The Octopus - Frank Norris (novel24 .TXT) 📗

now an Aesthete who possessed a wonderful collection of topaz gems, who submitted decorative schemes for the interior arrangement of houses and who “received” in Mrs. Cedarquist’s drawing-rooms dressed in a white velvet cassock; now a widow of some Mohammedan of Bengal or Rajputana, who had a blue spot in the middle of her forehead and who solicited contributions for her sisters in affliction; now a certain bearded poet, recently back from the Klondike; now a decayed musician who had been ejected from a young ladies’ musical conservatory of Europe because of certain surprising pamphlets on free love, and who had come to San Francisco to introduce the community to the music of Brahms; now a Japanese youth who wore spectacles and a grey flannel shirt and who, at intervals, delivered himself of the most astonishing poems, vague, unrhymed, unmetrical lucubrations, incoherent, bizarre; now a Christian Scientist, a lean, grey woman, whose creed was neither Christian nor scientific; now a university professor, with the bristling beard of an anarchist chief-of-section, and a roaring, guttural voice, whose intenseness left him gasping and apoplectic; now a civilised Cherokee with a mission; now a female elocutionist, whose forte was Byron’s Songs of Greece; now a high caste Chinaman; now a miniature painter; now a tenor, a pianiste, a mandolin player, a missionary, a drawing master, a virtuoso, a collector, an Armenian, a botanist with a new flower, a critic with a new theory, a doctor with a new treatment.

And all these people had a veritable mania for declamation and fancy dress. The Russian Countess gave talks on the prisons of Siberia, wearing the headdress and pinchbeck ornaments of a Slav bride; the Aesthete, in his white cassock, gave readings on obscure questions of art and ethics. The widow of India, in the costume of her caste, described the social life of her people at home. The bearded poet, perspiring in furs and boots of reindeer skin, declaimed verses of his own composition about the wild life of the Alaskan mining camps. The Japanese youth, in the silk robes of the Samurai two-sworded nobles, read from his own works— “The flat-bordered earth, nailed down at night, rusting under the darkness,” “The brave, upright rains that came down like errands from iron-bodied yore-time.” The Christian Scientist, in funereal, impressive black, discussed the contra-will and pan-psychic hylozoism. The university professor put on a full dress suit and lisle thread gloves at three in the afternoon and before literary clubs and circles bellowed extracts from Goethe and Schiler in the German, shaking his fists, purple with vehemence. The Cherokee, arrayed in fringed buckskin and blue beads, rented from a costumer, intoned folk songs of his people in the vernacular. The elocutionist in cheese-cloth toga and tin bracelets, rendered “The Isles of Greece, where burning Sappho loved and sung.” The Chinaman, in the robes of a mandarin, lectured on Confucius. The Armenian, in fez and baggy trousers, spoke of the Unspeakable Turk. The mandolin player, dressed like a bull fighter, held musical conversaziones, interpreting the peasant songs of Andalusia.

It was the Fake, the eternal, irrepressible Sham; glib, nimble, ubiquitous, tricked out in all the paraphernalia of imposture, an endless defile of charlatans that passed interminably before the gaze of the city, marshalled by “lady presidents,” exploited by clubs of women, by literary societies, reading circles, and culture organisations. The attention the Fake received, the time devoted to it, the money which it absorbed, were incredible. It was all one that impostor after impostor was exposed; it was all one that the clubs, the circles, the societies were proved beyond doubt to have been swindled. The more the Philistine press of the city railed and guyed, the more the women rallied to the defence of their protege of the hour. That their favourite was persecuted, was to them a veritable rapture. Promptly they invested the apostle of culture with the glamour of a martyr.

The fakirs worked the community as shell-game tricksters work a county fair, departing with bursting pocketbooks, passing on the word to the next in line, assured that the place was not worked out, knowing well that there was enough for all.

More frequently the public of the city, unable to think of more than one thing at one time, prostrated itself at the feet of a single apostle, but at other moments, such as the present, when a Flower Festival or a Million-Dollar Fair aroused enthusiasm in all quarters, the occasion was one of gala for the entire Fake. The decayed professors, virtuosi, litterateurs, and artists thronged to the place en masse. Their clamour filled all the air. On every hand one heard the scraping of violins, the tinkling of mandolins, the suave accents of “art talks,” the incoherencies of poets, the declamation of elocutionists, the inarticulate wanderings of the Japanese, the confused mutterings of the Cherokee, the guttural bellowing of the German university professor, all in the name of the Million-Dollar Fair. Money to the extent of hundreds of thousands was set in motion.

Mrs. Cedarquist was busy from morning until night. One after another, she was introduced to newly arrived fakirs. To each poet, to each litterateur, to each professor she addressed the same question:

“How long have you known you had this power?”

She spent her days in one quiver of excitement and jubilation. She was “in the movement.” The people of the city were awakening to a Realisation of the Beautiful, to a sense of the higher needs of life. This was Art, this was Literature, this was Culture and Refinement. The Renaissance had appeared in the West.

She was a short, rather stout, red-faced, very much over-dressed little woman of some fifty years. She was rich in her own name, even before her marriage, being a relative of Shelgrim himself and on familiar terms with the great financier and his family. Her husband, while deploring the policy of the railroad, saw no good reason for quarrelling with Shelgrim, and on more than one occasion had dined at his house. On this occasion, delighted that she had come upon a “minor poet,” she insisted upon presenting him to Hartrath.

“You two should have so much in common,” she explained.

Presley shook the flaccid hand of the artist, murmuring conventionalities, while Mrs. Cedarquist hastened to say:

“I am sure you know Mr. Presley’s verse, Mr. Hartrath. You should, believe me. You two have much in common. I can see so much that is alike in your modes of interpreting nature. In Mr. Presley’s sonnet, ‘The Better Part,’ there is the same note as in your picture, the same sincerity of tone, the same subtlety of touch, the same nuances,—ah.”

“Oh, my dear Madame,” murmured the artist, interrupting Presley’s impatient retort; “I am a mere bungler. You don’t mean quite that, I am sure. I am too sensitive. It is my cross. Beauty,” he closed his sore eyes with a little expression of pain, “beauty unmans me.”

But Mrs. Cedarquist was not listening. Her eyes were fixed on the artist’s luxuriant hair, a thick and glossy mane, that all but covered his coat collar.

“Leonine!” she murmured—” leonine! Like Samson of old.”

However, abruptly bestirring herself, she exclaimed a second later:

“But I must run away. I am selling tickets for you this afternoon, Mr. Hartrath. I am having such success. Twenty-five already. Mr. Presley, you will take two chances, I am sure, and, oh, by the way, I have such good news. You know I am one of the lady members of the subscription committee for our Fair, and you know we approached Mr. Shelgrim for a donation to help along. Oh, such a liberal patron, a real Lorenzo di’ Medici. In the name of the Pacific and Southwestern he has subscribed, think of it, five thousand dollars; and yet they will talk of the meanness of the railroad.”

“Possibly it is to his interest,” murmured Presley. “The fairs and festivals bring people to the city over his railroad.”

But the others turned on him, expostulating.

“Ah, you Philistine,” declared Mrs. Cedarquist. “And this from YOU!, Presley; to attribute such base motives–-”

“If the poets become materialised, Mr. Presley,” declared Hartrath, “what can we say to the people?”

“And Shelgrim encourages your million-dollar fairs and fetes,” said a voice at Presley’s elbow, “because it is throwing dust in the people’s eyes.”

The group turned about and saw Cedarquist, who had come up unobserved in time to catch the drift of the talk. But he spoke without bitterness; there was even a good-humoured twinkle in his eyes.

“Yes,” he continued, smiling, “our dear Shelgrim promotes your fairs, not only as Pres says, because it is money in his pocket, but because it amuses the people, distracts their attention from the doings of his railroad. When Beatrice was a baby and had little colics, I used to jingle my keys in front of her nose, and it took her attention from the pain in her tummy; so Shelgrim.”

The others laughed good-humouredly, protesting, nevertheless, and Mrs. Cedarquist shook her finger in warning at the artist and exclaimed:

“The Philistines be upon thee, Samson!”

“By the way,” observed Hartrath, willing to change the subject, “I hear you are on the Famine Relief Committee. Does your work progress?”

“Oh, most famously, I assure you,” she said. “Such a movement as we have started. Those poor creatures. The photographs of them are simply dreadful. I had the committee to luncheon the other day and we passed them around. We are getting subscriptions from all over the State, and Mr. Cedarquist is to arrange for the ship.”

The Relief Committee in question was one of a great number that had been formed in California—and all over the Union, for the matter of that—to provide relief for the victims of a great famine in Central India. The whole world had been struck with horror at the reports of suffering and mortality in the affected districts, and had hastened to send aid. Certain women of San Francisco, with Mrs. Cedarquist at their head, had organised a number of committees, but the manufacturer’s wife turned the meetings of these committees into social affairs—luncheons, teas, where one discussed the ways and means of assisting the starving Asiatics over teacups and plates of salad.

Shortly afterward a mild commotion spread throughout the assemblage of the club’s guests. The drawing of the numbers in the raffle was about to be made. Hartrath, in a flurry of agitation, excused himself. Cedarquist took Presley by the arm.

“Pres, let’s get out of this,” he said. “Come into the wine room and I will shake you for a glass of sherry.”

They had some difficulty in extricating themselves. The main room where the drawing was to take place suddenly became densely thronged. All the guests pressed eagerly about the table near the picture, upon which one of the hall boys had just placed a ballot box containing the numbers. The ladies, holding their tickets in their hands, pushed forward. A staccato chatter of excited murmurs arose. “What became of Harran and Lyman and the Governor?” inquired Presley.

Lyman had disappeared, alleging a business engagement, but Magnus and his younger son had retired to the library of the club on the floor above. It was almost deserted. They were deep in earnest conversation.

“Harran,” said the Governor, with decision, “there is a deal, there, in what Cedarquist says. Our wheat to China, hey, boy?”

“It is certainly worth thinking of, sir.”

“It appeals to me, boy; it appeals to me. It’s big and there’s a fortune in it. Big chances mean big returns; and I know—your old father isn’t a back number yet, Harran—I may not have so wide an outlook as our friend Cedarquist, but I am quick to see my chance. Boy, the whole East is opening, disintegrating before the Anglo-Saxon. It is time that bread stuffs, as well, should make markets for themselves