The Lost Girl - D. H. Lawrence (great books to read .txt) 📗

right," said Alvina. "Go back to the Tukes." And she began again to brush her hair.

Ciccio watched her with narrowing eyes.

"What you mean?" he said. "I shan't go, Allaye. You come with me."

"Ha!" she sniffed scornfully. "I shall go where I like."

But slowly he shook his head.

"You'll come, Allaye," he said. "You come with me, with Ciccio."

She shuddered at the soft, plaintive entreaty.

"How can I go with you? How can I depend on you at all?"

Again he shook his head. His eyes had a curious yellow fire, beseeching, plaintive, with a demon quality of yearning compulsion.

"Yes, you come with me, Allaye. You come with me, to Italy. You don't go to that other man. He is too old, not healthy. You come with me to Italy. Why do you send a telegram?"

Alvina sat down and covered her face, trembling.

"I can't! I can't! I can't!" she moaned. "I can't do it."

"Yes, you come with me. I have money. You come with me, to my place in the mountains, to my uncle's house. Fine house, you like it. Come with me, Allaye."

She could not look at him.

"Why do you want me?" she said.

"Why I want you?" He gave a curious laugh, almost of ridicule. "I don't know that. You ask me another, eh?"

She was silent, sitting looking downwards.

"I can't, I think," she said abstractedly, looking up at him.

He smiled, a fine, subtle smile, like a demon's, but inexpressibly gentle. He made her shiver as if she was mesmerized. And he was reaching forward to her as a snake reaches, nor could she recoil.

"You come, Allaye," he said softly, with his foreign intonation. "You come. You come to Italy with me. Yes?" He put his hand on her, and she started as if she had been struck. But his hands, with the soft, powerful clasp, only closed her faster.

"Yes?" he said. "Yes? All right, eh? All right!"—he had a strange mesmeric power over her, as if he possessed the sensual secrets, and she was to be subjected.

"I can't," she moaned, trying to struggle. But she was powerless.

Dark and insidious he was: he had no regard for her. How could a man's movements be so soft and gentle, and yet so inhumanly regardless! He had no regard for her. Why didn't she revolt? Why couldn't she? She was as if bewitched. She couldn't fight against her bewitchment. Why? Because he seemed to her beautiful, so beautiful. And this left her numb, submissive. Why must she see him beautiful? Why was she will-less? She felt herself like one of the old sacred prostitutes: a sacred prostitute.

In the morning, very early, they left for Scarborough, leaving a letter for the sleeping Tommy. In Scarborough they went to the registrar's office: they could be married in a fortnight's time. And so the fortnight passed, and she was under his spell. Only she knew it. She felt extinguished. Ciccio talked to her: but only ordinary things. There was no wonderful intimacy of speech, such as she had always imagined, and always craved for. No. He loved her—but it was in a dark, mesmeric way, which did not let her be herself. His love did not stimulate her or excite her. It extinguished her. She had to be the quiescent, obscure woman: she felt as if she were veiled. Her thoughts were dim, in the dim back regions of consciousness—yet, somewhere, she almost exulted. Atavism! Mrs. Tuke's word would play in her mind. Was it atavism, this sinking into extinction under the spell of Ciccio? Was it atavism, this strange, sleep-like submission to his being? Perhaps it was. Perhaps it was. But it was also heavy and sweet and rich. Somewhere, she was content. Somewhere even she was vastly proud of the dark veiled eternal loneliness she felt, under his shadow.

And so it had to be. She shuddered when she touched him, because he was so beautiful, and she was so submitted. She quivered when he moved as if she were his shadow. Yet her mind remained distantly clear. She would criticize him, find fault with him, the things he did. But ultimately she could find no fault with him. She had lost the power. She didn't care. She had lost the power to care about his faults. Strange, sweet, poisonous indifference! She was drugged. And she knew it. Would she ever wake out of her dark, warm coma? She shuddered, and hoped not. Mrs. Tuke would say atavism. Atavism! The word recurred curiously.

But under all her questionings she felt well; a nonchalance deep as sleep, a passivity and indifference so dark and sweet she felt it must be evil. Evil! She was evil. And yet she had no power to be otherwise. They were legally married. And she was glad. She was relieved by knowing she could not escape. She was Mrs. Marasca. What was the good of trying to be Miss Houghton any longer? Marasca, the bitter cherry. Some dark poison fruit she had eaten. How glad she was she had eaten it! How beautiful he was! And no one saw it but herself. For her it was so potent it made her tremble when she noticed him. His beauty, his dark shadow. Ciccio really was much handsomer since his marriage. He seemed to emerge. Before, he had seemed to make himself invisible in the streets, in England, altogether. But now something unfolded in him, he was a potent, glamorous presence, people turned to watch him. There was a certain dark, leopard-like pride in the air about him, something that the English people watched.

He wanted to go to Italy. And now it was his will which counted. Alvina, as his wife, must submit. He took her to London the day after the marriage. He wanted to get away to Italy. He did not like being in England, a foreigner, amid the beginnings of the spy craze.

In London they stayed at his cousin's house. His cousin kept a restaurant in Battersea, and was a flourishing London Italian, a real London product with all the good English virtues of cleanliness and honesty added to an Italian shrewdness. His name was Giuseppe Califano, and he was pale, and he had four children of whom he was very proud. He received Alvina with an affable respect, as if she were an asset in the family, but as if he were a little uneasy and disapproving. She had come down, in marrying Ciccio. She had lost caste. He rather seemed to exult over her degradation. For he was a northernized Italian, he had accepted English standards. His children were English brats. He almost patronized Alvina.

But then a long, slow look from her remote blue eyes brought him up sharp, and he envied Ciccio suddenly, he was almost in love with her himself. She disturbed him. She disturbed him in his new English aplomb of a London restaurateur, and she disturbed in him the old Italian dark soul, to which he was renegade. He tried treating her as an English lady. But the slow, remote look in her eyes made this fall flat. He had to be Italian.

And he was jealous of Ciccio. In Ciccio's face was a lurking smile, and round his fine nose there seemed a subtle, semi-defiant triumph. After all, he had triumphed over his well-to-do, Anglicized cousin. With a stealthy, leopard-like pride Ciccio went through the streets of London in those wild early days of war. He was the one victor, arching stealthily over the vanquished north.

Alvina saw nothing of all these complexities. For the time being, she was all dark and potent. Things were curious to her. It was curious to be in Battersea, in this English-Italian household, where the children spoke English more readily than Italian. It was strange to be high over the restaurant, to see the trees of the park, to hear the clang of trams. It was strange to walk out and come to the river. It was strange to feel the seethe of war and dread in the air. But she did not question. She seemed steeped in the passional influence of the man, as in some narcotic. She even forgot Mrs. Tuke's atavism. Vague and unquestioning she went through the days, she accompanied Ciccio into town, she went with him to make purchases, or she sat by his side in the music hall, or she stayed in her room and sewed, or she sat at meals with the Califanos, a vague brightness on her face. And Mrs. Califano was very nice to her, very gentle, though with a suspicion of malicious triumph, mockery, beneath her gentleness. Still, she was nice and womanly, hovering as she was between her English emancipation and her Italian subordination. She half pitied Alvina, and was more than half jealous of her.

Alvina was aware of nothing—only of the presence of Ciccio. It was his physical presence which cast a spell over her. She lived within his aura. And she submitted to him as if he had extended his dark nature over her. She knew nothing about him. She lived mindlessly within his presence, quivering within his influence, as if his blood beat in her. She knew she was subjected. One tiny corner of her knew, and watched.

He was very happy, and his face had a real beauty. His eyes glowed with lustrous secrecy, like the eyes of some victorious, happy wild creature seen remote under a bush. And he was very good to her. His tenderness made her quiver into a swoon of complete self-forgetfulness, as if the flood-gates of her depths opened. The depth of his warm, mindless, enveloping love was immeasurable. She felt she could sink forever into his warm, pulsating embrace.

Afterwards, later on, when she was inclined to criticize him, she would remember the moment when she saw his face at the Italian Consulate in London. There were many people at the Consulate, clamouring for passports—a wild and ill-regulated crowd. They had waited their turn and got inside—Ciccio was not good at pushing his way. And inside a courteous tall old man with a white beard had lifted the flap for Alvina to go inside the office and sit down to fill in the form. She thanked the old man, who bowed as if he had a reputation to keep up.

Ciccio followed, and it was he who had to sit down and fill up the form, because she did not understand the Italian questions. She stood at his side, watching the excited, laughing, noisy, east-end Italians at the desk. The whole place had a certain free-and-easy confusion, a human, unofficial, muddling liveliness which was not quite like England, even though it was in the middle of London.

"What was your mother's name?" Ciccio was asking her. She turned to him. He sat with the pen perched flourishingly at the end of his fingers, suspended in the serious and artistic business of filling in a form. And his face had a dark luminousness, like a dark transparence which was shut and has now expanded. She quivered, as if it was more than she could bear. For his face was open like a flower right to the depths of his soul, a dark, lovely translucency, vulnerable to the deep quick of his soul. The lovely, rich darkness of his southern nature, so different from her own, exposing itself now in its passional vulnerability, made her go white with a kind of fear. For an instant, her face seemed drawn and old as she looked down at him, answering his questions. Then her eyes became sightless with tears, she stooped as if to look at his writing, and quickly kissed his fingers that held the pen, there in the midst of the crowded, vulgar Consulate.

He stayed suspended, again looking up at her with the bright, unfolded eyes of a wild creature which plays and is not seen. A faint smile, very beautiful to her, was on his face. What did he see when he looked at her? She did not know, she did not know. And she would never know. For an instant, she swore inside herself that God Himself should not take her away from this man. She would commit herself to him through every eternity. And then the vagueness came over her again, she turned aside, photographically seeing the crowd in the Consulate, but really unconscious. His movement as he rose seemed to move her in her sleep, she turned to him at once.

It was early in November before they could leave for Italy, and her dim, lustrous state lasted all the time. She found herself at Charing Cross in the early morning, in all the bustle of catching the Continental train. Giuseppe was