Under Fire - Henri Barbusse (best book series to read txt) 📗

On the stony parts, the wiped-out ruins of roads that have become barren as the fields, the marching troop breaks through a layer of slime into a flinty conglomerate that grates and gives way under our iron-shod soles—“Seems as if we were walking on buttered toast!”

On the slope of a knoll sometimes, the mud is black and thick and deep-rutted, like that which forms around the horse-ponds in villages, and in these ruts there are lakes and puddles and ponds, whose edges seem to be in rags.

The pleasantries of the wags, who in the early freshness of the journey had cried, “Quack, quack,” when they went through the water, are now becoming rare and gloomy; gradually the jokers are damped down. The rain begins to fall heavily. The daylight dwindles, and the confusion that is space contracts. The last lingering light welters on the ground and in the water.

A steaming silhouette of men like monks appears through the rain in the west. It is a company of the 204th, wrapped in tent-cloths. As we go by we see the pale and shrunken faces and the dark noses of these dripping prowlers before they disappear. The track we are following through the faint grass of the fields is itself a sticky field streaked with countless parallel ruts, all plowed in the same line by the feet and the wheels of those who go to the front and those who go to the rear.

We have to jump over gaping trenches, and this is not always easy, for the edges have become soft and slippery, and earth-falls have widened them. Fatigue, too, begins to bear upon our shoulders. Vehicles cross our path with a great noise and splashing. Artillery limbers prance by and spray us heavily. The motor lorries are borne on whirling circles of water around the wheels, with spirting tumultuous spokes.

As the darkness increases, the jolted vehicles and the horses’ necks and the profiles of the riders with their floating cloaks and slung carbines stand out still more fantastically against the misty floods from the sky. Here, there is a block of ammunition carts of the artillery. The horses are standing and trampling as we go by. We hear the creaking of axles, shouts, disputes, commands which collide, and the roar of the ocean of rain. Over the confused scuffle we can see steam rising from the buttocks of the teams and the cloaks of the horsemen.

“Look out!” Something is laid out on the ground on our right—a row of dead. As we go by, our feet instinctively avoid them and our eyes search them. We see upright boot-soles, outstretched necks, the hollows of uncertain faces, hands half clenched in the air over the dark medley.

We march and march, over fields still ghostly and foot-worn, under a sky where ragged clouds unfurl themselves upon the blackening expanse—which seems to have befouled itself by prolonged contact with so many multitudes of sorry humanity.

Then we go down again into the communication trenches. To reach them we make a wide circuit, so that the rearguard can see the whole company, a hundred yards away, deployed in the gloom, little obscure figures sticking to the slopes and following each other in loose order, with their tools amid their rifles pricking up on each side of their heads, a slender trivial line that plunges in and raises its arms as if in entreaty.

These trenches—still of the second lines—are populous. On the thresholds of the dug-outs, where cart-cloths and skins of animals hang and flap, squatting and bearded men watch our passing with expressionless eyes, as if they were looking at nothing. From beneath other cloths, drawn down to the ground, feet are projected, and snores.

“Nom de Dieu! It’s a long way!” the trampers begin to grumble. There is an eddy and recoil in the flow.

“Halt!” The stop is to let others go by. We pile ourselves up, cursing, on the walls of the trench. It is a company of machine-gunners with their curious burdens.

There seems to be no end to it, and the long halts are wearying. Muscles are beginning to stretch. The everlasting march is overwhelming us. We have hardly got going again when we have to recoil once more into a traverse to let the relief of the telephonists go by. We back like awkward cattle, and restart more heavily.

“Look out for the wire!” The telephone wire undulates above the trench, and crosses it in places between two posts. When it is too slack, its curve sags into the trench and catches the rifles of passing men, and the ensnared ones struggle, and abuse the engineers who don’t know how to fix up their threads.

Then, as the drooping entanglement of precious wires increases, we shoulder our rifles with the butt in the air, carry the shovels under our arms, and go forward with lowered heads.

Our progress now is suddenly checked, and we only advance step by step, locked in each other. The head of the column must be in difficult case. We reach a spot where failing ground leads to a yawning hole—the Covered Trench. The others have disappeared through the low doorway. “We’ve got to go into this blackpudding. then?”

Every man hesitates before ingulfing himself in the narrow underground darkness, and it is the total of these hesitations and lingerings that is reflected in the rear sections of the column in the form of wavering, obstruction, and sometimes abrupt shocks.

From our first steps in the Covered Trench, a heavy darkness settles on us and divides us from each other. The damp odor of a swamped cave steals into us. In the ceiling of the earthen corridor that contains us, we can make out a few streaks and holes of pallor—the chinks and rents in the overhead planks. Little streams of water flow freely through them in places, and in spite of tentative groping we stumble on heaped-up timber. Alongside, our knocks discover the dim vertical presence of the supporting beams.

The air in this interminable tunnel is vibrating heavily. It is the searchlight engine that is installed there—we have to pass in front of it.

After we have felt our deep-drowned way for a quarter of an hour, some one who is overborne by the darkness and the wet, and tired of bumping into unknown people, growls, “I don’t care—I’m going to light up.”

The brilliant beam of a little electric lamp flashes out, and instantly the sergeant bellows, “Ye gods! Who’s the complete ass that’s making a light? Are you daft? Don’t you know it can be seen, you scab, through the roof?”

The flash-lamp, after revealing some dark and oozing walls in its cone of light, retires into the night. “Not much you can’t see it!” jeers the man, “and anyway we’re not in the first lines.” “Ah, that can’t be seen!”

The sergeant, wedged into the file and continuing to advance, appears to be turning round as he goes and attempting some forceful observations—“You gallows-bird! You damned dodger!” But suddenly he starts a new roar—“What! Another man smoking now! Holy hell!” This time he tries to halt, but in vain he rears himself against the wall and struggles to stick to it. He is forced precipitately to go with the stream and is carried away among his own shouts, which return and swallow him up, while the cigarette, the cause of his rage, disappears in silence.

The jerky beat of the engine grows louder, and an increasing heat surrounds us. The overcharged air of the trench vibrates more and more as we go forward. The engine’s jarring note soon hammers our ears and shakes us through. Still it gets hotter; it is like some great animal breathing in our faces. The buried trench seems to be leading us down and down into the tumult of some infernal workshop, whose dark-red glow is sketching out our huge and curving shadows in purple on the walls.

In a diabolical crescendo of din, of hot wind and of lights, we flow deafened towards the furnace. One would think that the engine itself was hurling itself through the tunnel to meet us, like a frantic motor-cyclist drawing dizzily near with his headlight and destruction.

Scorched and half blinded, we pass in front of the red furnace and the black engine, whose flywheel roars like a hurricane, and we have hardly time to make out the movements of men around it. We shut our eyes, choked by the contact of this glaring white-hot breath.

Now, the noise and the heat are raging behind us and growing feebler, and my neighbor mutters in his beard, “And that idiot that said my lamp would be seen!”

And here is the free air! The sky is a very dark blue, of the same color as the earth and little lighter. The rain becomes worse and worse, and walking is laborious in the heavy slime. The whole boot sinks in, and it is a labor of acute pain to withdraw the foot every time. Hardly anything is left visible in the night, but at the exit from the hole we see a disorder of beams which flounder in the widened trench—some demolished dugout.

Just at this moment, a searchlight’s unearthly arm that was swinging through space stops and falls on us, and we find that the tangle of uprooted and sunken posts and shattered framing is populous with dead soldiers. Quite close to me, the head of a kneeling body hangs on its back by an uncertain thread; a black veneer, edged with clotted drops, covers the cheek. Another body so clasps a post in its arms that it has only half fallen. Another, lying in the form of a circle, has been stripped by the shell, and his back and belly are laid bare. Another, outstretched on the edge of the heap, has thrown his hand across our path; and in this place where there no traffic except by night—for the trench is blocked just there by the earth-fall and inaccessible by day—every one treads on that hand. By the searchlight’s shaft I saw it clearly, fleshless and worn, a sort of withered fin.

The rain is raging and the sound of its streaming dominates everything—a horror of desolation. We feel the water on our flesh as if the deluge had washed our clothes away.

We enter the open trench, and the embrace of night and storm resumes the sole possession of this confusion of corpses, stranded and cramped on a square of earth as on a raft.

The wind freezes the drops of sweat on our foreheads. It is near midnight. For six hours now we have marched in the increasing burden of the mud. This is the time when the Paris theaters are constellated with electroliers and blossoming with lamps; when they are filled with luxurious excitement, with the rustle of skirts, with merrymaking and warmth; when a fragrant and radiant multitude, chatting, laughing, smiling, applauding, expanding. feels itself pleasantly affected by the cleverly graduated emotions which the comedy evokes, and lolls in contented enjoyment of the rich and splendid pageants of military glorification that crowd the stage of the music-hall.

“Aren’t we there? Nom de Dieu, shan’t we ever get there?” The groan is breathed by the long procession that tosses about in these crevices of the earth, carrying rifles and shovels and pickaxes under the eternal torrent. We march and march. We are drunk with fatigue, and roll to this side and that. Stupefied and soaked, we strike with our shoulders a substance as sodden as ourselves.

“Halt!”—“Are we there?”—“Ah, yes, we’re there!”

For the moment a heavy recoil presses us back and then a murmur