The Clue of the Twisted Candle by Edgar Wallace (cheapest way to read ebooks .TXT) 📗

Albania they called him “Kara Rumo,” which meant “The Black Roman,” for no particular reason so far as any one could judge, for his skin was as fair as a Saxon's, and his close-cropped curls were almost golden.

He had fallen in love with Grace Terrell. At first his attentions had amused her, and then there came a time when they frightened her, for the man's fire and passion had been unmistakable. She had made it plain to him that he could base no hopes upon her returning his love, and, in a scene which she even now shuddered to recall, he had revealed something of his wild and reckless nature. On the following day she did not see him, but two days later, when returning through the Bazaar from a dance which had been given by the Governor General, her carriage was stopped, she was forcibly dragged from its interior, and her cries were stifled with a cloth impregnated with a scent of a peculiar aromatic sweetness. Her assailants were about to thrust her into another carriage, when a party of British bluejackets who had been on leave came upon the scene, and, without knowing anything of the nationality of the girl, had rescued her.

In her heart of hearts she did not doubt Kara's complicity in this medieval attempt to gain a wife, but of this adventure she had told her husband nothing. Until her marriage she was constantly receiving valuable presents which she as constantly returned to the only address she knew—Kara's estate at Lemazo. A few months after her marriage she had learned through the newspapers that this “leader of Greek society” had purchased a big house near Cadogan Square, and then, to her amazement and to her dismay, Kara had scraped an acquaintance with her husband even before the honeymoon was over.

His visits had been happily few, but the growing intimacy between John and this strange undisciplined man had been a source of constant distress to her.

Should she, at this, the eleventh hour, tell her husband all her fears and her suspicions?

She debated the point for some time. And never was she nearer taking him into her complete confidence than she was as he sat in the big armchair by the side of the piano, a little drawn of face, more than a little absorbed in his own meditations. Had he been less worried she might have spoken. As it was, she turned the conversation to his last work, the big mystery story which, if it would not make his fortune, would mean a considerable increase to his income.

At a quarter to eleven he looked at his watch, and rose. She helped him on with his coat. He stood for some time irresolutely.

“Is there anything you have forgotten?” she asked.

He asked himself whether he should follow Kara's advice. In any circumstance it was not a pleasant thing to meet a ferocious little man who had threatened his life, and to meet him unarmed was tempting Providence. The whole thing was of course ridiculous, but it was ridiculous that he should have borrowed, and it was ridiculous that the borrowing should have been necessary, and yet he had speculated on the best of advice—it was Kara's advice.

The connection suddenly occurred to him, and yet Kara had not directly suggested that he should buy Roumanian gold shares, but had merely spoken glowingly of their prospects. He thought a moment, and then walked back slowly into the study, pulled open the drawer of his desk, took out the sinister little Browning, and slipped it into his pocket.

“I shan't be long, dear,” he said, and kissing the girl he strode out into the darkness.

Kara sat back in the luxurious depths of his car, humming a little tune, as the driver picked his way cautiously over the uncertain road. The rain was still falling, and Kara had to rub the windows free of the mist which had gathered on them to discover where he was. From time to time he looked out as though he expected to see somebody, and then with a little smile he remembered that he had changed his original plan, and that he had fixed the waiting room of Lewes junction as his rendezvous.

Here it was that he found a little man muffled up to the ears in a big top coat, standing before the dying fire. He started as Kara entered and at a signal followed him from the room.

The stranger was obviously not English. His face was sallow and peaked, his cheeks were hollow, and the beard he wore was irregular-almost unkempt.

Kara led the way to the end of the dark platform, before he spoke.

“You have carried out my instructions?” he asked brusquely.

The language he spoke was Arabic, and the other answered him in that language.

“Everything that you have ordered has been done, Effendi,” he said humbly.

“You have a revolver?”

The man nodded and patted his pocket.

“Loaded?”

“Excellency,” asked the other, in surprise, “what is the use of a revolver, if it is not loaded?”

“You understand, you are not to shoot this man,” said Kara. “You are merely to present the pistol. To make sure, you had better unload it now.”

Wonderingly the man obeyed, and clicked back the ejector.

“I will take the cartridges,” said Kara, holding out his hand.

He slipped the little cylinders into his pocket, and after examining the weapon returned it to its owner.

“You will threaten him,” he went on. “Present the revolver straight at his heart. You need do nothing else.”

The man shuffled uneasily.

“I will do as you say, Effendi,” he said. “But—”

“There are no 'buts,'” replied the other harshly. “You are to carry out my instructions without any question. What will happen then you shall see. I shall be at hand. That I have a reason for this play be assured.”

“But suppose he shoots?” persisted the other uneasily.

“He will not shoot,” said Kara easily. “Besides, his revolver is not loaded. Now you may go. You have a long walk before you. You know the way?”

The man nodded.

“I have been over it before,” he said confidently.

Kara returned to the big limousine which had drawn up some distance from the station. He spoke a word or two to the chauffeur in Greek, and the man touched his hat.