Bleak House - Charles Dickens (read this if txt) 📗
- Author: Charles Dickens
- Performer: 0141439726
Book online «Bleak House - Charles Dickens (read this if txt) 📗». Author Charles Dickens
itself into its fat smile again as he looks round, “it is right
that I should be humbled, it is right that I should be tried, it is
right that I should be mortified, it is right that I should be
corrected. I stumbled, on Sabbath last, when I thought with pride
of my three hours’ improving. The account is now favourably
balanced: my creditor has accepted a composition. O let us be
joyful, joyful! O let us be joyful!”
Great sensation on the part of Mrs. Snagsby.
“My friends,” says Chadband, looking round him in conclusion, “I
will not proceed with my young friend now. Will you come to-morrow, my young friend, and inquire of this good lady where I am
to be found to deliver a discourse unto you, and will you come like
the thirsty swallow upon the next day, and upon the day after that,
and upon the day after that, and upon many pleasant days, to hear
discourses?” (This with a cow-like lightness.)
Jo, whose immediate object seems to be to get away on any terms,
gives a shuffling nod. Mr. Guppy then throws him a penny, and Mrs.
Snagsby calls to Guster to see him safely out of the house. But
before he goes downstairs, Mr. Snagsby loads him with some broken
meats from the table, which he carries away, hugging in his arms.
So, Mr. Chadband—of whom the persecutors say that it is no wonder
he should go on for any length of time uttering such abominable
nonsense, but that the wonder rather is that he should ever leave
off, having once the audacity to begin—retires into private life
until he invests a little capital of supper in the oil-trade. Jo
moves on, through the long vacation, down to Blackfriars Bridge,
where he finds a baking stony corner wherein to settle to his
repast.
And there he sits, munching and gnawing, and looking up at the
great cross on the summit of St. Paul’s Cathedral, glittering above
a red-and-violet-tinted cloud of smoke. From the boy’s face one
might suppose that sacred emblem to be, in his eyes, the crowning
confusion of the great, confused city—so golden, so high up, so
far out of his reach. There he sits, the sun going down, the river
running fast, the crowd flowing by him in two streams—everything
moving on to some purpose and to one end—until he is stirred up
and told to “move on” too.
A New Lodger
The long vacation saunters on towards term-time like an idle river
very leisurely strolling down a flat country to the sea. Mr. Guppy
saunters along with it congenially. He has blunted the blade of
his penknife and broken the point off by sticking that instrument
into his desk in every direction. Not that he bears the desk any
ill will, but he must do something, and it must be something of an
unexciting nature, which will lay neither his physical nor his
intellectual energies under too heavy contribution. He finds that
nothing agrees with him so well as to make little gyrations on one
leg of his stool, and stab his desk, and gape.
Kenge and Carboy are out of town, and the articled clerk has taken
out a shooting license and gone down to his father’s, and Mr.
Guppy’s two fellow-stipendiaries are away on leave. Mr. Guppy and
Mr. Richard Carstone divide the dignity of the office. But Mr.
Carstone is for the time being established in Kenge’s room, whereat
Mr. Guppy chafes. So exceedingly that he with biting sarcasm
informs his mother, in the confidential moments when he sups with
her off a lobster and lettuce in the Old Street Road, that he is
afraid the office is hardly good enough for swells, and that if he
had known there was a swell coming, he would have got it painted.
Mr. Guppy suspects everybody who enters on the occupation of a
stool in Kenge and Carboy’s office of entertaining, as a matter of
course, sinister designs upon him. He is clear that every such
person wants to depose him. If he be ever asked how, why, when, or
wherefore, he shuts up one eye and shakes his head. On the
strength of these profound views, he in the most ingenious manner
takes infinite pains to counterplot when there is no plot, and
plays the deepest games of chess without any adversary.
It is a source of much gratification to Mr. Guppy, therefore, to
find the new-comer constantly poring over the papers in Jarndyce
and Jarndyce, for he well knows that nothing but confusion and
failure can come of that. His satisfaction communicates itself to
a third saunterer through the long vacation in Kenge and Carboy’s
office, to wit, Young Smallweed.
Whether Young Smallweed (metaphorically called Small and eke Chick
Weed, as it were jocularly to express a fledgling) was ever a boy
is much doubted in Lincoln’s Inn. He is now something under
fifteen and an old limb of the law. He is facetiously understood
to entertain a passion for a lady at a cigar-shop in the
neighbourhood of Chancery Lane and for her sake to have broken off
a contract with another lady, to whom he had been engaged some
years. He is a town-made article, of small stature and weazen
features, but may be perceived from a considerable distance by
means of his very tall hat. To become a Guppy is the object of his
ambition. He dresses at that gentleman (by whom he is patronized),
talks at him, walks at him, founds himself entirely on him. He is
honoured with Mr. Guppy’s particular confidence and occasionally
advises him, from the deep wells of his experience, on difficult
points in private life.
Mr. Guppy has been lolling out of window all the morning after
trying all the stools in succession and finding none of them easy,
and after several times putting his head into the iron safe with a
notion of cooling it. Mr. Smallweed has been twice dispatched for
effervescent drinks, and has twice mixed them in the two official
tumblers and stirred them up with the ruler. Mr. Guppy propounds
for Mr. Smallweed’s consideration the paradox that the more you
drink the thirstier you are and reclines his head upon the window-sill in a state of hopeless languor.
While thus looking out into the shade of Old Square, Lincoln’s Inn,
surveying the intolerable bricks and mortar, Mr. Guppy becomes
conscious of a manly whisker emerging from the cloistered walk
below and turning itself up in the direction of his face. At the
same time, a low whistle is wafted through the Inn and a suppressed
voice cries, “Hip! Gup-py!”
“Why, you don’t mean it!” says Mr. Guppy, aroused. “Small! Here’s
Jobling!” Small’s head looks out of window too and nods to
Jobling.
“Where have you sprung up from?” inquires Mr. Guppy.
“From the market-gardens down by Deptford. I can’t stand it any
longer. I must enlist. I say! I wish you’d lend me half a crown.
Upon my soul, I’m hungry.”
Jobling looks hungry and also has the appearance of having run to
seed in the market-gardens down by Deptford.
“I say! Just throw out half a crown if you have got one to spare.
I want to get some dinner.”
“Will you come and dine with me?” says Mr. Guppy, throwing out the
coin, which Mr. Jobling catches neatly.
“How long should I have to hold out?” says Jobling.
“Not half an hour. I am only waiting here till the enemy goes,”
returns Mr. Guppy, butting inward with his head.
“What enemy?”
“A new one. Going to be articled. Will you wait?”
“Can you give a fellow anything to read in the meantime?” says Mr.
Jobling.
Smallweed suggests the law list. But Mr. Jobling declares with
much earnestness that he “can’t stand it.”
“You shall have the paper,” says Mr. Guppy. “He shall bring it
down. But you had better not be seen about here. Sit on our
staircase and read. It’s a quiet place.”
Jobling nods intelligence and acquiescence. The sagacious
Smallweed supplies him with the newspaper and occasionally drops
his eye upon him from the landing as a precaution against his
becoming disgusted with waiting and making an untimely departure.
At last the enemy retreats, and then Smallweed fetches Mr. Jobling
up.
“Well, and how are you?” says Mr. Guppy, shaking hands with him.
“So, so. How are you?”
Mr. Guppy replying that he is not much to boast of, Mr. Jobling
ventures on the question, “How is SHE?” This Mr. Guppy resents as
a liberty, retorting, “Jobling, there ARE chords in the human
mind—” Jobling begs pardon.
“Any subject but that!” says Mr. Guppy with a gloomy enjoyment of
his injury. “For there ARE chords, Jobling—”
Mr. Jobling begs pardon again.
During this short colloquy, the active Smallweed, who is of the
dinner party, has written in legal characters on a slip of paper,
“Return immediately.” This notification to all whom it may
concern, he inserts in the letter-box, and then putting on the tall
hat at the angle of inclination at which Mr. Guppy wears his,
informs his patron that they may now make themselves scarce.
Accordingly they betake themselves to a neighbouring dining-house,
of the class known among its frequenters by the denomination slap-bang, where the waitress, a bouncing young female of forty, is
supposed to have made some impression on the susceptible Smallweed,
of whom it may be remarked that he is a weird changeling to whom
years are nothing. He stands precociously possessed of centuries
of owlish wisdom. If he ever lay in a cradle, it seems as if he
must have lain there in a tail-coat. He has an old, old eye, has
Smallweed; and he drinks and smokes in a monkeyish way; and his
neck is stiff in his collar; and he is never to be taken in; and he
knows all about it, whatever it is. In short, in his bringing up
he has been so nursed by Law and Equity that he has become a kind
of fossil imp, to account for whose terrestrial existence it is
reported at the public offices that his father was John Doe and his
mother the only female member of the Roe family, also that his
first long-clothes were made from a blue bag.
Into the dining-house, unaffected by the seductive show in the
window of artificially whitened cauliflowers and poultry, verdant
baskets of peas, coolly blooming cucumbers, and joints ready for
the spit, Mr. Smallweed leads the way. They know him there and
defer to him. He has his favourite box, he bespeaks all the
papers, he is down upon bald patriarchs, who keep them more than
ten minutes afterwards. It is of no use trying him with anything
less than a full-sized “bread” or proposing to him any joint in cut
unless it is in the very best cut. In the matter of gravy he is
adamant.
Conscious of his elfin power and submitting to his dread
experience, Mr. Guppy consults him in the choice of that day’s
banquet, turning an appealing look towards him as the waitress
repeats the catalogue of viands and saying “What do YOU take,
Chick?” Chick, out of the profundity of his artfulness, preferring
“veal and ham and French beans—and don’t you forget the stuffing,
Polly” (with an unearthly cock of his venerable eye), Mr. Guppy and
Mr. Jobling give the like order. Three pint pots of half-and-half
are superadded. Quickly the waitress returns bearing what is
apparently a model of the Tower of Babel but what is really a pile
of plates and flat tin dish-covers. Mr.
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