The Uncommercial Traveller - Charles Dickens (adult books to read TXT) 📗
- Author: Charles Dickens
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by a belt, and an assurance from everybody to the provincial young man that if he were not supremely happy--which he seemed to have no reason whatever for being--he ought to be. This afforded him a final opportunity of crying and laughing and choking all at once, and sent the audience home sentimentally delighted. Audience more attentive or better behaved there could not possibly be, though the places of second rank in the Theatre of the Family P. Salcy were sixpence each in English money, and the places of first rank a shilling. How the fifteen subjects ever got so fat upon it, the kind Heavens know.
What gorgeous china figures of knights and ladies, gilded till they gleamed again, I might have bought at the Fair for the garniture of my home, if I had been a French-Flemish peasant, and had had the money! What shining coffee-cups and saucers I might have won at the turntables, if I had had the luck! Ravishing perfumery also, and sweetmeats, I might have speculated in, or I might have fired for prizes at a multitude of little dolls in niches, and might have hit the doll of dolls, and won francs and fame. Or, being a French-Flemish youth, I might have been drawn in a hand-cart by my compeers, to tilt for municipal rewards at the water-quintain; which, unless I sent my lance clean through the ring, emptied a full bucket over me; to fend off which, the competitors wore grotesque old scarecrow hats. Or, being French-Flemish man or woman, boy or girl, I might have circled all night on my hobby- horse in a stately cavalcade of hobby-horses four abreast, interspersed with triumphal cars, going round and round and round and round, we the goodly company singing a ceaseless chorus to the music of the barrel-organ, drum, and cymbals. On the whole, not more monotonous than the Ring in Hyde Park, London, and much merrier; for when do the circling company sing chorus, THERE, to the barrel-organ, when do the ladies embrace their horses round the neck with both arms, when do the gentlemen fan the ladies with the tails of their gallant steeds? On all these revolving delights, and on their own especial lamps and Chinese lanterns revolving with them, the thoughtful weaver-face brightens, and the Hotel de Ville sheds an illuminated line of gaslight: while above it, the Eagle of France, gas-outlined and apparently afflicted with the prevailing infirmities that have lighted on the poultry, is in a very undecided state of policy, and as a bird moulting. Flags flutter all around. Such is the prevailing gaiety that the keeper of the prison sits on the stone steps outside the prison-door, to have a look at the world that is not locked up; while that agreeable retreat, the wine-shop opposite to the prison in the prison-alley (its sign La Tranquillite, because of its charming situation), resounds with the voices of the shepherds and shepherdesses who resort there this festive night. And it reminds me that only this afternoon, I saw a shepherd in trouble, tending this way, over the jagged stones of a neighbouring street. A magnificent sight it was, to behold him in his blouse, a feeble little jog-trot rustic, swept along by the wind of two immense gendarmes, in cocked-hats for which the street was hardly wide enough, each carrying a bundle of stolen property that would not have held his shoulder-knot, and clanking a sabre that dwarfed the prisoner.
'Messieurs et Mesdames, I present to you at this Fair, as a mark of my confidence in the people of this so-renowned town, and as an act of homage to their good sense and fine taste, the Ventriloquist, the Ventriloquist! Further, Messieurs et Mesdames, I present to you the Face-Maker, the Physiognomist, the great Changer of Countenances, who transforms the features that Heaven has bestowed upon him into an endless succession of surprising and extraordinary visages, comprehending, Messieurs et Mesdames, all the contortions, energetic and expressive, of which the human face is capable, and all the passions of the human heart, as Love, Jealousy, Revenge, Hatred, Avarice, Despair! Hi hi! Ho ho! Lu lu! Come in!' To this effect, with an occasional smite upon a sonorous kind of tambourine--bestowed with a will, as if it represented the people who won't come in--holds forth a man of lofty and severe demeanour; a man in stately uniform, gloomy with the knowledge he possesses of the inner secrets of the booth. 'Come in, come in! Your opportunity presents itself to-night; to-morrow it will be gone for ever. To-morrow morning by the Express Train the railroad will reclaim the Ventriloquist and the Face-Maker! Algeria will reclaim the Ventriloquist and the Face-Maker! Yes! For the honour of their country they have accepted propositions of a magnitude incredible, to appear in Algeria. See them for the last time before their departure! We go to commence on the instant. Hi hi! Ho ho! Lu lu! Come in! Take the money that now ascends, Madame; but after that, no more, for we commence! Come in!'
Nevertheless, the eyes both of the gloomy Speaker and of Madame receiving sous in a muslin bower, survey the crowd pretty sharply after the ascending money has ascended, to detect any lingering sous at the turning-point. 'Come in, come in! Is there any more money, Madame, on the point of ascending? If so, we wait for it. If not, we commence!' The orator looks back over his shoulder to say it, lashing the spectators with the conviction that he beholds through the folds of the drapery into which he is about to plunge, the Ventriloquist and the Face-Maker. Several sous burst out of pockets, and ascend. 'Come up, then, Messieurs!' exclaims Madame in a shrill voice, and beckoning with a bejewelled finger. 'Come up! This presses. Monsieur has commanded that they commence!' Monsieur dives into his Interior, and the last half-dozen of us follow. His Interior is comparatively severe; his Exterior also. A true Temple of Art needs nothing but seats, drapery, a small table with two moderator lamps hanging over it, and an ornamental looking-glass let into the wall. Monsieur in uniform gets behind the table and surveys us with disdain, his forehead becoming diabolically intellectual under the moderators. 'Messieurs et Mesdames, I present to you the Ventriloquist. He will commence with the celebrated Experience of the bee in the window. The bee, apparently the veritable bee of Nature, will hover in the window, and about the room. He will be with difficulty caught in the hand of Monsieur the Ventriloquist--he will escape--he will again hover- -at length he will be recaptured by Monsieur the Ventriloquist, and will be with difficulty put into a bottle. Achieve then, Monsieur!' Here the proprietor is replaced behind the table by the Ventriloquist, who is thin and sallow, and of a weakly aspect. While the bee is in progress, Monsieur the Proprietor sits apart on a stool, immersed in dark and remote thought. The moment the bee is bottled, he stalks forward, eyes us gloomily as we applaud, and then announces, sternly waving his hand: 'The magnificent Experience of the child with the whooping-cough!' The child disposed of, he starts up as before. 'The superb and extraordinary Experience of the dialogue between Monsieur Tatambour in his dining-room, and his domestic, Jerome, in the cellar; concluding with the songsters of the grove, and the Concert of domestic Farm- yard animals.' All this done, and well done, Monsieur the Ventriloquist withdraws, and Monsieur the Face-Maker bursts in, as if his retiring-room were a mile long instead of a yard. A corpulent little man in a large white waistcoat, with a comic countenance, and with a wig in his hand. Irreverent disposition to laugh, instantly checked by the tremendous gravity of the Face- Maker, who intimates in his bow that if we expect that sort of thing we are mistaken. A very little shaving-glass with a leg behind it is handed in, and placed on the table before the Face- Maker. 'Messieurs et Mesdames, with no other assistance than this mirror and this wig, I shall have the honour of showing you a thousand characters.' As a preparation, the Face-Maker with both hands gouges himself, and turns his mouth inside out. He then becomes frightfully grave again, and says to the Proprietor, 'I am ready!' Proprietor stalks forth from baleful reverie, and announces 'The Young Conscript!' Face-Maker claps his wig on, hind side before, looks in the glass, and appears above it as a conscript so very imbecile, and squinting so extremely hard, that I should think the State would never get any good of him. Thunders of applause. Face-Maker dips behind the looking-glass, brings his own hair forward, is himself again, is awfully grave. 'A distinguished inhabitant of the Faubourg St. Germain.' Face-Maker dips, rises, is supposed to be aged, blear-eyed, toothless, slightly palsied, supernaturally polite, evidently of noble birth. 'The oldest member of the Corps of Invalides on the fete-day of his master.' Face-Maker dips, rises, wears the wig on one side, has become the feeblest military bore in existence, and (it is clear) would lie frightfully about his past achievements, if he were not confined to pantomime. 'The Miser!' Face-Maker dips, rises, clutches a bag, and every hair of the wig is on end to express that he lives in continual dread of thieves. 'The Genius of France!' Face-Maker dips, rises, wig pushed back and smoothed flat, little cocked-hat (artfully concealed till now) put a-top of it, Face- Maker's white waistcoat much advanced, Face-Maker's left hand in bosom of white waistcoat, Face-Maker's right hand behind his back. Thunders. This is the first of three positions of the Genius of France. In the second position, the Face-Maker takes snuff; in the third, rolls up his fight hand, and surveys illimitable armies through that pocket-glass. The Face-Maker then, by putting out his tongue, and wearing the wig nohow in particular, becomes the Village Idiot. The most remarkable feature in the whole of his ingenious performance, is, that whatever he does to disguise himself, has the effect of rendering him rather more like himself than he was at first.
There were peep-shows in this Fair, and I had the pleasure of recognising several fields of glory with which I became well acquainted a year or two ago as Crimean battles, now doing duty as Mexican victories. The change was neatly effected by some extra smoking of the Russians, and by permitting the camp followers free range in the foreground to despoil the enemy of their uniforms. As no British troops had ever happened to be within sight when the artist took his original sketches, it followed fortunately that none were in the way now.
The Fair wound up with a ball. Respecting the particular night of the week on which the ball took place, I decline to commit myself; merely mentioning that it was held in a stable-yard so very close to the railway, that it was a mercy the locomotive did not set fire to it. (In Scotland, I suppose, it would have done so.) There, in a tent prettily decorated with looking-glasses and a myriad of toy flags, the people danced all night. It was not an expensive recreation, the price of a double ticket for a cavalier and lady being one and threepence in English money, and even of that small sum fivepence was reclaimable for 'consommation:' which word
What gorgeous china figures of knights and ladies, gilded till they gleamed again, I might have bought at the Fair for the garniture of my home, if I had been a French-Flemish peasant, and had had the money! What shining coffee-cups and saucers I might have won at the turntables, if I had had the luck! Ravishing perfumery also, and sweetmeats, I might have speculated in, or I might have fired for prizes at a multitude of little dolls in niches, and might have hit the doll of dolls, and won francs and fame. Or, being a French-Flemish youth, I might have been drawn in a hand-cart by my compeers, to tilt for municipal rewards at the water-quintain; which, unless I sent my lance clean through the ring, emptied a full bucket over me; to fend off which, the competitors wore grotesque old scarecrow hats. Or, being French-Flemish man or woman, boy or girl, I might have circled all night on my hobby- horse in a stately cavalcade of hobby-horses four abreast, interspersed with triumphal cars, going round and round and round and round, we the goodly company singing a ceaseless chorus to the music of the barrel-organ, drum, and cymbals. On the whole, not more monotonous than the Ring in Hyde Park, London, and much merrier; for when do the circling company sing chorus, THERE, to the barrel-organ, when do the ladies embrace their horses round the neck with both arms, when do the gentlemen fan the ladies with the tails of their gallant steeds? On all these revolving delights, and on their own especial lamps and Chinese lanterns revolving with them, the thoughtful weaver-face brightens, and the Hotel de Ville sheds an illuminated line of gaslight: while above it, the Eagle of France, gas-outlined and apparently afflicted with the prevailing infirmities that have lighted on the poultry, is in a very undecided state of policy, and as a bird moulting. Flags flutter all around. Such is the prevailing gaiety that the keeper of the prison sits on the stone steps outside the prison-door, to have a look at the world that is not locked up; while that agreeable retreat, the wine-shop opposite to the prison in the prison-alley (its sign La Tranquillite, because of its charming situation), resounds with the voices of the shepherds and shepherdesses who resort there this festive night. And it reminds me that only this afternoon, I saw a shepherd in trouble, tending this way, over the jagged stones of a neighbouring street. A magnificent sight it was, to behold him in his blouse, a feeble little jog-trot rustic, swept along by the wind of two immense gendarmes, in cocked-hats for which the street was hardly wide enough, each carrying a bundle of stolen property that would not have held his shoulder-knot, and clanking a sabre that dwarfed the prisoner.
'Messieurs et Mesdames, I present to you at this Fair, as a mark of my confidence in the people of this so-renowned town, and as an act of homage to their good sense and fine taste, the Ventriloquist, the Ventriloquist! Further, Messieurs et Mesdames, I present to you the Face-Maker, the Physiognomist, the great Changer of Countenances, who transforms the features that Heaven has bestowed upon him into an endless succession of surprising and extraordinary visages, comprehending, Messieurs et Mesdames, all the contortions, energetic and expressive, of which the human face is capable, and all the passions of the human heart, as Love, Jealousy, Revenge, Hatred, Avarice, Despair! Hi hi! Ho ho! Lu lu! Come in!' To this effect, with an occasional smite upon a sonorous kind of tambourine--bestowed with a will, as if it represented the people who won't come in--holds forth a man of lofty and severe demeanour; a man in stately uniform, gloomy with the knowledge he possesses of the inner secrets of the booth. 'Come in, come in! Your opportunity presents itself to-night; to-morrow it will be gone for ever. To-morrow morning by the Express Train the railroad will reclaim the Ventriloquist and the Face-Maker! Algeria will reclaim the Ventriloquist and the Face-Maker! Yes! For the honour of their country they have accepted propositions of a magnitude incredible, to appear in Algeria. See them for the last time before their departure! We go to commence on the instant. Hi hi! Ho ho! Lu lu! Come in! Take the money that now ascends, Madame; but after that, no more, for we commence! Come in!'
Nevertheless, the eyes both of the gloomy Speaker and of Madame receiving sous in a muslin bower, survey the crowd pretty sharply after the ascending money has ascended, to detect any lingering sous at the turning-point. 'Come in, come in! Is there any more money, Madame, on the point of ascending? If so, we wait for it. If not, we commence!' The orator looks back over his shoulder to say it, lashing the spectators with the conviction that he beholds through the folds of the drapery into which he is about to plunge, the Ventriloquist and the Face-Maker. Several sous burst out of pockets, and ascend. 'Come up, then, Messieurs!' exclaims Madame in a shrill voice, and beckoning with a bejewelled finger. 'Come up! This presses. Monsieur has commanded that they commence!' Monsieur dives into his Interior, and the last half-dozen of us follow. His Interior is comparatively severe; his Exterior also. A true Temple of Art needs nothing but seats, drapery, a small table with two moderator lamps hanging over it, and an ornamental looking-glass let into the wall. Monsieur in uniform gets behind the table and surveys us with disdain, his forehead becoming diabolically intellectual under the moderators. 'Messieurs et Mesdames, I present to you the Ventriloquist. He will commence with the celebrated Experience of the bee in the window. The bee, apparently the veritable bee of Nature, will hover in the window, and about the room. He will be with difficulty caught in the hand of Monsieur the Ventriloquist--he will escape--he will again hover- -at length he will be recaptured by Monsieur the Ventriloquist, and will be with difficulty put into a bottle. Achieve then, Monsieur!' Here the proprietor is replaced behind the table by the Ventriloquist, who is thin and sallow, and of a weakly aspect. While the bee is in progress, Monsieur the Proprietor sits apart on a stool, immersed in dark and remote thought. The moment the bee is bottled, he stalks forward, eyes us gloomily as we applaud, and then announces, sternly waving his hand: 'The magnificent Experience of the child with the whooping-cough!' The child disposed of, he starts up as before. 'The superb and extraordinary Experience of the dialogue between Monsieur Tatambour in his dining-room, and his domestic, Jerome, in the cellar; concluding with the songsters of the grove, and the Concert of domestic Farm- yard animals.' All this done, and well done, Monsieur the Ventriloquist withdraws, and Monsieur the Face-Maker bursts in, as if his retiring-room were a mile long instead of a yard. A corpulent little man in a large white waistcoat, with a comic countenance, and with a wig in his hand. Irreverent disposition to laugh, instantly checked by the tremendous gravity of the Face- Maker, who intimates in his bow that if we expect that sort of thing we are mistaken. A very little shaving-glass with a leg behind it is handed in, and placed on the table before the Face- Maker. 'Messieurs et Mesdames, with no other assistance than this mirror and this wig, I shall have the honour of showing you a thousand characters.' As a preparation, the Face-Maker with both hands gouges himself, and turns his mouth inside out. He then becomes frightfully grave again, and says to the Proprietor, 'I am ready!' Proprietor stalks forth from baleful reverie, and announces 'The Young Conscript!' Face-Maker claps his wig on, hind side before, looks in the glass, and appears above it as a conscript so very imbecile, and squinting so extremely hard, that I should think the State would never get any good of him. Thunders of applause. Face-Maker dips behind the looking-glass, brings his own hair forward, is himself again, is awfully grave. 'A distinguished inhabitant of the Faubourg St. Germain.' Face-Maker dips, rises, is supposed to be aged, blear-eyed, toothless, slightly palsied, supernaturally polite, evidently of noble birth. 'The oldest member of the Corps of Invalides on the fete-day of his master.' Face-Maker dips, rises, wears the wig on one side, has become the feeblest military bore in existence, and (it is clear) would lie frightfully about his past achievements, if he were not confined to pantomime. 'The Miser!' Face-Maker dips, rises, clutches a bag, and every hair of the wig is on end to express that he lives in continual dread of thieves. 'The Genius of France!' Face-Maker dips, rises, wig pushed back and smoothed flat, little cocked-hat (artfully concealed till now) put a-top of it, Face- Maker's white waistcoat much advanced, Face-Maker's left hand in bosom of white waistcoat, Face-Maker's right hand behind his back. Thunders. This is the first of three positions of the Genius of France. In the second position, the Face-Maker takes snuff; in the third, rolls up his fight hand, and surveys illimitable armies through that pocket-glass. The Face-Maker then, by putting out his tongue, and wearing the wig nohow in particular, becomes the Village Idiot. The most remarkable feature in the whole of his ingenious performance, is, that whatever he does to disguise himself, has the effect of rendering him rather more like himself than he was at first.
There were peep-shows in this Fair, and I had the pleasure of recognising several fields of glory with which I became well acquainted a year or two ago as Crimean battles, now doing duty as Mexican victories. The change was neatly effected by some extra smoking of the Russians, and by permitting the camp followers free range in the foreground to despoil the enemy of their uniforms. As no British troops had ever happened to be within sight when the artist took his original sketches, it followed fortunately that none were in the way now.
The Fair wound up with a ball. Respecting the particular night of the week on which the ball took place, I decline to commit myself; merely mentioning that it was held in a stable-yard so very close to the railway, that it was a mercy the locomotive did not set fire to it. (In Scotland, I suppose, it would have done so.) There, in a tent prettily decorated with looking-glasses and a myriad of toy flags, the people danced all night. It was not an expensive recreation, the price of a double ticket for a cavalier and lady being one and threepence in English money, and even of that small sum fivepence was reclaimable for 'consommation:' which word
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