The Lion's Share - Arnold Bennett (room on the broom read aloud .TXT) 📗

Can you row all the way home?" She shivered.

"I shall go back on the tide, Miss Foley," answered Aguilar.

He touched his cap to Audrey, mumbled gloomily a salutation, and loosed his hold on the yacht; and at once the punt felt the tide and began to glide away in the darkness towards Moze. The yacht's engine quickened. Flank buoy faded.

Mr. Gilman and the two girls made a group.

"You're wonderful! You really are!" said Mr. Gilman, addressing apparently the pair of them. He was enthusiastic. ... He added with grandeur, "And now for France!"

"I do hope Mr. Hurley is still hanging about Moze," said Audrey. "Mr. Gilman, shall I show Miss Foley her cabin? She's rather wet."

"Oh, do! Oh, do, please! But don't forget that we are to have supper together. I insist on supper."

And Audrey thought: "How agreeable he is! How kind-hearted! He hasn't got any 'career' to worry about, and I adore him, and he's as simple as knitting."


CHAPTER XXXIX


THE IMMINENT DRIVE

"Oh!" cried Miss Thompkins. "You can see it from here. It's funny how unreal it seems, isn't it?"

She pointed at one of the large white-curtained windows of the restaurant, through which was visible a round column covered with advertisements of theatres, music-halls, and concert-halls, printed in many colours and announcing superlative delights. Names famous wherever pleasure is understood gave to their variegated posters a pleasant air of distinguished familiarity--names of theatres such as "Varietes," "Vaudeville," "Chatelet," "Theatre Francais," "Folies-Bergere," and names of persons such as "Sarah Bernhardt," "Huegenet," "Le Bargy," "Litvinne," "Lavalliere." But the name in the largest type--dark crimson letters on rose paper--the name dominating all the rest, was the name of Musa. The ingenuous stranger to Paris was compelled to think that as an artist Musa was far more important than anybody else. Along the length of all the principal boulevards, and in many of the lesser streets, the ingenuous stranger encountered, at regular distances of a couple of hundred yards or so, one of these columns planted on the kerb; and all the scores of them bore exactly the same legend; they all spoke of nothing but blissful diversions, and they all put Musa ahead of anybody else in the world of the stage and the platform. Sarah Bernhardt herself, dark blue upon pale, was a trifle compared to Musa on the columns. And it had been so for days. Other posters were changed daily--changed by mysterious hands before even bread-girls were afoot with their yards of bread--but the space given to Musa repeated always the same tidings, namely that Musa ("the great violinist") was to give an orchestral concert at the Salle Xavier, assisted by the Xavier orchestra, on Thursday, September 24, at 9 P.M. Particulars of the programme followed.

Paris was being familiarised with Musa. His four letters looked down upon the fever of the thoroughfares; they were perused by tens of thousands of sitters in cafes and in front of cafes; they caught the eye of men and women fleeing from the wrath to come in taxicabs; they competed successfully with newspaper placards; and on that Thursday--for the Thursday in question had already run more than half its course--they had so entered into the sub-conscious brain of Paris that no habitue of the streets, whatever his ignorant indifference to the art of music, could have failed to reply with knowledge, on hearing Musa mentioned, "Oh, yes!" implying that he was fully acquainted with the existence of the said Musa.

Tommy was right: there did seem to be a certain unreality about the thing, yet it was utterly real.

All the women turned to glance at the name through the window, and some of them murmured sympathetic and interested exclamations and bright hopes. There were five women: Miss Thompkins, Miss Nickall, Madame Piriac, Miss Ingate and Audrey. And there was one man--Mr. Gilman. And the six were seated at a round table in the historic Parisian restaurant. Mr. Gilman had the air triumphant, and he was entitled to it. The supreme moment of his triumph had come. Having given a luncheon to these ladies, he had just asked, with due high negligence, for the bill. If there was one matter in which Mr. Gilman was a truly great expert, it was the matter of giving a meal in a restaurant. He knew how to dress for such an affair--with strict conventionality but a touch of devil-may-care youthfulness in the necktie. He knew how to choose the restaurant; he had about half a dozen in his repertoire--all of the first order and for the most part combining the exclusive with the amusing--entirely different in kind from the pandemonium where Audrey had eaten on the night of her first arrival in Paris; he knew how to get the best out of head-waiters and waiters, who in these restaurants were not head-waiters and waiters but worldly priests and acolytes; his profound knowledge of cookery sprang from a genuine interest in his stomach, and he could compose a menu in a fashion to command the respect of head-waiters and to excite the envy of musicians composing a sonata; he had the wit to look in early and see to the flowers; above all he was aware what women liked in the way of wine, and since this was never what he liked in the way of wine, he would always command a half-bottle of the extra dry for himself, but would have it manipulated with such discretion that not a guest could notice it. He paid lavishly and willingly, convinced by hard experience that the best is inestimable, but he felt too that the best was really quite cheap, for he knew that there were imperfectly educated people in the world who thought nothing of paying the price of a good meal for a mere engraving or a bit of china. Withal, he never expected his guests truly to appreciate the marvels he offered them. They could not, or very rarely. Their twittering ecstatic praise, which was without understanding, sufficed for him, though sometimes he would give gentle diffident instruction. This trait in him was very attractive, proving the genuineness of his modesty.

The luncheon was partly to celebrate the return of various persons to Paris, but chiefly in honour of Musa's concert. Musa could not be present, for distinguished public performers do not show themselves on the day of an appearance. Mr. Gilman had learnt this from Madame Piriac, whom he had consulted as to the list of guests. It is to be said that he bore the absence of Musa from his table with stoicism. For the rest, Madame Piriac knew that he wanted no other men, and she had suggested none. She had assumed that he desired Audrey, and had pointed out that Audrey could not well be invited without Miss Ingate, who, sick of her old Moze, had rejoined Audrey in the splendour of the Hotel du Danube. Mr. Gilman had somehow mentioned Miss Thompkins, whereupon Madame Piriac had declared that Miss Thompkins involved Miss Nickall, who after a complete recovery from the broken arm had returned for a while to her studio. And then Mr. Gilman had closed the list, saying that six was enough, and exactly the right number.

"At what o'clock are you going for the drive?" asked Madame Piriac in her improved, precise English. She looked equally at her self-styled uncle and at Audrey.

"I ordered the car for three o'clock," answered Mr. Gilman. "It is not yet quite three."

The table with its litter of ash-trays, empty cups, empty small glasses, and ravaged sweets, and the half-deserted restaurant, and the polite expectant weariness of the priests and acolytes, all showed that the hour was in fact not quite three--an hour at which such interiors have invariably the aspect of roses overblown and about to tumble to pieces.

And immediately upon the reference to the drive everybody at the table displayed a little constraint, avoiding the gaze of everybody else, thus demonstrating that the imminent drive was a delicate, without being a disagreeable, topic. Which requires explanation.

Mr. Gilman had not been seen by any of his guests during the summer. He had landed them at Boulogne from the _Ariadne_--sound but for one casualty. That casualty was Jane Foley, suffering from pneumonia, which had presumably developed during the evening of exposure spent with Aguilar in the leaking punt and in rain showers. Madame Piriac and Audrey took her to Wimereux and there nursed her through a long and sometimes dangerous illness. Jane possessed no constitution, but she had obstinacy, which saved her. In her convalescence, part of which she spent alone with Audrey (Madame Piriac having to pay visits to Monsieur Piriac), she had proceeded with the writing of a book, and she had also received in conclave the rarely seen Rosamund, who like herself was still a fugitive from British justice. These two had been elaborating a new plan of campaign, which was to include an incursion by themselves into England, and which had in part been confided by Jane to Audrey, who, having other notions in her head, had been somewhat troubled thereby. Audrey's conscience had occasionally told her to throw herself heartily into the campaign, but her individualistic instincts had in the end kept her safely on a fence between the campaign and something else. The something else was connected with Mr. Gilman.

Mr. Gilman had written to her regularly; he had sent dazzling subscriptions to the Suffragette Union; and Audrey had replied regularly. His letters were very simple, very modest, and quite touching. They were dated from various coastal places. However, he never came near Wimereux, though it was a coastal place. Audrey had excusably deemed this odd; but Madame Piriac having once said with marked casualness, "I hinted to him that he might with advantage stay away," Audrey had concealed her thoughts on the point. And one of her thoughts was that Madame Piriac was keeping them apart so as to try them, so as to test their mutual feelings. The policy, if it was a policy, was very like Madame Piriac; it had the effect of investing Mr. Gilman in Audrey's mind with a peculiar romantic and wistful charm, as of a sighing and obedient victim. Then Jane Foley and Rosamund had gone off somewhere, and Madame Piriac and Audrey had returned to Paris, and had found that practically all Paris had returned to Paris too. And on the first meeting with Mr. Gilman it had been at once established that his feelings and those of Audrey had surmounted the Piriac test. Within forty-eight hours all persons interested had mysteriously assumed that Mr. Gilman and Audrey were coupled together by fate and that a delicious crisis was about to supervene in their earthly progress. And they had become objects of exquisite solicitude. They had also become perfect. A circle of friends and acquaintances waited in excited silence for a palpitating event, as a populace waits for the booming gunfire which is to inaugurate a national rejoicing. And when the news exuded that he was taking her for a drive to Meudon, which she had never seen, alone, all decided beyond any doubt that _he would do it during the drive_.

Hence the nice constraint at the table when the drive grew publicly and avowedly imminent.

Audrey, as the phrase is, "felt her position keenly," but not unpleasantly, nor with understanding. Not a word had passed of late between herself and Mr. Gilman that any acquaintance might not have listened to. Indeed, Mr. Gilman had become slightly more formal. She liked him for that, as she liked him for a large number of qualities. She did not know whether she loved him. And strange to say, the