The Last of the Barons — Volume 06 by Baron Edward Bulwer Lytton Lytton (best motivational novels TXT) 📗

gravely,—

"So much do I allow it in you, my lord, that hence my question."

"Katherine!" exclaimed Hastings, in a voice of tender reproach, and attempting to seize her hand, forgetful of all other presence save that to which the blush, that spoke of old, gave back the ancient charm.

Katherine cast a hurried and startled glance over the maiden group, and her eye detected on the automaton faces one common expression of surprise. Humbled and deeply displeased, she rose from the awful chair, and then, as suddenly reseating herself, she said, with a voice and lip of the most cutting irony, "My lord chamberlain is, it seems, so habituated to lackey his king amidst the goldsmiths and grocers, that he forgets the form of language and respect of bearing which a noblewoman of repute is accustomed to consider seemly."

Hastings bit his lip, and his falcon eye shot indignant fire.

"Pardon, my Lady of Bonville and Harrington, I did indeed forget what reasons the dame of so wise and so renowned a lord hath to feel pride in the titles she hath won. But I see that my visit hath chanced out of season. My business, in truth, was rather with my lord, whose counsel in peace is as famous as his truncheon in war!"

"It is enough," replied Katherine, with a dignity that rebuked the taunt, "that Lord Bonville has the name of an honest man,—who never rose at court."

"Woman, without one soft woman-feeling!" muttered Hastings, between his ground teeth, as he approached the lady and made his profound obeisance. The words were intended only for Katherine's ear, and they reached it. Her bosom swelled beneath the brocaded gorget, and when the door closed on Hastings, she pressed her hands convulsively together, and her dark eyes were raised upward.

"My child, thou art entangling thy skein," said the lady of Bonville, as she passed one of the maidens, towards the casement, which she opened,—"the air to-day weighs heavily!"

CHAPTER VI. JOY FOR ADAM, AND HOPE FOR SIBYLL—AND POPULAR FRIAR BUNGEY!

Leaping on his palfrey, Hastings rode back to the Tower, dismounted at the gate, passed on to the little postern in the inner court, and paused not till he was in Warner's room. "How now, friend Adam? Thou art idle."

"Lord Hastings, I am ill."

"And thy child not with thee?"

"She is gone to her grace the duchess, to pray her to grant me leave to go home, and waste no more life on making gold."

"Home! Go hence! We cannot hear it! The duchess must not grant it.
I will not suffer the king to lose so learned a philosopher."

"Then pray the king to let the philosopher achieve that which is in the power of labour." He pointed to the Eureka. "Let me be heard in the king's council, and prove to sufficing judges what this iron can do for England."

"Is that all? So be it. I will speak to his highness forthwith. But promise that thou wilt think no more of leaving the king's palace."

"Oh, no, no! If I may enter again into mine own palace, mine own royalty of craft and hope, the court or the dungeon all one to me!"

"Father," said Sibyll, entering, "be comforted. The duchess forbids thy departure, but we will yet flee—" She stopped short as she saw Hastings. He approached her timidly, and with so repentant, so earnest a respect in his mien and gesture, that she had not the heart to draw back the fair hand he lifted to his lips.

"No, flee not, sweet donzell; leave not the desert court, without the flower and the laurel, the beauty and the wisdom, that scent the hour, and foretype eternity. I have conferred with thy father,—I will obtain his prayer from the king. His mind shall be free to follow its own impulse, and thou"—he whispered—"pardon—pardon an offence of too much love. Never shall it wound again."

Her eyes, swimming with delicious tears, were fixed upon the floor. Poor child! with so much love, how could she cherish anger? With so much purity, how distrust herself? And while, at least, he spoke, the dangerous lover was sincere. So from that hour peace was renewed between Sibyll and Lord Hastings.—Fatal peace! alas for the girl who loves—and has no mother!

True to his word, the courtier braved the displeasure of the Duchess of Bedford, in inducing the king to consider the expediency of permitting Adam to relinquish alchemy, and repair his model. Edward summoned a deputation from the London merchants and traders, before whom Adam appeared and explained his device. But these practical men at first ridiculed the notion as a madman's fancy, and it required all the art of Hastings to overcome their contempt, and appeal to the native acuteness of the king. Edward, however, was only caught by Adam's incidental allusions to the application of his principle to ships. The merchant-king suddenly roused himself to attention, when it was promised to him that his galleys should cross the seas without sail, and against wind and tide.

"By Saint George!" said he, then, "let the honest man have his whim. Mend thy model, and every saint in the calendar speed thee! Master Heyford, tell thy comely wife that I and Hastings will sup with her to-morrow, for her hippocras is a rare dainty. Good day to you, worshipful my masters. Hastings, come hither; enough of these trifles,—I must confer with thee on matters really pressing,—this damnable marriage of gentle George's!"

And now Adam Warner was restored to his native element of thought; now the crucible was at rest, and the Eureka began to rise from its ruins. He knew not the hate that he had acquired in the permission he had gained; for the London deputies, on their return home, talked of nothing else for a whole week but the favour the king had shown to a strange man, half-maniac, half-conjuror, who had undertaken to devise a something which would throw all the artisans and journeymen out of work! From merchant to mechanic travelled the news, and many an honest man cursed the great scholar, as he looked at his young children, and wished to have one good blow at the head that was hatching such devilish malice against the poor! The name of Adam Warner became a byword of scorn and horror. Nothing less than the deep ditch and strong walls of the Tower could have saved him from the popular indignation; and these prejudices were skilfully fed by the jealous enmity of his fellow-student, the terrible Friar Bungey. This man, though in all matters of true learning and science worthy the utmost contempt Adam could heap upon him, was by no means of despicable abilities in the arts of imposing upon men. In his youth he had been an itinerant mountebank, or, as it was called, tregetour. He knew well all the curious tricks of juggling that then amazed the vulgar, and, we fear, are lost to the craft of our modern necromancers. He could clothe a wall with seeming vines, that vanished as you approached; he could conjure up in his quiet cell the likeness of a castle manned with soldiers, or a forest tenanted by deer. [See Chaucer, House of Time, Book III.; also the account given by Baptista Porta, of his own Magical Delusions, of which an extract may be seen in the "Curiosities of Literature" Art., Dreams at the Dawn of Philosophy.] Besides these illusions, probably produced by more powerful magic lanterns than are now used, the friar had stumbled upon the wondrous effects of animal magnetism, which was then unconsciously practised by the alchemists and cultivators of white or sacred magic. He was an adept in the craft of fortune-telling; and his intimate acquaintance with all noted characters in the metropolis, their previous history and present circumstances, enabled his natural shrewdness to hit the mark, at least now and then, in his oracular predictions. He had taken, for safety and for bread, the friar's robes, and had long enjoyed the confidence of the Duchess of Bedford, the traditional descendant of the serpent-witch, Melusina. Moreover, and in this the friar especially valued himself, Bungey had, in the course of his hardy, vagrant early life, studied, as shepherds and mariners do now, the signs of the weather; and as weather-glasses were then unknown, nothing could be more convenient to the royal planners of a summer chase or a hawking company than the neighbourhood of a skilful predictor of storm and sunshine. In fact, there was no part in the lore of magic which the popular seers found so useful and studied so much as that which enabled them to prognosticate the humours of the sky, at a period when the lives of all men were principally spent in the open air.

The fame of Friar Bungey had travelled much farther than the repute of Adam Warner: it was known in the distant provinces: and many a northern peasant grew pale as he related to his gaping listeners the tales he had heard of the Duchess Jacquetta's dread magician.

And yet, though the friar was an atrocious knave and a ludicrous impostor, on the whole he was by no means unpopular, especially in the metropolis, for he was naturally a jolly, social fellow; he often ventured boldly forth into the different hostelries and reunions of the populace, and enjoyed the admiration he there excited, and pocketed the groats he there collected. He had no pride,—none in the least, this Friar Bungey!—and was as affable as a magician could be to the meanest mechanic who crossed his broad horn palm. A vulgar man is never unpopular with the vulgar. Moreover, the friar, who was a very cunning person, wished to keep well with the mob: he was fond of his own impudent, cheating, burly carcass, and had the prudence to foresee that a time might come when his royal patrons might forsake him, and a mob might be a terrible monster to meet in his path; therefore he always affected to love the poor, often told their fortunes gratis, now and then gave them something to drink, and was esteemed a man exceedingly good-natured, because he did not always have the devil at his back.

Now Friar Bungey had naturally enough evinced from the first a great distaste and jealousy of Adam Warner; but occasionally profiting by the science of the latter, he suffered his resentment to sleep latent till it was roused into fury by learning the express favour shown to Adam by the king, and the marvellous results expected from his contrivance. His envy, then, forbade all tolerance and mercy; the world was not large enough to contain two such giants,—Bungey and Warner, the genius and the quack. To the best of our experience, the quacks have the same creed to our own day. He vowed deep vengeance upon his associate, and spared no arts to foment the popular hatred against him. Friar Bungey would have been a great critic in our day!

But besides his jealousy, the fat friar had another motive for desiring poor Adam's destruction; he coveted his model! True, he despised the model, he jeered the model, he abhorred the model; but, nevertheless, for the model every string in his bowels fondly yearned. He believed that if that model were once repaired, and in his possession, he could do—what he knew not, but certainly all that was wanting to complete his glory, and to bubble the public.

Unconscious of all that was at work against him, Adam threw his whole heart and soul into his labour; and happy in his happiness, Sibyll once more smiled gratefully upon Hastings, from whom the rapture came.

CHAPTER VII. A LOVE SCENE.

More than ever chafed against Katherine, Hastings surrendered himself without reserve to the charm he found in the society of Sibyll. Her confidence being again restored, again her mind showed itself to advantage, and the more because her pride was further roused to assert the equality with rank and gold which she took from nature and from God.

It so often happens that the first love of woman is accompanied with a bashful timidity, which overcomes the effort, while it increases the desire, to shine, that the union of love and timidity has been called inseparable, in the hackneyed language of every love-tale. But this is no invariable rule, as Shakspeare has shown us in the artless Miranda, in the eloquent Juliet, in the frank and healthful