The Uncommercial Traveller - Charles Dickens (new books to read .TXT) 📗

was fain to leave them under three yards and a half of darkening sky, gravely making hay among the graves, all alone by themselves. Perhaps they were Spectres, and I wanted a Medium.

In another City churchyard of similar cramped dimensions, I saw, that selfsame summer, two comfortable charity children. They were making love—tremendous proof of the vigour of that immortal article, for they were in the graceful uniform under which English Charity delights to hide herself—and they were overgrown, and their legs (his legs at least, for I am modestly incompetent to speak of hers) were as much in the wrong as mere passive weakness of character can render legs. O it was a leaden churchyard, but no doubt a golden ground to those young persons! I first saw them on a Saturday evening, and, perceiving from their occupation that Saturday evening was their trysting-time, I returned that evening se’nnight, and renewed the contemplation of them. They came there to shake the bits of matting which were spread in the church aisles, and they afterwards rolled them up, he rolling his end, she rolling hers, until they met, and over the two once divided now united rolls—sweet emblem!—gave and received a chaste salute. It was so refreshing to find one of my faded churchyards blooming into flower thus, that I returned a second time, and a third, and ultimately this befell:- They had left the church door open, in their dusting and arranging. Walking in to look at the church, I became aware, by the dim light, of him in the pulpit, of her in the reading-desk, of him looking down, of her looking up, exchanging tender discourse. Immediately both dived, and became as it were non-existent on this sphere. With an assumption of innocence I turned to leave the sacred edifice, when an obese form stood in the portal, puffily demanding Joseph, or in default of Joseph, Celia.

Taking this monster by the sleeve, and luring him forth on pretence of showing him whom he sought, I gave time for the emergence of Joseph and Celia, who presently came towards us in the churchyard, bending under dusty matting, a picture of thriving and unconscious industry. It would be superfluous to hint that I have ever since deemed this the proudest passage in my life.

But such instances, or any tokens of vitality, are rare indeed in my City churchyards. A few sparrows occasionally try to raise a lively chirrup in their solitary tree—perhaps, as taking a different view of worms from that entertained by humanity—but they are flat and hoarse of voice, like the clerk, the organ, the bell, the clergyman, and all the rest of the Church-works when they are wound up for Sunday. Caged larks, thrushes, or blackbirds, hanging in neighbouring courts, pour forth their strains passionately, as scenting the tree, trying to break out, and see leaves again before they die, but their song is Willow, Willow—of a churchyard cast.

So little light lives inside the churches of my churchyards, when the two are co-existent, that it is often only by an accident and after long acquaintance that I discover their having stained glass in some odd window. The westering sun slants into the churchyard by some unwonted entry, a few prismatic tears drop on an old tombstone, and a window that I thought was only dirty, is for the moment all bejewelled. Then the light passes and the colours die.

Though even then, if there be room enough for me to fall back so far as that I can gaze up to the top of the Church Tower, I see the rusty vane new burnished, and seeming to look out with a joyful flash over the sea of smoke at the distant shore of country.

Blinking old men who are let out of workhouses by the hour, have a tendency to sit on bits of coping stone in these churchyards, leaning with both hands on their sticks and asthmatically gasping.

The more depressed class of beggars too, bring hither broken meats, and munch. I am on nodding terms with a meditative turncock who lingers in one of them, and whom I suspect of a turn for poetry; the rather, as he looks out of temper when he gives the fire-plug a disparaging wrench with that large tuning-fork of his which would wear out the shoulder of his coat, but for a precautionary piece of inlaid leather. Fire-ladders, which I am satisfied nobody knows anything about, and the keys of which were lost in ancient times, moulder away in the larger churchyards, under eaves like wooden eyebrows; and so removed are those corners from the haunts of men and boys, that once on a fifth of November I found a ‘Guy’ trusted to take care of himself there, while his proprietors had gone to dinner. Of the expression of his face I cannot report, because it was turned to the wall; but his shrugged shoulders and his ten extended fingers, appeared to denote that he had moralised in his little straw chair on the mystery of mortality until he gave it up as a bad job.

You do not come upon these churchyards violently; there are shapes of transition in the neighbourhood. An antiquated news shop, or barber’s shop, apparently bereft of customers in the earlier days of George the Third, would warn me to look out for one, if any discoveries in this respect were left for me to make. A very quiet court, in combination with an unaccountable dyer’s and scourer’s, would prepare me for a churchyard. An exceedingly retiring public-house, with a bagatelle-board shadily visible in a sawdusty parlour shaped like an omnibus, and with a shelf of punch-bowls in the bar, would apprise me that I stood near consecrated ground. A ‘Dairy,’

exhibiting in its modest window one very little milk-can and three eggs, would suggest to me the certainty of finding the poultry hard by, pecking at my forefathers. I first inferred the vicinity of Saint Ghastly Grim, from a certain air of extra repose and gloom pervading a vast stack of warehouses.

From the hush of these places, it is congenial to pass into the hushed resorts of business. Down the lanes I like to see the carts and waggons huddled together in repose, the cranes idle, and the warehouses shut. Pausing in the alleys behind the closed Banks of mighty Lombard-street, it gives one as good as a rich feeling to think of the broad counters with a rim along the edge, made for telling money out on, the scales for weighing precious metals, the ponderous ledgers, and, above all, the bright copper shovels for shovelling gold. When I draw money, it never seems so much money as when it is shovelled at me out of a bright copper shovel. I like to say, ‘In gold,’ and to see seven pounds musically pouring out of the shovel, like seventy; the Bank appearing to remark to me—I italicise APPEARING—‘if you want more of this yellow earth, we keep it in barrows at your service.’ To think of the banker’s clerk with his deft finger turning the crisp edges of the Hundred-Pound Notes he has taken in a fat roll out of a drawer, is again to hear the rustling of that delicious south-cash wind. ‘How will you have it?’ I once heard this usual question asked at a Bank Counter of an elderly female, habited in mourning and steeped in simplicity, who answered, open-eyed, crook-fingered, laughing with expectation, ‘Anyhow!’ Calling these things to mind as I stroll among the Banks, I wonder whether the other solitary Sunday man I pass, has designs upon the Banks. For the interest and mystery of the matter, I almost hope he may have, and that his confederate may be at this moment taking impressions of the keys of the iron closets in wax, and that a delightful robbery may be in course of transaction. About College-hill, Mark-lane, and so on towards the Tower, and Dockward, the deserted wine-merchants’ cellars are fine subjects for consideration; but the deserted money-cellars of the Bankers, and their plate-cellars, and their jewel-cellars, what subterranean regions of the Wonderful Lamp are these! And again: possibly some shoeless boy in rags, passed through this street yesterday, for whom it is reserved to be a Banker in the fulness of time, and to be surpassing rich. Such reverses have been, since the days of Whittington; and were, long before. I want to know whether the boy has any foreglittering of that glittering fortune now, when he treads these stones, hungry. Much as I also want to know whether the next man to be hanged at Newgate yonder, had any suspicion upon him that he was moving steadily towards that fate, when he talked so much about the last man who paid the same great debt at the same small Debtors’ Door.

Where are all the people who on busy working-days pervade these scenes? The locomotive banker’s clerk, who carries a black portfolio chained to him by a chain of steel, where is he? Does he go to bed with his chain on—to church with his chain on—or does he lay it by? And if he lays it by, what becomes of his portfolio when he is unchained for a holiday? The wastepaper baskets of these closed counting-houses would let me into many hints of business matters if I had the exploration of them; and what secrets of the heart should I discover on the ‘pads’ of the young clerks—

the sheets of cartridge-paper and blotting-paper interposed between their writing and their desks! Pads are taken into confidence on the tenderest occasions, and oftentimes when I have made a business visit, and have sent in my name from the outer office, have I had it forced on my discursive notice that the officiating young gentleman has over and over again inscribed AMELIA, in ink of various dates, on corners of his pad. Indeed, the pad may be regarded as the legitimate modern successor of the old forest-tree: whereon these young knights (having no attainable forest nearer than Epping) engrave the names of their mistresses. After all, it is a more satisfactory process than carving, and can be oftener repeated. So these courts in their Sunday rest are courts of Love Omnipotent (I rejoice to bethink myself), dry as they look. And here is Garraway’s, bolted and shuttered hard and fast! It is possible to imagine the man who cuts the sandwiches, on his back in a hayfield; it is possible to imagine his desk, like the desk of a clerk at church, without him; but imagination is unable to pursue the men who wait at Garraway’s all the week for the men who never come. When they are forcibly put out of Garraway’s on Saturday night—which they must be, for they never would go out of their own accord—where do they vanish until Monday morning? On the first Sunday that I ever strayed here, I expected to find them hovering about these lanes, like restless ghosts, and trying to peep into Garraway’s through chinks in the shutters, if not endeavouring to turn the lock of the door with false keys, picks, and screw-drivers. But the wonder is, that they go clean away! And now I think of it, the wonder is, that every working-day pervader of these scenes goes clean away. The man who sells the dogs’ collars and the little toy coal-scuttles, feels under as great an obligation to go afar off, as Glyn and Co., or Smith, Payne, and Smith. There is an old monastery-crypt under Garraway’s (I have been in it among the port wine), and perhaps Garraway’s, taking pity on the mouldy men who wait in its public-room all their lives, gives them cool house-room down there over Sundays; but the catacombs of Paris would not be large enough to hold the rest of the missing. This characteristic