Nana - Émile Zola (good books to read for young adults txt) 📗
- Author: Émile Zola
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enthroned Venus in the gutter by the pavement side. And the music
seemed made for her plebeian voice—shrill, piping music, with
reminiscences of Saint-Cloud Fair, wheezings of clarinets and
playful trills on the part of the little flutes.
Two numbers were again encored. The opening waltz, that waltz with
the naughty rhythmic beat, had returned and swept the gods with it.
Juno, as a peasant woman, caught Jupiter and his little laundress
cleverly and boxed his ears. Diana, surprising Venus in the act of
making an assignation with Mars, made haste to indicate hour and
place to Vulcan, who cried, “I’ve hit on a plan!” The rest of the
act did not seem very clear. The inquiry ended in a final galop
after which Jupiter, breathless, streaming with perspiration and
minus his crown, declared that the little women of Earth were
delicious and that the men were all to blame.
The curtain was falling, when certain voices, rising above the storm
of bravos, cried uproariously:
“All! All!”
Thereupon the curtain rose again; the artistes reappeared hand in
hand. In the middle of the line Nana and Rose Mignon stood side by
side, bowing and curtsying. The audience applauded; the clappers
shouted acclamations. Then little by little the house emptied.
“I must go and pay my respects to the Countess Muffat,” said La
Faloise. “Exactly so; you’ll present me,” replied Fauchery; “we’ll
go down afterward.”
But it was not easy to get to the first-tier boxes. In the passage
at the top of the stairs there was a crush. In order to get forward
at all among the various groups you had to make yourself small and
to slide along, using your elbows in so doing. Leaning under a
copper lamp, where a jet of gas was burning, the bulky critic was
sitting in judgment on the piece in presence of an attentive circle.
People in passing mentioned his name to each other in muttered
tones. He had laughed the whole act through—that was the rumor
going the round of the passages—nevertheless, he was now very
severe and spoke of taste and morals. Farther off the thin-lipped
critic was brimming over with a benevolence which had an unpleasant
aftertaste, as of milk turned sour.
Fauchery glanced along, scrutinizing the boxes through the round
openings in each door. But the Count de Vandeuvres stopped him with
a question, and when he was informed that the two cousins were going
to pay their respects to the Muffats, he pointed out to them box
seven, from which he had just emerged. Then bending down and
whispering in the journalist’s ear:
“Tell me, my dear fellow,” he said, “this Nana—surely she’s the
girl we saw one evening at the corner of the Rue de Provence?”
“By Jove, you’re right!” cried Fauchery. “I was saying that I had
come across her!”
La Faloise presented his cousin to Count Muffat de Beuville, who
appeared very frigid. But on hearing the name Fauchery the countess
raised her head and with a certain reserve complimented the
paragraphist on his articles in the Figaro. Leaning on the velvet-covered support in front of her, she turned half round with a pretty
movement of the shoulders. They talked for a short time, and the
Universal Exhibition was mentioned.
“It will be very fine,” said the count, whose square-cut, regular-featured face retained a certain gravity.
“I visited the Champ de Mars today and returned thence truly
astonished.”
“They say that things won’t be ready in time,” La Faloise ventured
to remark. “There’s infinite confusion there—”
But the count interrupted him in his severe voice:
“Things will be ready. The emperor desires it.”
Fauchery gaily recounted how one day, when he had gone down thither
in search of a subject for an article, he had come near spending all
his time in the aquarium, which was then in course of construction.
The countess smiled. Now and again she glanced down at the body of
the house, raising an arm which a white glove covered to the elbow
and fanning herself with languid hand. The house dozed, almost
deserted. Some gentlemen in the stalls had opened out newspapers,
and ladies received visits quite comfortably, as though they were at
their own homes. Only a well-bred whispering was audible under the
great chandelier, the light of which was softened in the fine cloud
of dust raised by the confused movements of the interval. At the
different entrances men were crowding in order to talk to ladies who
remained seated. They stood there motionless for a few seconds,
craning forward somewhat and displaying the great white bosoms of
their shirt fronts.
“We count on you next Tuesday,” said the countess to La Faloise, and
she invited Fauchery, who bowed.
Not a word was said of the play; Nana’s name was not once mentioned.
The count was so glacially dignified that he might have been
supposed to be taking part at a sitting of the legislature. In
order to explain their presence that evening he remarked simply that
his father-in-law was fond of the theater. The door of the box must
have remained open, for the Marquis de Chouard, who had gone out in
order to leave his seat to the visitors, was back again. He was
straightening up his tall, old figure. His face looked soft and
white under a broad-brimmed hat, and with his restless eyes he
followed the movements of the women who passed.
The moment the countess had given her invitation Fauchery took his
leave, feeling that to talk about the play would not be quite the
thing. La Faloise was the last to quit the box. He had just
noticed the fair-haired Labordette, comfortably installed in the
Count de Vandeuvres’s stage box and chatting at very close quarters
with Blanche de Sivry.
“Gad,” he said after rejoining his cousin, “that Labordette knows
all the girls then! He’s with Blanche now.”
“Doubtless he knows them all,” replied Fauchery quietly. “What
d’you want to be taken for, my friend?”
The passage was somewhat cleared of people, and Fauchery was just
about to go downstairs when Lucy Stewart called him. She was quite
at the other end of the corridor, at the door of her stage box.
They were getting cooked in there, she said, and she took up the
whole corridor in company with Caroline Hequet and her mother, all
three nibbling burnt almonds. A box opener was chatting maternally
with them. Lucy fell out with the journalist. He was a pretty
fellow; to be sure! He went up to see other women and didn’t even
come and ask if they were thirsty! Then, changing the subject:
“You know, dear boy, I think Nana very nice.”
She wanted him to stay in the stage box for the last act, but he
made his escape, promising to catch them at the door afterward.
Downstairs in front of the theater Fauchery and La Faloise lit
cigarettes. A great gathering blocked the sidewalk, a stream of men
who had come down from the theater steps and were inhaling the fresh
night air in the boulevards, where the roar and battle had
diminished.
Meanwhile Mignon had drawn Steiner away to the Cafe des Varietes.
Seeing Nana’s success, he had set to work to talk enthusiastically
about her, all the while observing the banker out of the corners of
his eyes. He knew him well; twice he had helped him to deceive Rose
and then, the caprice being over, had brought him back to her,
faithful and repentant. In the cafe the too numerous crowd of
customers were squeezing themselves round the marble-topped tables.
Several were standing up, drinking in a great hurry. The tall
mirrors reflected this thronging world of heads to infinity and
magnified the narrow room beyond measure with its three chandeliers,
its moleskin-covered seats and its winding staircase draped with
red. Steiner went and seated himself at a table in the first
saloon, which opened full on the boulevard, its doors having been
removed rather early for the time of year. As Fauchery and La
Faloise were passing the banker stopped them.
“Come and take a bock with us, eh?” they said.
But he was too preoccupied by an idea; he wanted to have a bouquet
thrown to Nana. At last he called a waiter belonging to the cafe,
whom he familiarly addressed as Auguste. Mignon, who was listening,
looked at him so sharply that he lost countenance and stammered out:
“Two bouquets, Auguste, and deliver them to the attendant. A
bouquet for each of these ladies! Happy thought, eh?”
At the other end of the saloon, her shoulders resting against the
frame of a mirror, a girl, some eighteen years of age at the
outside, was leaning motionless in front of her empty glass as
though she had been benumbed by long and fruitless waiting. Under
the natural curls of her beautiful gray-gold hair a virginal face
looked out at you with velvety eyes, which were at once soft and
candid.
She wore a dress of faded green silk and a round hat which blows had
dinted. The cool air of the night made her look very pale.
“Egad, there’s Satin,” murmured Fauchery when his eye lit upon her.
La Faloise questioned him. Oh dear, yes, she was a streetwalker—
she didn’t count. But she was such a scandalous sort that people
amused themselves by making her talk. And the journalist, raising
his voice:
“What are you doing there, Satin?”
“I’m bogging,” replied Satin quietly without changing position.
The four men were charmed and fell a-laughing. Mignon assured them
that there was no need to hurry; it would take twenty minutes to set
up the scenery for the third act. But the two cousins, having drunk
their beer, wanted to go up into the theater again; the cold was
making itself felt. Then Mignon remained alone with Steiner, put
his elbows on the table and spoke to him at close quarters.
“It’s an understood thing, eh? We are to go to her house, and I’m
to introduce you. You know the thing’s quite between ourselves—my
wife needn’t know.”
Once more in their places, Fauchery and La Faloise noticed a pretty,
quietly dressed woman in the second tier of boxes. She was with a
serious-looking gentleman, a chief clerk at the office of the
Ministry of the Interior, whom La Faloise knew, having met him at
the Muffats’. As to Fauchery, he was under the impression that her
name was Madame Robert, a lady of honorable repute who had a lover,
only one, and that always a person of respectability.
But they had to turn round, for Daguenet was smiling at them. Now
that Nana had had a success he no longer hid himself: indeed, he had
just been scoring triumphs in the passages. By his side was the
young truant schoolboy, who had not quitted his seat, so stupefying
was the state of admiration into which Nana had plunged him. That
was it, he thought; that was the woman! And he blushed as he
thought so and dragged his gloves on and off mechanically. Then
since his neighbor had spoken of Nana, he ventured to question him.
“Will you pardon me for asking you, sir, but that lady who is
acting—do you know her?”
“Yes, I do a little,” murmured Daguenet with some surprise and
hesitation.
“Then you know her address?”
The question, addressed as it was to him, came so abruptly that he
felt inclined to respond with a box on the ear.
“No,” he said in a dry tone of voice.
And with that he turned his
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