceptions, and I doubt if there are any. In a general way a man becomes an artist and a judge of art as he becomes a Doctor of Laws and a magistrate.

If then it is once admitted that it is a fine thing to have a trade, your children would soon have one without learning it. They would become postmasters like the councillors of Zurich. Let us have no such ceremonies for Emile; let it be the real thing not the sham.

Do not say what he knows, let him learn in silence. Let him make his masterpiece, but not be hailed as master; let him be a workman not in name but in deed.

If I have made my meaning clear you ought to realise how bodily exercise and manual work unconsciously arouse thought and reflexion in my pupil, and counteract the idleness which might result from his indifference to men’s judgments, and his freedom from passion.

He must work like a peasant and think like a philosopher, if he is not to be as idle as a savage. The great secret of education is to use exercise of mind and body as relaxation one to the other.

But beware of anticipating teaching which demands more maturity of mind. Emile will not long be a workman before he discovers those social inequalities he had not previously observed. He will want to question me in turn on the maxims I have given him, maxims he is able to understand. When he derives everything from me, when he is so nearly in the position of the poor, he will want to know why I am so far removed from it. All of a sudden he may put scathing questions to me. “You are rich, you tell me, and I see you are. A rich man owes his work to the community like the rest because he is a man. What are you doing for the community?” What would a fine tutor say to that? I do not know. He would perhaps be foolish enough to talk to the child of the care he bestows upon him. The workshop will get me out of the difficulty. “My dear Emile that is a very good question; I will undertake to answer for myself, when you can answer for yourself to your own satisfaction. Meanwhile I will take care to give what I can spare to you and to the poor, and to make a table or a bench every week, so as not to be quite useless.”

We have come back to ourselves. Having entered into possession of himself, our child is now ready to cease to be a child. He is more than ever conscious of the necessity which makes him dependent on things. After exercising his body and his senses you have exercised his mind and his judgment. Finally we have joined together the use of his limbs and his faculties. We have made him a worker and a thinker; we have now to make him loving and tender-hearted, to perfect reason through feeling. But before we enter on this new order of things, let us cast an eye over the stage we are leaving behind us, and perceive as clearly as we can how far we have got.

At first our pupil had merely sensations, now he has ideas; he could only feel, now he reasons. For from the comparison of many successive or simultaneous sensations and the judgment arrived at with regard to them, there springs a sort of mixed or complex sensation which I call an idea.

The way in which ideas are formed gives a character to the human mind. The mind which derives its ideas from real relations is thorough; the mind which relies on apparent relations is superficial.

He who sees relations as they are has an exact mind; he who fails to estimate them aright has an inaccurate mind; he who concocts imaginary relations, which have no real existence, is a madman; he who does not perceive any relation at all is an imbecile. Clever men are distinguished from others by their greater or less aptitude for the comparison of ideas and the discovery of relations between them.

Simple ideas consist merely of sensations compared one with another.

Simple sensations involve judgments, as do the complex sensations which I call simple ideas. In the sensation the judgment is purely passive; it affirms that I feel what I feel. In the percept or idea the judgment is active; it connects, compares, it discriminates between relations not perceived by the senses. That is the whole difference; but it is a great difference. Nature never deceives us; we deceive ourselves.

I see some one giving an ice-cream to an eight-year-old child; he does not know what it is and puts the spoon in his mouth. Struck by the cold he cries out, “Oh, it burns!” He feels a very keen sensation, and the heat of the fire is the keenest sensation he knows, so he thinks that is what he feels. Yet he is mistaken; cold hurts, but it does not burn; and these two sensations are different, for persons with more experience do not confuse them. So it is not the sensation that is wrong, but the judgment formed with regard to it.

It is just the same with those who see a mirror or some optical instrument for the first time, or enter a deep cellar in the depths of winter or at midsummer, or dip a very hot or cold hand into tepid water, or roll a little ball between two crossed fingers. If they are content to say what they really feel, their judgment, being purely passive, cannot go wrong; but when they judge according to appearances, their judgment is active; it compares and establishes by induction relations which are not really perceived. Then these inductions may or may not be mistaken. Experience is required to correct or prevent error.

Show your pupil the clouds at night passing between himself and the moon; he will think the moon is moving in the opposite direction and that the clouds are stationary. He will think this through a hasty induction, because he generally sees small objects moving and larger ones at rest, and the clouds seems larger than the moon, whose distance is beyond his reckoning. When he watches the shore from a moving boat he falls into the opposite mistake and thinks the earth is moving because he does not feel the motion of the boat and considers it along with the sea or river as one motionless whole, of which the shore, which appears to move, forms no part.

The first time a child sees a stick half immersed in water he thinks he sees a broken stick; the sensation is true and would not cease to be true even if he knew the reason of this appearance. So if you