Venetia - Benjamin Disraeli (books to read as a couple TXT) 📗

he seemed devoted. The adjoining chamber was his library; its windows opened on a balcony looking on two lofty and conical hills, one topped with a convent, while the valley opened on the side and spread into a calm and very pleasant view. Of the other apartments, one served as a saloon, but there was nothing in it remarkable, except an admirably painted portrait of a beautiful woman, which the servant informed them was their mistress.

'But that surely is not a German physiognomy?' said Lady Annabel.

'The mistress is an Italian,' replied the servant.

'She is very handsome, of whatever nation she may be,' replied Lady Annabel.

'Oh! how I should have liked to have met these happy people, mamma,' said Venetia, 'for happy they surely must be.'

'They seem to be good people,' said Lady Annabel. 'It really lightened my heart to hear of all this gentleman's kind deeds.'

'Ah! if the signora only knew the master,' said their guide, 'she would indeed know a good man.'

They descended to the garden, which certainly was not like the garden of their villa; it had been but lately a wilderness of laurels, but there were evidences that the eye and hand of taste were commencing its restoration with effect.

'The master did this,' said their guide. 'He will allow no one to work in the garden but himself. It is a week since he went to Bologna, to see our Paulo. He gained a prize at the academy, and his father begged the master to be present when it was conferred on him; he said it would do his son so much good! So the master went, though it is the only time he has quitted Qua since he came to reside here.'

'And how long has he resided here?' inquired Venetia.

''Tis the second autumn,' said the guide, 'and he came in the spring. If the signora would only wait, we expect the master home to-night or to-morrow, and he would be glad to see her.'

'We cannot wait, my friend,' said Lady Annabel, rewarding the guide; 'but you will thank your master in our names, for the kindness we have experienced. You are all happy in such a friend.'

'I must write my name in Petrarch's house,' said Venetia. 'Adieu, happy Arqua! Adieu, happy dwellers in this happy valley!'


CHAPTER IV.

Just as Lady Annabel and her daughter arrived at Rovigo, one of those sudden and violent storms that occasionally occur at the termination of an Italian autumn raged with irresistible fury. The wind roared with a noise that overpowered the thunder; then came a rattling shower of hail, with stones as big as pigeons' eggs, succeeded by rain, not in showers, but literally in cataracts. The only thing to which a tempest of rain in Italy can be compared is the bursting of a waterspout. Venetia could scarcely believe that this could be the same day of which the golden morning had found her among the sunny hills of Arqua. This unexpected vicissitude induced Lady Annabel to alter her plans, and she resolved to rest at Rovigo, where she was glad to find that they could be sheltered in a commodious inn.

The building had originally been a palace, and in its halls and galleries, and the vast octagonal vestibule on which the principal apartments opened, it retained many noble indications of the purposes to which it was formerly destined.

At present, a lazy innkeeper who did nothing; his bustling wife, who seemed equally at home in the saloon, the kitchen, and even the stable; and a solitary waiter, were the only inmates, except the Herberts, and a travelling party, who had arrived shortly after them, and who, like them, had been driven by stress of weather to seek refuge at a place where otherwise they had not intended to remain.

A blazing fire of pine wood soon gave cheerfulness to the vast and somewhat desolate apartment into which our friends had been ushered; their sleeping-room was adjoining, but separated. In spite of the lamentations of Pauncefort, who had been drenched to the skin, and who required much more waiting upon than her mistress, Lady Annabel and Venetia at length produced some degree of comfort. They drew the table near the fire; they ensconced themselves behind an old screen; and, producing their books and work notwithstanding the tempest, they contrived to domesticate themselves at Rovigo.

'I cannot help thinking of Arqua and its happy tenants, mamma,' said Venetia.

'And yet, perhaps, they may have their secret sorrows,' said Lady Annabel. 'I know not why, I always associate seclusion with unhappiness.'

Venetia remembered Cherbury. Their life at Cherbury was like the life of the German at Arqua. A chance visitor to Cherbury in their absence, viewing the beautiful residence and the fair domain, and listening to the tales which they well might hear of all her mother's grace and goodness, might perhaps too envy its happy occupiers. But were they happy? Had they no secret sorrows? Was their seclusion associated with unhappiness? These were reflections that made Venetia grave; but she opened her journal, and, describing the adventures and feelings of the morning, she dissipated some mournful reminiscences.

The storm still raged, Venetia had quitted the saloon in which her mother and herself had been sitting, and had repaired to the adjoining chamber to fetch a book. The door of this room opened, as all the other entrances of the different apartments, on to the octagonal vestibule. Just as she was quitting the room, and about to return to her mother, the door of the opposite chamber opened, and there came forward a gentleman in a Venetian dress of black velvet. His stature was much above the middle height, though his figure, which was remarkably slender, was bowed; not by years certainly, for his countenance, though singularly emaciated, still retained traces of youth. His hair, which he wore very long, descended over his shoulders, and must originally have been of a light golden colour, but now was severely touched with grey. His countenance was very pallid, so colourless indeed that its aspect was almost unearthly; but his large blue eyes, that were deeply set in his majestic brow, still glittered with fire, and their expression alone gave life to a visage, which, though singularly beautiful in its outline, from its faded and attenuated character seemed rather the countenance of a corpse than of a breathing being.

The glance of the stranger caught that of Venetia, and seemed to fascinate her. She suddenly became motionless; wildly she stared at the stranger, who, in his turn, seemed arrested in his progress, and stood still as a statue, with his eyes fixed with absorbing interest on the beautiful apparition before him. An expression of perplexity and pain flitted over the amazed features of Venetia; and then it seemed that, by some almost supernatural effort, confusion amounting to stupefaction suddenly brightened and expanded into keen and overwhelming intelligence. Exclaiming in a frenzied tone, 'My father!' Venetia sprang forward, and fell senseless on the stranger's breast.

Such, after so much mystery, so many aspirations, so much anxiety, and so much suffering, such was the first meeting of Venetia Herbert with her father!

Marmion Herbert, himself trembling and speechless, bore the apparently lifeless Venetia into his apartment. Not permitting her for a moment to quit his embrace, he seated himself, and gazed silently on the inanimate and unknown form he held so strangely within his arms. Those lips, now closed as if in death, had uttered however one word which thrilled to his heart, and still echoed, like a supernatural annunciation, within his ear. He examined with an eye of agitated scrutiny the fair features no longer sensible of his presence. He gazed upon that transparent brow, as if he would read some secret in its pellucid veins; and touched those long locks of golden hair with a trembling finger, that seemed to be wildly seeking for some vague and miraculous proof of inexpressible identity. The fair creature had called him 'Father.' His dreaming reveries had never pictured a being half so beautiful! She called him 'Father!' Tha word had touched his brain, as lightning cuts a tree. He looked around him with a distracted air, then gazed on the tranced form he held with a glance which would have penetrated her soul, and murmured unconsciously the wild word she had uttered. She called him 'Father!' He dared not think who she might be. His thoughts were wandering in a distant land; visions of another life, another country, rose before him, troubled and obscure. Baffled aspirations, and hopes blighted in the bud, and the cherished secrets of his lorn existence, clustered like clouds upon his perplexed, yet creative, brain. She called him, 'Father!' It was a word to make him mad. 'Father!' This beautiful being had called him 'Father,' and seemed to have expired, as it were, in the irresistible expression. His heart yearned to her; he had met her embrace with an inexplicable sympathy; her devotion had seemed, as it were, her duty and his right. Yet who was she? He was a father. It was a fact, a fact alike full of solace and mortification, the consciousness of which never deserted him. But he was the father of an unknown child; to him the child of his poetic dreams, rather than his reality. And now there came this radiant creature, and called him 'Father!' Was he awake, and in the harsh busy world; or was it the apparition of au over-excited imagination, brooding too constantly on one fond idea, on which he now gazed so fixedly? Was this some spirit? Would that she would speak again! Would that those sealed lips would part and utter but one word, would but again call him 'Father,' and he asked no more!

'Father!' to be called 'Father' by one whom he could not name, by one over whom he mused in solitude, by one to whom he had poured forth all the passion of his desolate soul; to be called 'Father' by this being was the aspiring secret of his life. He had painted her to himself in his loneliness, he had conjured up dreams of ineffable loveliness, and inexpressible love; he had led with her an imaginary life of thrilling tenderness; he had indulged in a delicious fancy of mutual interchange of the most exquisite offices of our nature; and then, when he had sometimes looked around him, and found no daughter there, no beaming countenance of purity to greet him with its constant smile, and receive the quick and ceaseless tribute of his vigilant affection, the tears had stolen down his lately-excited features, all the consoling beauty of his visions had vanished into air, he had felt the deep curse of his desolation, and had anathematised the cunning brain that made his misery a thousand-fold keener by the mockery of its transporting illusions.

And now there came this transcendent creature, with a form more glowing than all his dreams; a voice more musical than a seraphic chorus, though it had uttered but one thrilling word: there came this transcendent creature, beaming with grace, beauty, and love, and had fallen upon his heart, and called him 'Father!'

Herbert looked up to heaven as if waiting for some fresh miracle to terminate the harrowing suspense of his tortured mind; Herbert looked down upon his mysterious companion; the rose was gradually returning to her cheek, her lips seemed to tremble with reviving breath. There was only one word more strange to his ear than that which she had uttered, but an irresistible impulse sent forth the sound.

'Venetia!' he exclaimed.

The eyes of the maiden slowly opened; she stared around her with a vague glance