Writings in the United Amateur, 1915-1922 by H. P. Lovecraft (best pdf ebook reader for android .txt) 📗

Picture of the Marshes at Ipswich." Passing to more meritorious matter, we encounter Miss Mappin's latest literary article, "Shakespeare," which interests even whilst it reveals deficiencies of prose technique. "Jimmy's Little Girl," by Joseph Parks, is a vivid transcript of military life by a military author. While the tale is not one of vast originality, it nevertheless recommends itself through simplicity and verisimilitude. Miss Mappin's serial "The Choice," concludes in this issue. It is very praiseworthy for its many colourful passages, but mildly censurable for its melodramatic atmosphere and rhetorical lapses. The opening sentence of this instalment contains instances of both of these faults: "A terrible foreboding gripped Christabel's heart in bands of steel, as if for a moment to cleave her tongue to the roof of her mouth." This is the last number of the publication to appear under the present name. Beginning with the April issue it will be known as The Little Budget; and will contain, on the average, a rather higher grade of reading matter than heretofore. But in forming a judgment of any kind, it is well to recognize that the magazine's appeal is frankly popular.

Pep for February is the first number of a somewhat extraordinary enterprise conducted by George W. Macauley with the laudable object of waking up a sleeping amateurdom. The editor very justly takes the press associations to task for their manifold sins, particularly the dubious circumstances surrounding a recent convention, in which it is needless to say the United had no part. Mr. Macauley's literary attainments are very considerable, but as yet unperfected. Possessed of rare charm in descriptive prose, he needs to exercise a greater nicety of construction in order to develop fully the riches which are his. Gifted with a large, facile, and ingenious vocabulary, he is not sufficiently precise and discriminating in his employment of words according to their finer shades of meaning. This carelessness makes faults of his very virtues; for his vigour of expression tends to take the form of outre and inadmissible rhetoric, whilst his talent for word-painting tends to degenerate into word-coining. It would be quite possible for an acute critic to compile a dictionary of peculiarly Macaulian words and phrases, to which the current Pep might contribute such terms as probverb (proverb?). Spelling and punctuation also should claim more of Mr. Macauley's time and attention; for he might easily avoid such slips as believeing, it's (for its), thots, and the like. In short, Mr. Macauley is at present a gifted writer and brilliant editor labouring under the disadvantages of haste, carelessness, and perhaps a dash of radicalism.

The Phoenician for Spring is the first number of an enthusiastically conducted semi-professional venture of juvenile nature, whose connexion with the United hinges on the associate editorship of our clever recruit, Mr. James Mather Mosely. Like Merry Minutes, this publication is of the popular rather than conservative sort; being obviously designed primarily to please, secondarily to instruct.[76] We deplore the use of commonplace and sensational topics, colloquial expressions, and malformed spelling; but make due concessions to the youth of the editorial staff and the nascent state of the periodical. So promising are the young publishers that time cannot fail to refine and mature their efforts. "An Hour with a Lunatic," by Harry B. Sadik, is a very short and very thrilling tale of the "dime novel" variety. Mr. Sadik has a commendable sense of the dramatic, which would serve him well should he choose a less sensational field of endeavour. "Our Soldiers," a Canadian mother's war song by Mrs. Minnie E. Taylor, exhibits merit, though having many signs of imperfect technic. In line 2 of the first stanza bid should be replaced by bade. The final rhyme of the poem, that of gain and name, is false and inadmissible. Metrically there is much roughness, which careful study and diligent reading of good verse can in time correct. "Candy and Health," and "If You Were Down and Out," by James Mather Mosely, are two typical newspaper interviews with representative men. Mr. Mosely shows much aptitude as a reporter, having an almost professional ease and fluency. This is not literature, but it is good journalism. "The Dinner Never Paid For," by Viola Jameson, is a piece of characteristic light fiction; commendably innocuous, and not at all overburdened with philosophical complexity. "The Secret of Success," by Edith L. Clark, is a promising bit of didactic prose. "The End of the Road," by Pearl K. Merritt, is a brief essay of substantial worth. "The Toll of the Sea," a poem by Harold Gordon Hawkins, shows considerable merit despite irregularities. "Memories," by Arthur Goodenough, well sustains the high poetical reputation of its author, though it is cruelly marred by the illogical and censurable "simplified" spelling which the young editors see fit to employ. One line affords a silent but striking instance of the utter senselessness and confusion of the new orthographical fad. This line reads: