Aaron's Rod - D. H. Lawrence (poetry books to read .TXT) 📗
- Author: D. H. Lawrence
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“What time is Manfredi coming back?” said he.
“Tomorrow,” replied she.
There was a pause.
“Why do you have those people?” he asked.
“Who?”
“Those two who were here this evening.”
“Miss Wade and Mr. French?—Oh, I like Miss Wade so very much. She is so refreshing.”
“Those old people,” said Aaron. “They licked the sugar off the pill, and go on as if everything was toffee. And we’ve got to swallow the pill. It’s easy to be refreshing---”
“No, don’t say anything against her. I like her so much.”
“And him?”
“Mr. French!—Well, he’s perhaps a little like the princess who felt the pea through three feather-beds. But he can be quite witty, and an excellent conversationalist, too. Oh yes, I like him quite well.”
“Matter of taste,” said Aaron.
They had not much to say to one another. The time passed, in the pauses. He looked at his watch.
“I shall have to go,” he said.
“Won’t you stay?” she said, in a small, muted voice.
“Stay all night?” he said.
“Won’t you?”
“Yes,” he said quietly. Did he not feel the strength of his desire on him.
After which she said no more. Only she offered him whiskey and soda, which he accepted.
“Go then,” he said to her. ” And I’ll come to you.—Shall I come in fifteen minutes?”
She looked at him with strange, slow dark eyes. And he could not understand.
“Yes,” she said. And she went.
And again, this night as before, she seemed strangely small and clinging in his arms. And this night he felt his passion drawn from him as if a long, live nerve were drawn out from his body, a long live thread of electric fire, a long, living nerve finely extracted from him, from the very roots of his soul. A long fine discharge of pure, bluish fire, from the core of his soul. It was an excruciating, but also an intensely gratifying sensation.
This night he slept with a deeper obliviousness than before. But ah, as it grew towards morning how he wished he could be alone.
They must stay together till the day was light. And she seemed to love clinging to him and curling strangely on his breast. He could never reconcile it with her who was a hostess entertaining her guests. How could she now in a sort of little ecstasy curl herself and nestle herself on his, Aaron’s breast, tangling his face all over with her hair. He verily believed that this was what she really wanted of him: to curl herself on his naked breast, to make herself small, small, to feel his arms around her, while he himself was remote, silent, in some way inaccessible. This seemed almost to make her beside herself with gratification. But why, why? Was it because he was one of her own race, and she, as it were, crept right home to him?
He did not know. He only knew it had nothing to do with him: and that, save out of complaisance, he did not want it. It simply blasted his own central life. It simply blighted him.
And she clung to him closer. Strange, she was afraid of him! Afraid of him as of a fetish! Fetish afraid, and fetish-fascinated! Or was her fear only a delightful game of cat and mouse? Or was the fear genuine, and the delight the greater: a sort of sacrilege? The fear, and the dangerous, sacrilegious power over that which she feared.
In some way, she was not afraid of him at all. In some other way she used him as a mere magic implement, used him with the most amazing priestess-craft. Himself, the individual man which he was, this she treated with an indifference that was startling to him.
He forgot, perhaps, that this was how he had treated her. His famous desire for her, what had it been but this same attempt to strike a magic fire out of her, for his own ecstasy. They were playing the same game of fire. In him, however, there was all the time something hard and reckless and defiant, which stood apart. She was absolutely gone in her own incantations. She was absolutely gone, like a priestess utterly involved in her terrible rites. And he was part of the ritual only, God and victim in one. God and victim! All the time, God and victim. When his aloof soul realised, amid the welter of incantation, how he was being used,—not as himself but as something quite different —God and victim—then he dilated with intense surprise, and his remote soul stood up tall and knew itself alone. He didn’t want it, not at all. He knew he was apart. And he looked back over the whole mystery of their love-contact. Only his soul was apart.
He was aware of the strength and beauty and godlikeness that his breast was then to her—the magic. But himself, he stood far off, like Moses’ sister Miriam. She would drink the one drop of his innermost heart’s blood, and he would be carrion. As Cleopatra killed her lovers in the morning. Surely they knew that death was their just climax. They had approached the climax. Accept then.
But his soul stood apart, and could have nothing to do with it. If he had really been tempted, he would have gone on, and she might have had his central heart’s blood. Yes, and thrown away the carrion. He would have been willing.
But fatally, he was not tempted. His soul stood apart and decided. At the bottom of his soul he disliked her. Or if not her, then her whole motive. Her whole life-mode. He was neither God nor victim: neither greater nor less than himself. His soul, in its isolation as she lay on his breast, chose it so, with the soul’s inevitability. So, there was no temptation.
When it was sufficiently light, he kissed her and left her. Quietly he left the silent flat. He had some difficulty in unfastening the various locks and bars and catches of the massive door downstairs, and began, in irritation and anger, to feel he was a prisoner, that he was locked in. But suddenly the ponderous door came loose, and he was out in the street. The door shut heavily behind him, with a shudder. He was out in the morning streets of Florence.
CHAPTER XX
THE BROKEN ROD
The day was rainy. Aaron stayed indoors alone, and copied music and slept. He felt the same stunned, withered feeling as before, but less intensely, less disastrously, this time. He knew now, without argument or thought that he would never go again to the Marchesa: not as a lover. He would go away from it all. He did not dislike her. But he would never see her again. A great gulf had opened, leaving him alone on the far side.
He did not go out till after dinner. When he got downstairs he found the heavy night-door closed. He wondered: then remembered the Signorina’s fear of riots and disturbances. As again he fumbled with the catches, he felt that the doors of Florence were trying to prevent his egress. However, he got out.
It was a very dark night, about nine o’clock, and deserted seeming. He was struck by the strange, deserted feeling of the city’s atmosphere. Yet he noticed before him, at the foot of the statue, three men, one with a torch: a long torch with naked flames. The men were stooping over something dark, the man with the torch bending forward too. It was a dark, weird little group, like Mediaeval Florence. Aaron lingered on his doorstep, watching. He could not see what they were doing. But now, the two were crouching down; over a long dark object on the ground, and the one with the torch bending also to look. What was it? They were just at the foot of the statue, a dark little group under the big pediment, the torch-flames weirdly flickering as the torch-bearer moved and stooped lower to the two crouching men, who seemed to be kneeling.
Aaron felt his blood stir. There was something dark and mysterious, stealthy, in the little scene. It was obvious the men did not want to draw attention, they were so quiet and furtive-seeming. And an eerie instinct prevented Aaron’s going nearer to look. Instead, he swerved on to the Lungarno, and went along the top of the square, avoiding the little group in the centre. He walked the deserted dark-seeming street by the river, then turned inwards, into the city. He was going to the Piazza Vittoria Emmanuele, to sit in the cafe which is the centre of Florence at night. There he could sit for an hour, and drink his vermouth and watch the Florentines.
As he went along one of the dark, rather narrow streets, he heard a hurrying of feet behind him. Glancing round, he saw the torch-bearer coming along at a trot, holding his flaming torch up in front of him as he trotted down the middle of the narrow dark street. Aaron shrank under the wall. The trotting torch-bearer drew near, and now Aaron perceived the other two men slowly trotting behind, stealthily, bearing a stretcher on which a body was wrapped up, completely and darkly covered. The torch-bearer passed, the men with the stretcher passed too, hastily and stealthily, the flickering flames revealing them. They took no notice of Aaron, no notice of anything, but trotted softly on towards the centre of the city. Their queer, quick footsteps echoed down the distance. Then Aaron too resumed his way.
He came to the large, brilliantly-lighted cafe. It was Sunday evening, and the place was full. Men, Florentines, many, many men sat in groups and in twos and threes at the little marble tables. They were mostly in dark clothes or black overcoats. They had mostly been drinking just a cup of coffee—others however had glasses of wine or liquor. But mostly it was just a little coffee-tray with a tiny coffee pot and a cup and saucer. There was a faint film of tobacco smoke. And the men were all talking: talking, talking with that peculiar intensity of the Florentines. Aaron felt the intense, compressed sound of many half- secret voices. For the little groups and couples abated their voices, none wished that others should hear what they said.
Aaron was looking for a seat—there was no table to him-�when suddenly someone took him by the arm. It was Argyle.
“Come along, now! Come and join us. Here, this way! Come along!”
Aaron let himself be led away towards a corner. There sat Lilly and a strange man: called Levison. The room was warm. Aaron could never bear to be too hot. After sitting a minute, he rose and took off his coat, and hung it on a stand near the window. As he did so he felt the weight
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