The Old Wives' Tale - Arnold Bennett (red novels .TXT) 📗

and, without actually saying so, he gave the impression that he was the busiest man in Bursley, wrapped in occupations and preoccupations as in a blanket—a blanket which Constance had difficulty in penetrating.

Constance wanted to please him; she lived for nothing but to please him; he was, however, exceedingly difficult to please, not in the least because he was hypercritical and exacting, but because he was indifferent. Constance, in order to satisfy her desire of pleasing, had to make fifty efforts, in the hope that he might chance to notice one. He was a good man, amazingly industrious—when once Constance had got him out of bed in the morning; with no vices; kind, save when Constance mistakenly tried to thwart him; charming, with a curious strain of humour that Constance only half understood. Constance was unquestionably vain about him, and she could honestly find in him little to blame. But whereas he was the whole of her universe, she was merely a dim figure in the background of his. Every now and then, with his gentle, elegant raillery, he would apparently rediscover her, as though saying: “Ah! You’re still there, are you?” Constance could not meet him on the plane where his interests lay, and he never knew the passionate intensity of her absorption in that minor part of his life which moved on her plane. He never worried about her solitude, or guessed that in throwing her a smile and a word at supper he was paying her meagrely for three hours of lone rocking in a rocking-chair.

The worst of it was that she was quite incurable. No experience would suffice to cure her trick of continually expecting him to notice things which he never did notice. One day he said, in the midst of a silence: “By the way, didn’t father leave any boxes of cigars?” She had the steps up into her bedroom and reached down from the dusty top of the wardrobe the box which she had put there after Samuel’s funeral. In handing him the box she was doing a great deed. His age was nineteen and she was ratifying his precocious habit of smoking by this solemn gift. He entirely ignored the box for several days. She said timidly: “Have you tried those cigars?” “Not yet,” he replied. “I’ll try ‘em one of these days.” Ten days later, on a Sunday when he chanced not to have gone out with his aristocratic friend Matthew Peel-Swynnerton, he did at length open the box and take out a cigar. “Now,” he observed roguishly, cutting the cigar, “we shall see, Mrs. Plover!” He often called her Mrs. Plover, for fun. Though she liked him to be sufficiently interested in her to tease her, she did not like being called Mrs. Plover, and she never failed to say: “I’m not Mrs. Plover.” He smoked the cigar slowly, in the rocking-chair, throwing his head back and sending clouds to the ceiling. And afterwards he remarked: “The old man’s cigars weren’t so bad.” “Indeed!” she answered tartly, as if maternally resenting this easy patronage. But in secret she was delighted. There was something in her son’s favourable verdict on her husband’s cigars that thrilled her.

And she looked at him. Impossible to see in him any resemblance to his father! Oh! He was a far more brilliant, more advanced, more complicated, more seductive being than his homely father! She wondered where he had come from. And yet …! If his father had lived, what would have occurred between them? Would the boy have been openly smoking cigars in the house at nineteen?

She laboriously interested herself, so far as he would allow, in his artistic studies and productions. A back attic on the second floor was now transformed into a studio—a naked apartment which smelt of oil and of damp clay. Often there were traces of clay on the stairs. For working in clay he demanded of his mother a smock, and she made a smock, on the model of a genuine smock which she obtained from a country-woman who sold eggs and butter in the Covered Market. Into the shoulders of the smock she put a week’s fancy-stitching, taking the pattern from an old book of embroidery. One day when he had seen her stitching morn, noon, and afternoon, at the smock, he said, as she rocked idly after supper: “I suppose you haven’t forgotten all about the smock I asked you for, have you, mater?” She knew that he was teasing her; but, while perfectly realizing how foolish she was, she nearly always acted as though his teasing was serious; she picked up the smock again from the sofa. When the smock was finished he examined it intently; then exclaimed with an air of surprise: “By Jove! That’s beautiful! Where did you get this pattern? “He continued to stare at it, smiling in pleasure. He turned over the tattered leaves of the embroidery-book with the same naive, charmed astonishment, and carried the book away to the studio. “I must show that to Swynnerton,” he said. As for her, the epithet ‘beautiful’ seemed a strange epithet to apply to a mere piece of honest stitchery done in a pattern, and a stitch with which she had been familiar all her life. The fact was she understood his ‘art’ less and less. The sole wall decoration of his studio was a Japanese print, which struck her as being entirely preposterous, considered as a picture. She much preferred his own early drawings of moss-roses and picturesque castles—things that he now mercilessly contemned. Later, he discovered her cutting out another smock. “What’s that for?” he inquired. “Well,” she said, “you can’t manage with one smock. What shall you do when that one has to go to the wash?” “Wash!” he repeated vaguely. “There’s no need for it to go to the wash.” “Cyril,” she replied, “don’t try my patience! I was thinking of making you half-a-dozen.” He whistled. “With all that stitching?” he questioned, amazed at the undertaking. “Why not?” she said. In her young days, no seamstress ever made fewer than half-a-dozen of anything, and it was usually a dozen; it was sometimes half-a-dozen dozen. “Well,” he murmured, “you have got a nerve! I’ll say that.” Similar things happened whenever he showed that he was pleased. If he said of a dish, in the local tongue: “I could do a bit of that!” or if he simply smacked his lips over it, she would surfeit him with that dish.

II

On a hot day in August, just before they were to leave Bursley for a month in the Isle of Man, Cyril came home, pale and perspiring, and dropped on to the sofa. He wore a grey alpaca suit, and, except his hair, which in addition to being very untidy was damp with sweat, he was a masterpiece of slim elegance, despite the heat. He blew out great sighs, and rested his head on the antimacassared arm of the sofa.

“Well, mater,” he said, in a voice of factitious calm, “I’ve got it.” He was looking up at the ceiling.

“Got what?”

“The National Scholarship. Swynnerton says it’s a sheer fluke. But I’ve got it. Great glory for the Bursley School of Art!”

“National Scholarship?” she said. “What’s that? What is it?”

“Now, mother!” he admonished her, not without testiness. “Don’t go and say I’ve never breathed a word about it!”

He lit a cigarette, to cover his self-consciousness, for he perceived that she was moved far beyond the ordinary.

Never, in fact, not even by the death of her husband, had she received such a frightful blow as that which the dreamy Cyril had just dealt her.

It was not a complete surprise, but it was nearly a complete surprise. A few months previously he certainly had mentioned, in his incidental way, the subject of a National Scholarship. Apropos of a drinking-cup which he had designed, he had said that the director of the School of Art had suggested that it was good enough to compete for the National, and that as he was otherwise qualified for the competition he might as well send the cup to South Kensington. He had added that Peel-Swynnerton had laughed at the notion as absurd. On that occasion she had comprehended that a National Scholarship involved residence in London. She ought to have begun to live in fear, for Cyril had a most disturbing habit of making a mere momentary reference to matters which he deemed very important and which occupied a large share of his attention. He was secretive by nature, and the rigidity of his father’s rule had developed this trait in his character. But really he had spoken of the competition with such an extreme casualness that with little effort she had dismissed it from her anxieties as involving a contingency so remote as to be negligible. She had, genuinely, almost forgotten it. Only at rare intervals had it wakened in her a dull transitory pain—like the herald of a fatal malady. And, as a woman in the opening stage of disease, she had hastily reassured herself: “How silly of me! This can’t possibly be anything serious!”

And now she was condemned. She knew it. She knew there could be no appeal. She knew that she might as usefully have besought mercy from a tiger as from her good, industrious, dreamy son.

“It means a pound a week,” said Cyril, his self-consciousness intensified by her silence and by the dreadful look on her face. “And of course free tuition.”

“For how long?” she managed to say.

“Well,” said he, “that depends. Nominally for a year. But if you behave yourself it’s always continued for three years.” If he stayed for three years he would never come back: that was a certainty.

How she rebelled, furious and despairing, against the fortuitous cruelty of things! She was sure that he had not, till then, thought seriously of going to London. But the fact that the Government would admit him free to its classrooms and give him a pound a week besides, somehow forced him to go to London. It was not the lack of means that would have prevented him from going. Why, then, should the presence of means induce him to go? There was no logical reason. The whole affair was disastrously absurd. The art-master at the Wedgwood Institution had chanced, merely chanced, to suggest that the drinking-cup should be sent to South Kensington. And the result of this caprice was that she was sentenced to solitude for life! It was too monstrously, too incredibly wicked!

With what futile and bitter execration she murmured in her heart the word ‘If.’ If Cyril’s childish predilections had not been encouraged! If he had only been content to follow his father’s trade! If she had flatly refused to sign his indenture at Peel’s and pay the premium! If he had not turned from, colour to clay! If the art-master had not had that fatal ‘idea’! If the judges for the competition had decided otherwise! If only she had brought Cyril up in habits of obedience, sacrificing temporary peace to permanent security!

For after all he could not abandon her without her consent. He was not of age. And he would want a lot more money, which he could obtain from none but her. She could refuse. …

No! She could not refuse. He was the master, the tyrant. For the sake of daily pleasantness she had weakly yielded to him at the start! She had behaved badly to herself and to him. He was spoiled. She had spoiled him. And he was about to repay her with lifelong misery, and nothing would deflect him from his course. The usual conduct of the spoilt child! Had she not witnessed it, and moralized upon it, in other families?

“You don’t seem very chirpy over it, mater!” he said.

She went out of the room. His