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choosing their heroes out of the Porteous Roll; [Footnote: List of criminal indictments, so termed in Scotland.] but, by my faith, we are like to be upsides with them. The first was, as I am credibly informed, Mr. Scolar, as they call him; a scholar-like piece of work he has made of it, with his robbers and thieves.”

“Schiller,” said I, “my dear sir, let it be Schiller.”

“Schiller, or what you like,” said Mr. Fairscribe; “I found the book where I wish I had found a better one, and that is, in Kate's work-basket. I sat down, and, like an old fool, began to read; but there, I grant, you have the better of Schiller, Mr. Croftangry.”

“I should be glad, my dear sir, that you really think I have approached that admirable author; even your friendly partiality ought not to talk of my having excelled him.”

“But I do say you have excelled him, Mr. Croftangry, in a most material particular. For surely a book of amusement should be something that one can take up and lay down at pleasure; and I can say justly, I was never at the least loss to put aside these sheets of yours when business came in the way. But, faith, this Schiller, sir, does not let you off so easily. I forgot one appointment on particular business, and I wilfully broke through another, that I might stay at home and finish his confounded book, which, after all, is about two brothers, the greatest rascals I ever heard of. The one, sir, goes near to murder his own father, and the other (which you would think still stranger) sets about to debauch his own wife.”

“I find, then, Mr. Fairscribe, that you have no taste for the romance of real life—no pleasure in contemplating those spirit-rousing impulses, which force men of fiery passions upon great crimes and great virtues?”

“Why, as to that, I am not just so sure. But then to mend the matter,” continued the critic, “you have brought in Highlanders into every story, as if you were going back again, velis et remis, into the old days of Jacobitism. I must speak my plain mind, Mr. Croftangry. I cannot tell what innovations in Kirk and State may now be proposed, but our fathers were friends to both, as they were settled at the glorious Revolution, and liked a tartan plaid as little as they did a white surplice. I wish to Heaven, all this tartan fever bode well to the Protestant succession and the Kirk of Scotland.”

“Both too well settled, I hope, in the minds of the subject,” said I, “to be affected by old remembrances, on which we look back as on the portraits of our ancestors, without recollecting, while we gaze on them, any of the feuds by which the originals were animated while alive. But most happy should I be to light upon any topic to supply the place of the Highlands, Mr. Fairscribe. I have been just reflecting that the theme is becoming a little exhausted, and your experience may perhaps supply”——

“Ha, ha, ha!—my experience supply!” interrupted Mr. Fairscribe, with a laugh of derision;—“why, you might as well ask my son James's experience to supply a case” about thirlage. No, no, my good friend, I have lived by the law, and in the law, all my life; and when you seek the impulses that make soldiers desert and shoot their sergeants and corporals, and Highland drovers dirk English graziers, to prove themselves men of fiery passions, it is not to a man like me you should come. I could tell you some tricks of my own trade, perhaps, and a queer story or two of estates that have been lost and recovered. But, to tell you the truth, I think you might do with your Muse of Fiction, as you call her, as many an honest man does with his own sons in flesh and blood.”

“And how is that, my dear sir?”

“Send her to India, to be sure. That is the true place for a Scot to thrive in; and if you carry your story fifty years back, as there is nothing to hinder you, you will find as much shooting and stabbing there as ever was in the wild Highlands. If you want rogues, as they are so much in fashion with you, you have that gallant caste of adventurers, who laid down their consciences at the Cape of Good Hope as they went out to India, and forgot to take them up again when they returned. Then, for great exploits, you have in the old history of India, before Europeans were numerous there, the most wonderful deeds, done by the least possible means, that perhaps the annals of the world can afford.”

“I know it,” said I, kindling at the ideas his speech inspired. “I remember in the delightful pages of Orme, the interest which mingles in his narratives, from the very small number of English which are engaged. Each officer of a regiment becomes known to you by name, nay, the non-commissioned officers and privates acquire an individual share of interest. They are distinguished among the natives like the Spaniards among the Mexicans. What do I say? They are like Homer's demigods among the warring mortals. Men, like Clive and Caillaud, influenced great events, like Jove himself. Inferior officers are like Mars or Neptune; and the sergeants and corporals might well pass for demigods. Then the various religious costumes, habits, and manners of the people of Hindustan,—the patient Hindhu, the warlike Rajahpoot, the haughty Moslemah, the savage and vindictive Malay—Glorious and unbounded subjects! The only objection is, that I have never been there, and know nothing at all about them.”

“Nonsense, my good friend. You will tell us about them all the better that you know nothing of what you are saying; and come, we'll finish the bottle, and when Katie (her sisters go to the assembly) has given us tea, she will tell you the outline of the story of poor Menie Gray, whose picture you will see in the drawing-room, a distant relation of my father's, who had, however, a handsome part of cousin Menie's succession. There are none living that can be hurt by the story now, though it was thought best to smother it up at the time, as indeed even the whispers about it led poor cousin Menie to live very retired. I mind her well when a child. There was something very gentle, but rather tiresome, about poor cousin Menie.”

When we came into the drawing-room, my friend pointed to a picture which I had before noticed, without, however, its having attracted more than a passing look; now I regarded it with more attention. It was one of those portraits of the middle of the eighteenth century, in which artists endeavoured to conquer the stiffness of hoops and brocades; by throwing a fancy drapery around the figure, with loose folds like a mantle or dressing gown, the stays, however, being retained, and the bosom displayed in a manner which shows that our mothers, like their daughters, were as liberal of their charms as the nature of the dress might permit. To this, the well-known style of the period, the features and form of the individual added, at first sight, little interest. It represented a handsome woman of about thirty, her hair wound simply about her head, her features regular, and her complexion fair. But on looking more closely, especially after having had a hint that the original had been the heroine of a tale, I could observe a melancholy sweetness in the countenance that seemed to speak of woes endured, and injuries sustained, with that resignation which women can and do sometimes display under the insults and ingratitude of those on whom they have bestowed their affections.

“Yes, she was an excellent and an ill-used woman,” said

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