The Zeit-Geist - Lily Dougall (black female authors .txt) 📗

that involuntary sound was furtive lest any one should hear. He might have shrieked and roared with all the strength that was in him--there was no human ear within reach--but the instinct of cowardice kept him from making any more noise than was necessary to rend and break the heart of the woman beside him,--that, although he was only half conscious of it, was his purpose in crying. He had a fiendish desire to make her suffer for bringing him such news.

Ann was not given to feeling for others, yet now it was intense suffering to her to see him shaking, writhing, moving like a beast in pain. She did not think of it as her suffering; she transferred it all to him, and supposed that it was the realisation of his misery that she experienced.

At last she said: "There's one fellow up to the falls that knows a track through the north of the marsh to sound ground; I heard him tell it one day how he'd found it out. It's that David Brown that's been coming round to see Christa. Christa can get the chart he made from him by to-morrow night--I know she can. I'll try to be here earlier than I was to-night. And I brought you strips of stuff, father, so that you could tie yourself on to the tree and have a sort of a sleep; and I brought a few drops of morphia, just enough to make you feel sleepy and stupid, and make the time pass a bit quicker."

For a long while he writhed and cried, telling her that it took all the wits that he had to keep awake enough to keep the devils off him without taking stuff to make him sleep, and that he was sure she'd never come back, and that he would very likely be left on the tree to rot or to fall into the water.

All that he said came so near to being true that it caused her the utmost pain to hear it. He was clever enough by instinct, not by thought, to know that mere idle cries could not torture her as did the true picture of the fears and dangers that encompassed him in his wild hiding-place. The endurance of this torture exhausted her as nothing had ever exhausted her before; yet all the time she never doubted but that the pain was his, and that she was merely a spectator.

She soothed him at last, not by gentleness and caresses--no such communication ever passed between them--but by plain, practical, hopeful suggestions spoken out clearly in the intervals of his whining. At length she esteemed it time to use the spur instead of stroking him any longer. "Get up on the tree, father, and I will give you the rest of the things when you are fixed on the branch. If Toyner's stirring again before I get home, he'll find means to keep me from coming to-morrow night. Climb up now. I'll give you the things. There--there isn't enough of the morphia drops to get you to sleep, only to make you feel easy; and here's the strips of blanket I've sewed together to tie yourself on with. It's nice and soft--climb up now and fix yourself. It's Toyner that will catch me, and you too, if I don't get back. Look at the moon--near the middle of the sky."

She established him upon the branch again with the comforts that she had promised, and then she gave him one thing more, of which she had not spoken before. It was a bag of food that would last, if need be, for several days.

He took it as evidence that she had lied to him in her assurance that she could return the next night. As she moved her boat out of the secret openings among the dead trees, she heard him whining with fear and calling a volley of curses after her.

That her father's words were all profane did not trouble Ann in the least. It was a meaningless trick of speech. Markham meant no more at this time by his most shocking oaths than does any man by his habitual expletive. Ann knew this perfectly. God knew it too.

Yet if his profanity was mechanical, the man himself was without trace of good. There was much reason that Ann's heart should be wrung with pity. It is the divine quality of kinship that it produces pity even for what is purely evil. Ann rowed her boat homeward with a hard determination in her heart to save her father at any cost.


CHAPTER V.

An hour later the small solitary boat crept up the current of the moonlit river. The weary girl plied her oars, looking carefully for the nook under the roots of the old pine whence she had taken the boat.

She saw the place. She even glanced anxiously about the ground immediately around it, thinking that in the glamour of light she could see everything; and yet in that rapid glance, deluded, no doubt, into supposing the light greater than it was, she failed to see a man who was standing ready to help her to moor the boat.

Bart Toyner watched her with a look of haggard anxiety as she came nearer.

A uniform is a useful thing. It is almost natural to an actor to play his part when he has assumed its dress. A man in any official capacity is often just an actor, and the best thing that he can do at times is to act without a thought as to how his inner self accords with the action, at least till we have attained to a higher level of civilisation. Toyner had no uniform, nor had he mastered the philosophy that underlies this instinct for playing a part; he had an idea that the whole mind and soul of him should be in conscientious accord with all that he did. It was this ideal that made his fall certain.

He had no notion that the girl had not seen him. Before she got out, when she put her hand to tether the boat, she felt his hand gently taking the rope from her and fell back with a cry of fear.

In her wearied state she could have sobbed with disappointment. How much had he discovered? If he knew nothing more than merely that she had returned with the boat, how could it be possible to elude him and come again the next night? She thought of her father, and her heart was full of pity; she thought that her own plans were baffled, and she was enraged. Both sentiments fused into keener hatred of Toyner; but she remembered--yes, even then she remembered quite clearly and distinctly--that if the worst came to the worst and she could save her father in no other way, she had one weapon in reserve, one in which she had perfect faith.

It was for this reason that she sat still for a minute in the boat, looking up at Toyner, trying to pry into his attitude toward her. At the end of the minute he put out his hand to lift her up, and she leaned upon it.

Without hesitation she began to thread her way through the wood toward home, and he walked by her side. He might have been escorting her from a dance, so quietly they walked together, except that the question of a man's life or death which lay between them seemed to surround them with a strange atmosphere.

At length Bart spoke. "I don't know where you have been," he said. "I have been patrolling the shore all night." He paused awhile. "I thought you were safe at home."

She stopped short and turned upon him. "Look here! what are you going to do now? It's a pretty mean sort of business this you've taken to, sneaking round your old friends to do them all the harm you can."

"It's the first time I knew that you'd ever been a friend of mine, Ann." He said this in a sort of sad aside, and then: "You've sense enough to know that when a man shoots another man he's got to be found and shut up for the good of the country and for his own good too. It's the kindest thing that can be done to a man sometimes, shutting him up in jail." He said this last quite as much by way of explanation to himself as to her.

"Or hanging him," she suggested sarcastically.

He paused a moment. "I hope he won't come to that."

"But you'll do all you can to catch him, knowing that it's like to come to that. What's the good of hoping?"

He had only said it to soothe her. He had another self-justification.

"I can only do what I have to do: it is not me that will decide whether Walker dies or not. At any rate, it ain't no use to justify it to you. It's natural that you should look upon me as an enemy just now; but all the police in the country are more your enemies than I am. You've got him off now, I suppose; however you've done it I don't pretend to know. It'll be some one else that catches him if he's caught."

She wondered if he was only saying this to try her, or if he really believed that Markham had gone far; yet there was small chance even then that he would cease to watch her the next night and the next. He had shown both resolution and diligence in this business--qualities, as far as she knew, so foreign to his character that she smiled bitterly.

"A nice sort of thing religion is, to get out of the mire yourself and spend your time kicking your old friends further in!"

Now the fugitive had been never a friend to Toyner, except in the sense that he had done more than any one else to lead him into low habits and keep him there. He had, in fact, been his greatest enemy; but that, according to Toyner's new notions, was the more reason for counting him a friend, not the less.

"Well, I grant 'tain't a very grand sort of business being constable," he said; "to be a preacher 'ud be finer perhaps; but this came to hand and seemed the thing for me to do. It ain't kicking men in the mire to do all you can to stop them making beasts of themselves."

He stood idling in the moonlight as he justified himself to this woman. Surely it was only standing by his new colours to try to make his position seem right to her. He had no hope in it--no hope of persuading her, least of all of bringing her nearer to him; if he had had that, his dallying would have seemed sinful, because it would have chimed so perfectly with all his natural desires.

Ann took up her theme again fiercely. "Look here, Bart Toyner; I want to know one thing, honour bright--that is," scornfully, "if you care about honour now that you've got religion."

He gave a silent sarcastic smile, such as one would bestow upon a naughty, ignorant child. "Well, at least as much as I did before," he said.

"Well, then, I want to know if you're a-going to stop spying on me now that father has got well off? There ain't no cause nor reason for you to hang about me any longer. You know what my life has been, and you know that through it all I've kept myself like a lady. It ain't nice, knowing