The Life and Adventures of Nicholas Nickleby - Charles Dickens (best authors to read .txt) 📗

state of pleasing uncertainty, whether she would ultimately marry the savage, or return to her friends.

‘Very well indeed,’ said Mr Crummles; ‘bravo!’

‘Bravo!’ cried Nicholas, resolved to make the best of everything. ‘Beautiful!’

‘This, sir,’ said Mr Vincent Crummles, bringing the maiden forward, ‘this is the infant phenomenon—Miss Ninetta Crummles.’

‘Your daughter?’ inquired Nicholas.

‘My daughter—my daughter,’ replied Mr Vincent Crummles; ‘the idol of every place we go into, sir. We have had complimentary letters about this girl, sir, from the nobility and gentry of almost every town in England.’

‘I am not surprised at that,’ said Nicholas; ‘she must be quite a natural genius.’

‘Quite a—!’ Mr Crummles stopped: language was not powerful enough to describe the infant phenomenon. ‘I’ll tell you what, sir,’ he said; ‘the talent of this child is not to be imagined. She must be seen, sir—seen—to be ever so faintly appreciated. There; go to your mother, my dear.’

‘May I ask how old she is?’ inquired Nicholas.

‘You may, sir,’ replied Mr Crummles, looking steadily in his questioner’s face, as some men do when they have doubts about being implicitly believed in what they are going to say. ‘She is ten years of age, sir.’

‘Not more!’

‘Not a day.’

‘Dear me!’ said Nicholas, ‘it’s extraordinary.’

It was; for the infant phenomenon, though of short stature, had a comparatively aged countenance, and had moreover been precisely the same age—not perhaps to the full extent of the memory of the oldest inhabitant, but certainly for five good years. But she had been kept up late every night, and put upon an unlimited allowance of gin-and-water from infancy, to prevent her growing tall, and perhaps this system of training had produced in the infant phenomenon these additional phenomena.

While this short dialogue was going on, the gentleman who had enacted the savage, came up, with his walking shoes on his feet, and his slippers in his hand, to within a few paces, as if desirous to join in the conversation. Deeming this a good opportunity, he put in his word.

‘Talent there, sir!’ said the savage, nodding towards Miss Crummles.

Nicholas assented.

‘Ah!’ said the actor, setting his teeth together, and drawing in his breath with a hissing sound, ‘she oughtn’t to be in the provinces, she oughtn’t.’

‘What do you mean?’ asked the manager.

‘I mean to say,’ replied the other, warmly, ‘that she is too good for country boards, and that she ought to be in one of the large houses in London, or nowhere; and I tell you more, without mincing the matter, that if it wasn’t for envy and jealousy in some quarter that you know of, she would be. Perhaps you’ll introduce me here, Mr Crummles.’

‘Mr Folair,’ said the manager, presenting him to Nicholas.

‘Happy to know you, sir.’ Mr Folair touched the brim of his hat with his forefinger, and then shook hands. ‘A recruit, sir, I understand?’

‘An unworthy one,’ replied Nicholas.

‘Did you ever see such a set-out as that?’ whispered the actor, drawing him away, as Crummles left them to speak to his wife.

‘As what?’

Mr Folair made a funny face from his pantomime collection, and pointed over his shoulder.

‘You don’t mean the infant phenomenon?’

‘Infant humbug, sir,’ replied Mr Folair. ‘There isn’t a female child of common sharpness in a charity school, that couldn’t do better than that. She may thank her stars she was born a manager’s daughter.’

‘You seem to take it to heart,’ observed Nicholas, with a smile.

‘Yes, by Jove, and well I may,’ said Mr Folair, drawing his arm through his, and walking him up and down the stage. ‘Isn’t it enough to make a man crusty to see that little sprawler put up in the best business every night, and actually keeping money out of the house, by being forced down the people’s throats, while other people are passed over? Isn’t it extraordinary to see a man’s confounded family conceit blinding him, even to his own interest? Why I KNOW of fifteen and sixpence that came to Southampton one night last month, to see me dance the Highland Fling; and what’s the consequence? I’ve never been put up in it since—never once—while the “infant phenomenon” has been grinning through artificial flowers at five people and a baby in the pit, and two boys in the gallery, every night.’

‘If I may judge from what I have seen of you,’ said Nicholas, ‘you must be a valuable member of the company.’

‘Oh!’ replied Mr Folair, beating his slippers together, to knock the dust out; ‘I CAN come it pretty well—nobody better, perhaps, in my own line—but having such business as one gets here, is like putting lead on one’s feet instead of chalk, and dancing in fetters without the credit of it. Holloa, old fellow, how are you?’

The gentleman addressed in these latter words was a dark-complexioned man, inclining indeed to sallow, with long thick black hair, and very evident inclinations (although he was close shaved) of a stiff beard, and whiskers of the same deep shade. His age did not appear to exceed thirty, though many at first sight would have considered him much older, as his face was long, and very pale, from the constant application of stage paint. He wore a checked shirt, an old green coat with new gilt buttons, a neckerchief of broad red and green stripes, and full blue trousers; he carried, too, a common ash walking-stick, apparently more for show than use, as he flourished it about, with the hooked end downwards, except when he raised it for a few seconds, and throwing himself into a fencing attitude, made a pass or two at the side-scenes, or at any other object, animate or inanimate, that chanced to afford him a pretty good mark at the moment.

‘Well, Tommy,’ said this gentleman, making a thrust at his friend, who parried it dexterously with his slipper, ‘what’s the news?’

‘A new appearance, that’s all,’ replied Mr Folair, looking at Nicholas.

‘Do the honours, Tommy, do the honours,’ said the other gentleman, tapping him reproachfully on the crown of the hat with his stick.

‘This is Mr Lenville, who does our first tragedy, Mr Johnson,’ said the pantomimist.

‘Except when old bricks and mortar takes it into his head to do it himself, you should add, Tommy,’ remarked Mr Lenville. ‘You know who bricks and mortar is, I suppose, sir?’

‘I do not, indeed,’ replied Nicholas.

‘We call Crummles that, because his style of acting is rather in the heavy and ponderous way,’ said Mr Lenville. ‘I mustn’t be cracking jokes though, for I’ve got a part of twelve lengths here, which I must be up in tomorrow night, and I haven’t had time to look at it yet; I’m a confounded quick study, that’s one comfort.’

Consoling himself with this reflection, Mr Lenville drew from his coat pocket a greasy and crumpled manuscript, and, having made another pass at his friend, proceeded to walk to and fro, conning it to himself and indulging occasionally in such appropriate action as his imagination and the text suggested.

A pretty general muster of the company had by this time taken place; for besides Mr Lenville and his friend Tommy, there were present, a slim young gentleman with weak eyes, who played the low-spirited lovers and sang tenor songs, and who had come arm-in-arm with the comic countryman—a man with a turned-up nose, large mouth, broad face, and staring eyes. Making himself very amiable to the infant phenomenon, was an inebriated elderly gentleman in the last depths of shabbiness, who played the calm and virtuous old men; and paying especial court to Mrs Crummles was another elderly gentleman, a shade more respectable, who played the irascible old men—those funny fellows who have nephews in the army and perpetually run about with thick sticks to compel them to marry heiresses. Besides these, there was a roving-looking person in a rough greatcoat, who strode up and down in front of the lamps, flourishing a dress cane, and rattling away, in an undertone, with great vivacity for the amusement of an ideal audience. He was not quite so young as he had been, and his figure was rather running to seed; but there was an air of exaggerated gentility about him, which bespoke the hero of swaggering comedy. There was, also, a little group of three or four young men with lantern jaws and thick eyebrows, who were conversing in one corner; but they seemed to be of secondary importance, and laughed and talked together without attracting any attention.

The ladies were gathered in a little knot by themselves round the rickety table before mentioned. There was Miss Snevellicci—who could do anything, from a medley dance to Lady Macbeth, and also always played some part in blue silk knee-smalls at her benefit— glancing, from the depths of her coal-scuttle straw bonnet, at Nicholas, and affecting to be absorbed in the recital of a diverting story to her friend Miss Ledrook, who had brought her work, and was making up a ruff in the most natural manner possible. There was Miss Belvawney—who seldom aspired to speaking parts, and usually went on as a page in white silk hose, to stand with one leg bent, and contemplate the audience, or to go in and out after Mr Crummles in stately tragedy—twisting up the ringlets of the beautiful Miss Bravassa, who had once had her likeness taken ‘in character’ by an engraver’s apprentice, whereof impressions were hung up for sale in the pastry-cook’s window, and the greengrocer’s, and at the circulating library, and the box-office, whenever the announce bills came out for her annual night. There was Mrs Lenville, in a very limp bonnet and veil, decidedly in that way in which she would wish to be if she truly loved Mr Lenville; there was Miss Gazingi, with an imitation ermine boa tied in a loose knot round her neck, flogging Mr Crummles, junior, with both ends, in fun. Lastly, there was Mrs Grudden in a brown cloth pelisse and a beaver bonnet, who assisted Mrs Crummles in her domestic affairs, and took money at the doors, and dressed the ladies, and swept the house, and held the prompt book when everybody else was on for the last scene, and acted any kind of part on any emergency without ever learning it, and was put down in the bills under my name or names whatever, that occurred to Mr Crummles as looking well in print.

Mr Folair having obligingly confided these particulars to Nicholas, left him to mingle with his fellows; the work of personal introduction was completed by Mr Vincent Crummles, who publicly heralded the new actor as a prodigy of genius and learning.

‘I beg your pardon,’ said Miss Snevellicci, sidling towards Nicholas, ‘but did you ever play at Canterbury?’

‘I never did,’ replied Nicholas.

‘I recollect meeting a gentleman at Canterbury,’ said Miss Snevellicci, ‘only for a few moments, for I was leaving the company as he joined it, so like you that I felt almost certain it was the same.’

‘I see you now for the first time,’ rejoined Nicholas with all due gallantry. ‘I am sure I never saw you before; I couldn’t have forgotten it.’

‘Oh, I’m sure—it’s very flattering of you to say so,’ retorted Miss Snevellicci with a graceful bend. ‘Now I look at you again, I see that the gentleman at Canterbury hadn’t the same eyes as you—you’ll think me very foolish for taking notice of such things, won’t you?’

‘Not at all,’ said Nicholas. ‘How can I feel otherwise than flattered by your notice in any way?’

‘Oh! you men are such vain creatures!’ cried Miss Snevellicci. Whereupon, she became charmingly confused, and, pulling out her pocket-handkerchief from a faded pink silk reticule with a gilt clasp, called to Miss Ledrook—

‘Led, my dear,’ said Miss Snevellicci.

‘Well, what is the