Robert Elsmere - Mrs. Humphry Ward (read this if TXT) 📗

dark lines of trimmed yews, which rose abruptly, about a hundred yards from the house and overshadowed the whole library wing. Between the window and the hill, however, was a small old English garden, closely hedged round with yew hedges, and blazing now with every flower that an English August knows--with sunflowers, tiger lilies, and dahlias, white and red. The window was low, so that the flowers seemed to be actually in the room, challenging the pale tints of the books, the tawny browns and blues of the Persian carpet and the scarlet splendors of the courtier over the mantelpiece. The room was lit up besides by a few gleaming casts from the antique, by the 'Diane Chasseresse' of the Louvre, by the Hermes of Praxiteles smiling with immortal kindness on the child enthroned upon his arm, and by a Donatello figure of a woman in marble, its subtle, sweet austerity contrasting with the Greek frankness and blitheness of its companions.

Langham was penetrated at once by the spell of this strange and beautiful place. The fastidious instincts which had been half revolted by the costly accumulations, the over-blown splendors of the drawing-room, were abundantly satisfied here.

'So it was here,' he said, looking round him, 'that that man wrote the "Idols of the Market Place"?'

'I imagine so,' said Robert; 'if so, he might well have felt a little more charity toward the human race in writing it. The race cannot be said to have treated him badly on the whole. But now look, Langham, look at these books--the most precious things are here.'

And he turned the key of a particular section of the wall, which was not only latticed but glazed.

'Here is "A Mirror for Magistrates." Look at the title-page; you will find Gabriel Harvey's name on it. Here is a first edition of "Astrophol and Stella," another of the Arcadia. They may very well be presentation copies, for the Wendover of that day is known to have been a wit and a writer. Imagine finding them _in situ_ like this in the same room, perhaps on the same shelves, as at the beginning! The other rooms on this floor have been annexed since, but this room was always a library.'

Langham took the volumes reverently from Robert's hands into his own, the scholar's passion hot within him. That glazed case was indeed a storehouse of treasures. Ben Jonson's 'Underwoods' with his own corrections; a presentation copy of Andrew Marvell's 'Poems,' with autograph notes; manuscript volumes of letters, containing almost every famous name known to English literature in the seventeenth and eighteenth centuries, the literary cream, in fact, of all the vast collection which filled the muniment room upstairs; books which had belonged to Addison, to Sir William Temple, to Swift, to Horace Walpole; the first four folios of Shakespeare, all perfect, and most of the quartos--everything that the heart of the English collector could most desire was there. And the charm of it was that only a small proportion of these precious things represented conscious and deliberate acquisition. The great majority of them had, as it were, drifted thither one by one, carried there by the tide of English letters as to a warm and natural resting-place.

But Robert grew impatient, and hurried on his guest to other things--to the shelves of French rarities, ranging from Du Bellay's 'Visions,' with his autograph, down to the copy of 'Les Memoires d'Outre-Tombe' presented by Chateaubriand to Madame Recamier, or to a dainty manuscript volume in the fine writing of Lamartine.

'These,' Robert explained, 'were collected, I believe, by the Squire's father. He was not in the least literary, so they say, but it had always been a point of honor to carry on the library, and as he had learnt French well in his youth he bought French things, taking advice, but without knowing much about them, I imagine. It was in the room overhead,' said Robert, laying down the book he held, and speaking in a lower key, 'so the old doctor of the house told me a few weeks ago, that the same poor soul put an end to himself twenty years ago.'

'What in the name of fortune did he do that for?'

'Mania,' said Robert quietly.

'Whew!' said the other, lifting his eyebrows. 'Is that the skeleton in this very magnificent cupboard?'

'It has been the Wendover scourge from the beginning, so I hear. Everyone about here of course explains this man's eccentricities by the family history. But I don't know,' said Robert, his lip hardening, 'it may be extremely convenient sometimes to have a tradition of the kind. A man who knew how to work it might very well enjoy all the advantages of sanity and the privileges of insanity at the same time. The poor old doctor I was telling you of--old Meyrick--who has known the Squire since his boyhood, and has a dog-like attachment to him, is always hinting at mysterious excuses. Whenever I let out to him, as I do sometimes, as to the state of the property, he talks of "inherited melancholy," "rash judgments," and so forth. I like the good old soul, but I don't believe much of it. A man who is sane enough to make a great name for himself in letters is sane enough to provide his estate with a decent agent.'

'It doesn't follow,' said Langham, who was, however, so deep in a collection of Spanish romances and chronicles, that the Squire's mental history did not seem to make much impression upon him. 'Most men of letters are mad, and I should be inclined,' he added, with a sudden and fretful emphasis, 'to argue much worse things for the sanity of your Squire, Elsmere, from the fact that this room is undoubtedly allowed to get damp sometimes, than from any of those absurd parochial tests of yours.'

And he held up a couple of priceless books, of which the Spanish sheepskin bindings showed traces here and there of moisture.

'It is no use, I know, expecting you to preserve a moral sense when you get among books,' said Robert with a shrug. 'I will reserve my remarks on that subject. But you must really tear yourself away from this room, Langham, if you want to see the rest of the Squire's quarters. Here you have what we may call the ornamental, sensational part of the library, that part of it which would make a stir at Sotheby's; the working parts are all to come.'

Langham reluctantly allowed himself to be dragged away. Robert held back the hangings over the doorway leading into the rest of the wing, and, passing through, they found themselves in a continuation of the library totally different in character from the magnificent room they had just left. The walls were no longer latticed and carved; they were closely packed, in the most business-like way, with books which represented the Squire's own collection, and were in fact a chart of his own intellectual history.

'This is how I interpret this room,' said Robert, looking round it. 'Here are the books he collected at Oxford in the Tractarian movement and afterward. Look here,' and he pulled out a volume of St. Basil.

Langham looked, and saw on the title-page a note in faded characters: '_Given to me by Newman at Oxford, in 1845._'

'Ah, of course, he was one of them in '45; he must have left them very soon after,' said Langham reflectively.

Robert nodded. 'But look at them! There are the Tracts, all the Fathers, all the Councils, and masses, as you see, of Anglican theology. Now look at the next case, nothing but eighteenth century!'

'I see,--from the Fathers to the Philosophers, from Hooker to Hume. How history repeats itself in the individual!'

'And there again,' said Robert, pointing to the other side of the room, 'are the results of his life as a German student.'

'Germany--ah, I remember! How long was he there?'

'Ten years, at Berlin and Heidelberg. According to old Meyrick, he buried his last chance of living like other men at Berlin. His years of extravagant labor there have left marks upon him physically that can never be effaced. But that bookcase fascinates me. Half the great names of modern thought are in those books.'

And so they were. The first Langham opened had a Latin dedication in a quavering old man's hand, 'Amico et discipulo meo,' signed 'Fredericus Gulielmus Schelling.' The next bore the autograph of Alexander von Humboldt, the next that of Boeckh, the famous classic, and so on. Close by was Niebuhr's History, in the title-page of which a few lines in the historian's handwriting bore witness to much 'pleasant discourse between the writer and Roger Wendover, at Bonn, in the summer of 1847.' Judging from other shelves further down, he must also have spent some time, perhaps an academic year, at Tubingen, for here were most of the early editions of the 'Leben Jesu,' with some corrections from Strauss's hand, and similar records of Baur, Ewald, and other members or opponents of the Tubingen school. And so on, through the whole bookcase. Something of everything was there--Philosophy, Theology, History, Philology. The collection was a medley, and made almost a spot of disorder in the exquisite neatness and system of the vast gathering of which it formed part. Its bond of union was simply that it represented the forces of an epoch, the thoughts, the men, the occupations which had absorbed the energies of ten golden years. Every bock seemed to be full of paper marks; almost every title-page was covered with minute writing, which, when examined, proved to contain a record of lectures, or conversations with the author of the volume, sometimes a string of anecdotes or a short biography, rapidly sketched out of the fulness of personal knowledge, and often seasoned with a subtle causticity and wit. A history of modern thinking Germany, of that 'unextinguished hearth' whence the mind of Europe has been kindled for three generations, might almost have been evolved from that bookcase and its contents alone.

Langham, as he stood peering among the ugly, vilely-printed German volumes, felt suddenly a kind of magnetic influence creeping over him. The room seemed instinct with a harsh, commanding presence. The history of a mind and soul was written upon the face of it; every shelf, as it were, was an autobiographical fragment, an 'Apologia pro Vita Mea.' He drew away from the books at last with the uneasy feeling of one who surprises a confidence, and looked for Robert. Robert was at the end of the room, a couple of volumes under his arm, another, which he was reading, in his hand.

'This is _my_ corner,' he said, smiling and flushing a little, as his friend moved up to him. 'Perhaps you don't know that I too am engaged upon a great work.'

'A great work--you?'

Langham looked at his companion as though to find out whether his remark was meant seriously, or whether he might venture to be cynical. Elsmere writing! Why should everybody write books? It was absurd! The scholar who knows what toll scholarship takes of life is always apt to resent the intrusion of the man of action into his domains. It looks to him like a kind of ridiculous assumption that anyone _d'un coeur leger_ can do what has cost him his heart's blood.

Robert understood something of the meaning of his tone, and replied almost apologetically; he was always singularly modest about himself on the intellectual side.

'Well, Grey is responsible. He gave me such a homily before I left Oxford on the absolute necessity of keeping up with books, that I could do nothing less than set up a "subject"