The Lost Kafoozalum by Pauline Ashwell (novels to improve english TXT) 📗
- Author: Pauline Ashwell
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I see their point if it's all like this—
"... And a ship trying to land on those cliffs might very well pitch over into the sea. That is, if she were trying to land on emergency rockets."
Rockets—that brings home the ancientness of this ship Gilgamesh—but after all the ships that settled Incognita probably carried emergency rockets, too.
This settled, the meeting turns into a briefing session and merges imperceptibly with the beginning of the job.
The job of course is Faking the background of the crash; working out the past history and present aims of the Lost Kafoozalum. We have to invent a planet and what's more difficult convey all the essential information about it by the sort of sideways hints you gather among peoples' personal possessions; diaries, letters et cetera; and what is even more difficult we have to leave out anything that could lead to definite identification of our unknown world with any known one.
We never gave that world a name; it might be dangerous. Who speaks of their world by name, except to strangers? They call it "home"—or "Earth," as often as not.
Some things have been decided for us. Language, for instance—one of two thousand or so Earth tongues that went out of use late enough to be plausible as the main language of a colonized planet. The settlers on Incognita were not of the sort to take along dictionaries of the lesser-known tongues, so the computers at Russett had a fairly wide choice.
We had to take a hypnocourse in that language. Ditto the script, one of several forgotten phonetic shorthands. (Designed to enable the tongues of Aliens to be written down; but the Aliens have never been met. It is plausible enough that some colony might have kept the script alive; after all Thasia uses something of the sort to this day.)
The final result of our work looks pretty small. Twenty-three "Personal Background Sets"—a few letters, a diary in some, an assortment of artifacts. Whoever stocked this ship we are on supplied wood, of the half-dozen kinds that have been taken wherever men have gone; stocks of a few plastics—known at the time of the Exodus, or easily developed from those known, and not associated with any particular planet. Also books on Design, a Form-writer for translating drawings into materials, and so on. Someone put in a lot of work before this voyage began.
Most of the time it is like being back on Russet doing a group Project. What we are working on has no more and no less reality than that. Our work is all read into a computer and checked against everybody else's. At first we keep clashing. Gradually a consistent picture builds up and gets translated finally into the Personal Background Kits. The Lost Kafoozalum start to exist like people in a History book.
Fifteen days hard work and we have just about finished; then we reach—call it Planet Gilgamesh.
I wake in my bunk to hear that there will be brief cessation of weight; strap down, please.
We are coming off Mass-Time to go on planetary drive.
Colonel Delano-Smith is in charge of operations on the planet, with Ram and Peter to assist. None of the rest of us see the melting out of fifty years' accumulation of ice, the pumping away of the water, the fitting and testing of the holds for the grappling-beams. We stay inside the ship, on five-eighths gee which we do not have time to get used to, and try to work, and discard the results before the computer can do so. There is hardly any work left to do, anyway.
It takes nearly twelve hours to get the ship free, and caulked, and ready to lift. (Her hull has to be patched because of Mr. Yardo's operations which make use of several sorts of vapors). Then there is a queer blind period with Up now one way, now another, and sudden jerks and tugs that upset everything not in gimbals or tied down; interspersed with periods when weightlessness supervenes with no warning at all. After an hour or two of this it would be hard to say whether Mental or physical discomfort is more acute; B consulted, however, says my autonomic system must be quite something, after five minutes her thoughts were with her viscera entirely.
Then, suddenly, we are back on Mass-Time again.
Two days to go.
At first being on Mass-Time makes everything seem normal again. By sleep time there is a strain, and next day it is everywhere. I know as well as any that on Mass-Time the greater the mass the faster the shift; all the same I cannot help feeling we are being slowed, dragged back by the dead ship coupled to our live one.
When you stand by the hull Gilgamesh is only ten feet away.
I should have kept something to work on like B and Kirsty who have not done their Letters for Home in Case of Accidents; mine is signed and sealed long ago. I am making a good start on a Neurosis when Delano-Smith announces a Meeting for one hour ahead.
Hurrah! now there is a time-mark fixed I think of all sorts of things I should have done before; for instance taking a look at the controls of the Hoppers.
I have been in one of them half an hour and figured out most of the dials—Up down and sideways are controlled much as in a helicar, but here a big viewscreen has been hooked in to the autopilot—when across the hold I see the air lock start to move.
Gilgamesh is on the other side.
It takes forever to open. When at last it swings wide on the dark tunnel what comes through is a storage rack, empty, floating on antigrav.
What follows is a figure in a spacesuit; modern type, but the windows of the hopper are semipolarized and I cannot make out the face inside the bubble top.
He slings the rack upon the bulkhead, takes off the helmet and hangs that up, too. Then he just stands. I am beginning to muster enough sense to wonder why when he comes slowly across the hold.
Reaching the doorway he says: "Oh it's you, Lizzie. You'll have to help me out of this. I'm stuck."
M'Clare.
The outside of the suit is still freezing cold; maybe this is what has jammed the fastening. After a few minutes tugging it suddenly gives away. M'Clare climbs out of the suit, leaving it standing, and says, "Help me count these, will you?"
These are a series of transparent containers from a pouch slung at one side of the suit. I recognize them as the envelopes in which we put what are referred to as Personal Background Sets.
I say, "There ought to be twenty-three."
"No," says M'Clare dreamily, "twenty-two, we're saving one of them."
"What on earth is the use of an extra set of faked documents and oddments—"
He seems to wake up suddenly and says: "What are you doing here, Lizzie?"
I explain and he wanders over to the hopper and starts to explain the controls.
There is something odd about all this. M'Clare is obviously dead tired, but kind of relaxed; seeing that the hour of Danger is only thirty-six hours off I don't understand it. Probably several of his students are going to have to risk their lives—
I am on the point of seeing something important when the speaker announces in the colonel's voice that Professor M'Clare and Miss Lee will report to the Conference Room at once please.
M'Clare looks at me and grins. "Come along, Lizzie. Here's where we take orders for once, you and I."
It is the colonel's Hour. I suppose that having to work with Undergraduates is something he could never quite forget, but from the way he looks at us we might almost be Space Force personnel,—low-grade of course but respectable.
Everything is at last worked out and he has it on paper in front of him; he puts the paper four square on the table, gazes into the middle distance and proceeds to recite.
"One. This ship will go off Mass-Time on 2nd August at 11.27 hours ship's time....
"Thirty-six hours from now.
"... At a point one thousand miles vertically above Co-ordinates 165OE, 7320S, on Planet Incognita, approximately one hour before midnight local time.
"Going on planetary drive as close as that will indicate that something is badly wrong to begin with.
"Two. This ship will descend, coupled to Gilgamesh as at present, to a point seventy miles above the planetary surface. It will then uncouple, discharge one hopper, and go back on Mass-Time. Estimated time for this stage of descent forty minutes.
"Three. The hopper will then descend on its own engines at the maximum speed allowed by the heat-disposal system; estimated at thirty-seven minutes. Gilgamesh will complete descent in thirty-three minutes. Engines of Gilgamesh will not be used except for the heat-disposal and gyro auxiliaries. The following installations have been made to allow for the control of the descent; a ring of eight rockets in peltathene mounts around the tail and, and one outsize antigrav unit inside the nose. "Sympathizer" controls hooked up with a visiscreen and a computer have also been installed in the nose.
"Four. Gilgamesh will carry one man only. The hopper will carry a crew of three. The pilot of Gilgamesh will establish the ship on the edge of the cliff, supported on antigrav a foot or so above the ground and leaning towards the sea at an angle of approximately 20° with the vertical. Except for this landing will be automatic.
"Five."
The colonel's voice has lulled us into passive acceptance; now we are jerked into sharper attention by the faintest possible check in it.
"The greatest danger attaching to the expedition is that the Incognitans may discover that the crash has been faked. This would be inevitable if they were to capture (a) the hopper; (b) any of the new installations in Gilgamesh, especially the antigrav; (c) any member of the crew.
"The function of the hopper is to pick up the pilot of Gilgamesh and also to check that ground appearances are consistent. If not, they will produce a landslip on the cliff edge, using power tools and explosives carried for the purpose. That is why the hopper has a crew of three, but the chance of their having to do this is slight."
So I should think; ground appearances are supposed to show that Gilgamesh landed using emergency rockets and then toppled over the cliff and this will be exactly what happened.
"The pilot will carry a one-frequency low-power transmitter activated by the change in magnetic field on leaving the ship. The hopper will remain at five hundred feet until this signal is received. It will then pick up the pilot, check ground appearances, and rendezvous with this ship at two hundred miles up at 18.27 hours."
The ship and the hopper both being radar-absorbent will not register on alarm systems, and by keeping to planetary nighttime they should be safe from being seen.
"Danger (b) will be dealt with as follows. The rocket-mounts being of peltathene will be destroyed by half an hour's immersion in water. The installations in the nose will be destroyed with Andite."
Andite produces complete colecular disruption in a very short range, hardly any damage outside it; the effect will be as though the nose broke off on impact; I suppose the Incognitans will waste a lot of time looking for it on the bed of the sea.
"Four ten-centimeter cartridges will be inserted within the nose installations. The fuse will have two alternative settings. The first will be timed to act at 12.50 hours, seven minutes after the estimated time of landing. It will not be possible to deactivate it before 12.45 hours. This takes care of the possibility of the pilot's becoming incapacitated during the descent.
"Having switched off the first fuse the pilot will get the ship into position and then activate a second, timed to blow in ten minutes. He will then leave the ship. When the antigrav is destroyed the ship will, of course, fall into the sea.
"Six. The pilot of Gilgamesh will wear a spacesuit of the pattern used by the original crew and will carry Personal Background Set number 23. Should he fail to escape from the ship the crew of the hopper will on no account attempt to rescue him."
The colonel takes up the paper, folds it in half and puts it down one inch further away.
"The hopper's crew," he says, "will give the whole game away should one of them fall into Incognitan hands, alive or dead. Therefore they don't take any risks of it."
He lifts his gaze ceilingwards. "I'm asking for three volunteers."
Silence. Manning the hopper is definitely second best. Then light suddenly bursts on me and I lift my hand and hack B on the ankle.
"I volunteer,"
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