The Octopus - Frank Norris (novel24 .TXT) 📗

risen. Its great shield of gold stood over the eastern horizon. Within six feet of Vanamee, clear and distinct, against the disk of the moon, stood the figure of a young girl. She was dressed in a gown of scarlet silk, with flowing sleeves, such as Japanese wear, embroidered with flowers and figures of birds worked in gold threads. On either side of her face, making three-cornered her round, white forehead, hung the soft masses of her hair of gold. Her hands hung limply at her sides. But from between her parted lips—lips of almost an Egyptian fulness—her breath came slow and regular, and her eyes, heavy lidded, slanting upwards toward the temples, perplexing, oriental, were closed. She was asleep.

From out this life of flowers, this world of colour, this atmosphere oppressive with perfume, this darkness clogged and cloyed, and thickened with sweet odours, she came to him. She came to him from out of the flowers, the smell of the roses in her hair of gold, the aroma and the imperial red of the carnations in her lips, the whiteness of the lilies, the perfume of the lilies, and the lilies’ slender, balancing grace in her neck. Her hands disengaged the scent of the heliotrope. The folds of her scarlet gown gave off the enervating smell of poppies. Her feet were redolent of hyacinth. She stood before him, a Vision realised—a dream come true. She emerged from out the invisible. He beheld her, a figure of gold and pale vermilion, redolent of perfume, poised motionless in the faint saffron sheen of the new-risen moon. She, a creation of sleep, was herself asleep. She, a dream, was herself dreaming.

Called forth from out the darkness, from the grip of the earth, the embrace of the grave, from out the memory of corruption, she rose into light and life, divinely pure. Across that white forehead was no smudge, no trace of an earthly pollution—no mark of a terrestrial dishonour. He saw in her the same beauty of untainted innocence he had known in his youth. Years had made no difference with her. She was still young. It was the old purity that returned, the deathless beauty, the ever-renascent life, the eternal consecrated and immortal youth. For a few seconds, she stood there before him, and he, upon the ground at her feet, looked up at her, spellbound. Then, slowly she withdrew. Still asleep, her eyelids closed, she turned from him, descending the slope. She was gone.

Vanamee started up, coming, as it were, to himself, looking wildly about him. Sarria was there.

“I saw her,” said the priest. “It was Angele, the little girl, your Angele’s daughter. She is like her mother.”

But Vanamee scarcely heard. He walked as if in a trance, pushing by Sarria, going forth from the garden. Angele or Angele’s daughter, it was all one with him. It was She. Death was overcome. The grave vanquished. Life, ever-renewed, alone existed. Time was naught; change was naught; all things were immortal but evil; all things eternal but grief.

Suddenly, the dawn came; the east burned roseate toward the zenith. Vanamee walked on, he knew not where. The dawn grew brighter. At length, he paused upon the crest of a hill overlooking the ranchos, and cast his eye below him to the southward. Then, suddenly flinging up his arms, he uttered a great cry.

There it was. The Wheat! The Wheat! In the night it had come up. It was there, everywhere, from margin to margin of the horizon. The earth, long empty, teemed with green life. Once more the pendulum of the seasons swung in its mighty arc, from death back to life. Life out of death, eternity rising from out dissolution. There was the lesson. Angele was not the symbol, but the PROOF of immortality. The seed dying, rotting and corrupting in the earth; rising again in life unconquerable, and in immaculate purity,—Angele dying as she gave birth to her little daughter, life springing from her death,—the pure, unconquerable, coming forth from the defiled. Why had he not had the knowledge of God? Thou fool, that which thou sowest is not quickened except it die. So the seed had died. So died Angele. And that which thou sowest, thou sowest not that body that shall be, but bare grain. It may chance of wheat, or of some other grain. The wheat called forth from out the darkness, from out the grip of the earth, of the grave, from out corruption, rose triumphant into light and life. So Angele, so life, so also the resurrection of the dead. It is sown in corruption. It is raised in incorruption. It is sown in dishonour. It is raised in glory. It is sown in weakness. It is raised in power. Death was swallowed up in Victory.

The sun rose. The night was over. The glory of the terrestrial was one, and the glory of the celestial was another. Then, as the glory of sun banished the lesser glory of moon and stars, Vanamee, from his mountain top, beholding the eternal green life of the growing Wheat, bursting its bonds, and in his heart exulting in his triumph over the grave, flung out his arms with a mighty shout:

“Oh, Death, where is thy sting? Oh, Grave, where is thy victory?”

 

IV

 

Presley’s Socialistic poem, “The Toilers,” had an enormous success. The editor of the Sunday supplement of the San Francisco paper to which it was sent, printed it in Gothic type, with a scare-head title so decorative as to be almost illegible, and furthermore caused the poem to be illustrated by one of the paper’s staff artists in a most impressive fashion. The whole affair occupied an entire page. Thus advertised, the poem attracted attention. It was promptly copied in New York, Boston, and Chicago papers. It was discussed, attacked, defended, eulogised, ridiculed. It was praised with the most fulsome adulation; assailed with the most violent condemnation. Editorials were written upon it. Special articles, in literary pamphlets, dissected its rhetoric and prosody. The phrases were quoted,—were used as texts for revolutionary sermons, reactionary speeches. It was parodied; it was distorted so as to read as an advertisement for patented cereals and infants’ foods. Finally, the editor of an enterprising monthly magazine reprinted the poem, supplementing it by a photograph and biography of Presley himself.

Presley was stunned, bewildered. He began to wonder at himself. Was he actually the “greatest American poet since Bryant”? He had had no thought of fame while composing “The Toilers.” He had only been moved to his heart’s foundations,—thoroughly in earnest, seeing clearly,—and had addressed himself to the poem’s composition in a happy moment when words came easily to him, and the elaboration of fine sentences was not difficult. Was it thus fame was achieved? For a while he was tempted to cross the continent and go to New York and there come unto his own, enjoying the triumph that awaited him. But soon he denied himself this cheap reward. Now he was too much in earnest. He wanted to help his People, the community in which he lived—the little world of the San Joaquin, at grapples with the Railroad. The struggle had found its poet. He told himself that his place was here. Only the words of the manager of a lecture bureau troubled him for a moment. To range the entire nation, telling all his countrymen of the drama that was working itself out on this fringe of the continent, this ignored and distant Pacific Coast, rousing their interest and stirring them up to action— appealed to him. It might do great good. To devote himself to “the Cause,” accepting no penny of remuneration; to give his life to loosing the grip of the iron-hearted monster of steel and steam would be beyond question heroic. Other States than California had their grievances. All over the country the family of cyclops was growing. He would declare himself the champion of the People in their opposition to the Trust. He would be an apostle, a prophet, a martyr of Freedom.

But Presley was essentially a dreamer, not a man of affairs. He hesitated to act at this precise psychological moment, striking while the iron was yet hot, and while he hesitated, other affairs near at hand began to absorb his attention.

One night, about an hour after he had gone to bed, he was awakened by the sound of voices on the porch of the ranch house, and, descending, found Mrs. Dyke there with Sidney. The ex-engineer’s mother was talking to Magnus and Harran, and crying as she talked. It seemed that Dyke was missing. He had gone into town early that afternoon with the wagon and team, and was to have been home for supper. By now it was ten o’clock and there was no news of him. Mrs. Dyke told how she first had gone to Quien Sabe, intending to telephone from there to Bonneville, but Annixter was in San Francisco, and in his absence the house was locked up, and the overseer, who had a duplicate key, was himself in Bonneville. She had telegraphed three times from Guadalajara to Bonneville for news of her son, but without result. Then, at last, tortured with anxiety, she had gone to Hooven’s, taking Sidney with her, and had prevailed upon “Bismarck” to hitch up and drive her across Los Muertos to the Governor’s, to beg him to telephone into Bonneville, to know what had become of Dyke.

While Harran rang up Central in town, Mrs. Dyke told Presley and Magnus of the lamentable change in Dyke.

“They have broken my son’s spirit, Mr. Derrick,” she said. “If you were only there to see. Hour after hour, he sits on the porch with his hands lying open in his lap, looking at them without a word. He won’t look me in the face any more, and he don’t sleep. Night after night, he has walked the floor until morning. And he will go on that way for days together, very silent, without a word, and sitting still in his chair, and then, all of a sudden, he will break out—oh, Mr. Derrick, it is terrible—into an awful rage, cursing, swearing, grinding his teeth, his hands clenched over his head, stamping so that the house shakes, and saying that if S. Behrman don’t give him back his money, he will kill him with his two hands. But that isn’t the worst, Mr. Derrick. He goes to Mr. Caraher’s saloon now, and stays there for hours, and listens to Mr. Caraher. There is something on my son’s mind; I know there is—something that he and Mr. Caraher have talked over together, and I can’t find out what it is. Mr. Caraher is a bad man, and my son has fallen under his influence.” The tears filled her eyes. Bravely, she turned to hide them, turning away to take Sidney in her arms, putting her head upon the little girl’s shoulder.

“I—I haven’t broken down before, Mr. Derrick,” she said, “but after we have been so happy in our little house, just us three— and the future seemed so bright—oh, God will punish the gentlemen who own the railroad for being so hard and cruel.”

Harran came out on the porch, from the telephone, and she interrupted herself, fixing her eyes eagerly upon him.

“I think it is all right, Mrs. Dyke,” he said, reassuringly. “We know where he is, I believe. You and the little tad stay here, and Hooven and I will go after him.”

About two hours later, Harran brought Dyke back to Los Muertos in Hooven’s wagon. He had found him at Caraher’s saloon, very drunk.

There was nothing maudlin about Dyke’s drunkenness. In him the alcohol merely roused the spirit of evil, vengeful, reckless.

As the wagon passed out from under the eucalyptus trees about the ranch house, taking Mrs. Dyke,