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of it would lap me, but were too dissapated then to sweep me farther.

"I floated aimlessly in the void, it seemed for ages, less a body than a mind, aware of neither hunger nor thirst nor ill of any sort other than a dreadful sapping weariness.

"There was no way of reckoning time, but after an eternity of loneliness and self-boredom, I heard a glissando of mellow tintinabulations. A troop of small stars flashed toward me like a scattered handful of sparkling white gems, whirling in interweaving dance of enchantment, tinkling glad clear tunes like the babbling of crystal brooks. The joyous, youthful essence of their song so charmed me that I forgot my weariness and vocally ventured to imitate it.

"At last they broke their circle and swept away, single-file, out of sight, diminishing with distance.

"For awhile I hummed their song, but with every repetition it lost some of its starry quality and gained a human-ness, earthiness, animalism—until it impressed me no longer beautiful, and I was silent.... Wearily the sluggish ages passed ... in the illimitable blue solitudes....

"Eventually I heard the man-music, again like a summons—its vibrations piercing the moon-net, receding, drawing me with it. Its power increased with every unit of retregression, dragging me with it. Over the wastes of slime it dragged me, all in a fraction of seconds. Wind tore at me, racketing in my ears, drowning music of both moons and man.

"In a flash of cataclysm, of cosmic pandemonium, the moons, jostled out of their places by my abrupt passage through the web, strained apart, snapping their pulsant filamental arteries. White, searing drops of blood of light oozed from the severed ducts, hissing as they fell, and splashed on the slime, which heaved torturedly. The crawling trees reared upon their writhing roots, flailing their lensed limbs, and the phosphorescent rivers halted suddenly, piling into swiftly disintegrating mounds.

"The rain of light blood thinned and ceased: the moons dimmed and plunged earthward, lusterless. As they touched the tempestuously tossing slime, it shrieked stridently, deafeningly—cosmically! An outcry voicing all life's inherent dread of the horror of pain and death, which arose from all sides, like an auditory vise, tightening upon and crushing me. The blue chaos was wiped away by utter blackness; the shriek weakened, ceased.

"I opened my eyes, shut them—dazzled by daylight, and opened them again, but cautiously. My brother Ray was standing over me, shaking me, calling my name ... AND IT WAS I WHO HAD SCREAMED!"

as i remember——

As I remember, August Derleth wrote, a time back: "My personal favorite of the Lovecraft stories is THE RATS IN THE WALL, followed by DUNWICH HORROR, COLOUR OUT OF SPACE, THE OUTSIDER, WHISPERER IN DARKNESS." H.P.L. liked MUSIC OF ERICH ZANN as well as anything he did, COLOUR next. Donald Wandrei is busy in St. Paul writing plays and shorts. "My average day brings me anywhere from ten to fifty letters that must be answered."

As I remember one night in Coney Island found seven strange looking fellows, fans and authors, crowded into a car for a posed picture. Ross Rocklynne, freshly freckled by a New Yawk sun, at the steering wheel, Jack Agnew at his side with Mark (I'm makin' my mark in pulps) Reinsburg and immediately in back of Rocklynne a fellow with too much hair, a tan that would make an Ethiopian blush, and teeth, Bradbury, augmented by the humorously verbose Erle Korshak, the professorly nice Bob Madle and one V. Kidwell. I recall also a night at Mort Weisinger's home during July with Rocklynne, Ackerman, Morojo, Hornig, Binder, Schwartz, Darrow and again Bradbury. A picture was taken that night and the only ones with decent smiles were Ackerman and the under-done personality who edits this magazine. Hornig looked strangely thoughtful with his hand to his chin, Mort had a cigarette drooping from his lip and Darrow, Schwartz and Binder all were lost in profound contemplation of the little birdie which Mort's brother held. I remember also a night on Central Park, a stag night, when it was raining convulsively and Binder, Bradbury, Hornig, Rocklynne and Darrow all clambered into a rocking boat and swished out onto the glittering water, yodeling popular tunes at the way-way top of their corny contraltos. Binder has a pleasing bath-tub baritone, while Hornig can imitate a frog at the drop of a body. Darrow was strangely silent, but that man Bradbury and Rocklynne set up such a howl that the Park authorities came out in a submarine, thinking that the Loch Ness monster had turned up again. This was all settled when someone pulled the plug and everyone drowned peacefully.

Going way back in the cobwebs I seem to recall a letter arriving at an Eastern post-office addressed to Mars. It was returned marked: Insufficient Postage.

As I remember Charlie Hornig wrote, on January 9th: "On Tuesday, February 20th, 1940, I'll be in Los Angeles. I will write for Futuria Fantasia, but my rates are 12 cents a word, before acceptance. I haven't seen GONE WITH THE WIND yet, but if I stop off to see it on the road, expect me two days later than heretofore planned. If I walk it, expect me at the city limits on the R car-line, Whittier, the same time of the morning, only about 18 months later. I'll bring my overcoat and shovel along for the annual sun showers and orange blizzards." And later, from Hornig: "I liked the latest issue of Futuria Fantasia very much, especially the page of conventional descriptions over which I laughed myself sick and silly. The note about Bradbury and the mask and the blonde in the Paramount is the funniest thing I've ever read in a fan-mag."

I seem to remember being at someone's house not so long ago and glancing thru a thick manuscript under submission to John W. Campbell. I seen to remember that the author was Robert A. Heinlein, member of our LaSfl. And the other day that story popped up in Astounding as a Nova, "IF THIS GOES ON—" And it seems to me that here and now Bob should take a bow for a swell story. And thanks to Campbell for providing it with a Rogers cover and Rogers interiors. OMEGA——

COMING in MAY

"DARKNESS AND DAWN"

FAMOUS FANTASTIC MYSTERIES

MARCH
15�

"BLIND SPOT"

THE IMMORTAL
HALL and FLINT
FINLAY

End of Project Gutenberg's Futuria Fantasia, Winter 1940, by Ray Bradbury
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