First Love - Various Spanish Authors (summer reading list TXT) 📗

of a pregnant woman satisfying a caprice, seized the hair well, or ill, by handfuls, and went on bravely clipping, and the locks fell on to the white wrapper, slipping down thence till they reached the ground.

At last the business came to an end, and the mayoress, who was beside herself with joy, caressingly passed the palm of her hand again and again over the maid's bald head from the front to the back, saying:

"By my mother's soul, I have shorn you so regularly and close to the root that the most skilful barber could not have shorn you better. Get up and braid the hair while my husband goes to get the money and I your clothes, so that you can leave the house without anyone perceiving it."

The mayor and mayoress went out of the room, and Maria, as soon as she found herself alone, went to look at herself in a mirror that hung there; and when she saw herself bald she lost the patience she had had until then, and groaned with rage and struck herself, and even tried to wrench off her ears, which appeared to her now outrageously large, although they were not so in reality. She stamped upon her hair and cursed herself for having ever consented to lose it, without remembering her father, and just as if she had no father at all. But as it is a quality of human nature to accept what cannot be altered, poor angry Maria calmed down little by little, and she picked up the hair from the ground and bound it together and braided it into great ropes, not without kissing it and lamenting over it many times.

The mayor and the mayoress returned, he with the money and she with the every-day clothes of Maria, who undressed and folded her white robe in a kerchief, put on her old gown, hid herself with her shawl to the eyes, and walked, moaning, to the house of the Moor, without noticing that the man with the hood over his head was following behind her, and that when she, in a moment of forgetfulness, lowered her shawl through the habit she had of displaying her tresses, her bald head could be plainly seen. The Moor received the five hundred
maravedis with that good-will with which money is always received, and told Maria to bring Juan Lanas to his house to stay there so long as there was any risk in the cure. Maria went to fetch the old man, and kept silence as to her shorn head so as not to grieve him, and whilst Juan remained the physician's guest, Maria durst not leave her home except after nightfall, and then well enveloped. This, however, did not hinder her being followed by the muffled-up man.

One evening the Moor told her in secret that the next morning he would remove the bandages from Juan's eyes. Maria went to bed that night with great rejoicing, but thought to herself that when her father saw her (which would be with no little pleasure) he would be pleased three or four times more if he could see her with the pretty head-dress which she used to wear in her native town. Amidst such cavillation she donned the next day her best petticoat and ribbons to his to the Arabian's house; and while she was sitting down to shoe herself she of a sudden felt something like a hood closing over her head, and, turning round, she saw behind her the muffled-up man of before, who, throwing aside his cloak, discovered himself to be the sword-cutler, Master Palomo, who, without speaking, presented Maria with a little Venetian mirror, in which she looked and saw herself with her own hair and garb in such wise that she wondered for a good time if it were not a dream that the mayoress had shorn her.

The fact was that Master Palomo was a great crony of the old woman barber, and had seen in her house Maria's tresses on the very same afternoon of the morning in which he saw Maria was bald, and keeping silence upon the matter, had wheedled the old woman into keeping Maria's hair for him, and dressing for the mayoress some other hair of the same hue which the crone had from a dead woman--a bargain by which the crafty old dame acquired many a bright crown. And the story relates that as soon as Maria regained her much lamented and sighed-for hair by the hands of the gallant sword-cutler, the master appeared to her much less ugly than before. I do not know if it tells that from that moment she began to look on him with more favorable eyes, but i' sooth it is a fact that upon his asking her to accept his escort to the Moor's house, she gave her assent, and the two set out hand in hand, the maiden holding her head up free from mufflers. As they both entered the physician's apartment her father threw himself into Maria's arms, crying:

"Glory to God, I see thee now, my beloved daughter. How tall and beautiful thou art grown! Verily, it is worth while to become blind for five years to see one's daughter matured thus! Now that I see daylight again, it is only right that I should no longer be a burden to thee. I shall work for myself, for as for thee it is already time for thee to marry."

"For this very purpose am I come," broke in at this opportune moment the silent sword-cutler; "I, as you will have already recognized by my voice, am your neighbor, Master Palomo. I love Maria, and ask you for her hand."

"Lack-a-day, master, but your exterior is not very prepossessing. Howbeit, if Maria doth accept you, I am content."

"I," replied Maria, wholly abashed, and smoothing the false hair (which then weighed upon her head and heart like a burden of five hundred weight)--"I, so may God enlighten me, for I durst not venture to reply."

Palomo took her right hand without saying anything, and as he did so Maria looked at the master's wrists, and observed the wristbands of his shirt, neatly embroidered, and with some suspicion and beating of her heart said to him:

"If you wish to please me, good neighbor, tell me by what seamstress is this work?"

"It is the work," replied the master, jocularly, "the work of a pretty maiden who for five years has toiled for my person, albeit she hath not known it till now."

"Now I perceive," said Maria, "how that all the women who have come to give me linen to sew and embroider were sent by you, and that is why they paid me more than is customary."

The master did not reply, but he smiled and held out his arms to Maria. Maria threw herself into them, embracing him very caressingly; and Juan himself said to the two:

"In good sooth, you are made one for the other."

"By my troth, my beloved one," continued the sword-cutler after a while, "if my countenance had only been more pleasing, I should not have been silent towards you for so many long days, nor would I have been content with, gazing at you from afar. I should have spoken to you, you would have made me the confidant of your troubles, and I would have given you the five hundred maravedis for the cure of your good father."

And whispering softly into her ear, he added: "And then you would not have passed that evil moment under the hands of the mayoress. But if you fear that she may break the promise she made to you to keep silence as to your cropped head, let us, if it please you, set out for Seville, where nobody knows you, and thus--"

"No more," exclaimed Maria, resolutely throwing on the ground the hair, which Juan picked up all astonished. "Send this hair to the mayoress, since it was for this and not for that of the dead woman that she paid so dearly. For I, to cure myself of my vanity, now make a vow, with your good permission, to go shorn all my life. Such artificial adornments are little befitting to the wives of honest burghers."

"But rely upon it," replied the master-cutler, "that as soon as it is known that you have no hair, the girls of the city, envious of your beauty, will give you the nickname of Mariquita the Bald !"

"They may do so," replied Maria, "and that they may see that I do not care a fig for this or any other nickname, I swear to you that from this day forth I will not suffer anybody to call me by another name than Mariquita the Bald ."

This was the event that rendered so famous throughout all Castile the beautiful daughter of good Juan Lanas, who in effect married Master Palomo, and became one of the most honorable and prolific women of the most illustrious city of Toledo.


THE LOVE OF CLOTILDE

Armando Palacio Valdes


In the dressing-room of Clotilde, leading actress of one of the most important theaters in the capital, there gathered every night about half a dozen of her male friends. The reception lasted almost always about as long as the performances; but it included a number of parentheses. Whenever the actress, was obliged to change her costume she would turn towards her visitors with a bewitching smile and beseeching eyes:

"Gentlemen, will you withdraw for one little moment?--not more than one little moment."

Thereupon they would all transfer themselves to the ante-room and remain there patiently waiting. No, I am mistaken, not quite all, because the youngest of them, a third year student in the School of Medicine, would avail himself of the chance to take a turn in the wings to stretch his legs and snatch a fugitive kiss or so. At all events, the majority remained, either seated or pacing up and down, until the moment when Clotilde would re-open her door and, putting out her head, decked as queen or peasant girl, according to the part she was playing, would call out:

"Now you may come back, gentlemen. Have I been very long?"

Don Jeronimo always lingered. He was the last to withdraw grumbling and the first to return to the dressing-room. He was never able to reconcile himself to that modest custom. And although he never allowed himself to say so openly, yet in the depths of his secret thoughts he regarded it as a lack of courtesy that he should be ejected from his seat, merely because the silly child must change her dress,--he, who for thirty years had passed his life behind the scenes and had been on intimate terms with every actor and actress, ancient and modern!

He was fifty-four years of age and had been attached to the Ministry of Foreign Affairs ever since he was four-and-twenty. Each successive government had regarded him as one of the indispensable wheels in the machinery of colonial administration. Furthermore, he was a bachelor and living at the mercy of his landlady. It was said that in his youth he once wrote a play which won him nothing but hisses and free entry for life behind the scenes of the theaters. Whether resigned or not to the verdict of the public, he ceased to write plays and assumed instead the nobler role of patron to unrecognized authors and artists and to ruined managers.

Any youth from the provinces who arrived in Madrid with a drama in his pocket could take no surer road to seeing it produced