Toilers of the Sea - Victor Hugo (best free novels .TXT) 📗

cold, fatigue, powerlessness, prayer, and darkness, and his eyes closed. VII THE APPEAL IS HEARD

Some hours passed.

The sun rose in an unclouded sky.

Its first ray shone upon a motionless form upon the Great Douvre. It was Gilliatt.

He was still outstretched upon the rock.

He was naked, cold, and stiff; but he did not shiver. His closed eyelids were wan. It would have been difficult for a beholder to say whether the form before him was not a corpse.

The sun seemed to look upon him.

If he were not dead, he was already so near death that the slightest cold wind would have sufficed to extinguish life.

The wind began to breathe, warm and animating: it was the opening breath of May.

Meanwhile the sun ascended in the deep blue sky; its rays, less horizontal, flushed the sky. Its light became warmth. It enveloped the slumbering form.

Gilliatt moved not. If he breathed, it was only that feeble respiration which could scarcely tarnish the surface of a mirror.

The sun continued its ascent; its rays striking less and less obliquely upon the naked man. The gentle breeze which had been merely tepid became hot.

The rigid and naked body remained still without movement; but the skin seemed less livid.

The sun, approaching the zenith, shone almost perpendicularly upon the plateau of the Douvres. A flood of light descended from the heavens; the vast reflection from the glassy sea increased its splendour: the rock itself imbibed the rays and warmed the sleeper.

A sigh raised his breast.

He lived.

The sun continued its gentle offices. The wind, which was already the breath of summer and of noon, approached him like loving lips that breathed upon him softly.

Gilliatt moved.

The peaceful calm upon the sea was perfect. Its murmur was like the droning of the nurse beside the sleeping infant. The rock seemed cradled in the waves.

The sea-birds, who knew that form, fluttered above it; not with their old wild astonishment, but with a sort of fraternal tenderness. They uttered plaintive cries: they seemed to be calling to him. A sea-mew, who no doubt knew him, was tame enough to come near him. It began to caw as if speaking to him. The sleeper seemed not to hear. The bird hopped upon his shoulder, and pecked his lips softly.

Gilliatt opened his eyes.

The birds dispersed, chattering wildly.

Gilliatt arose, stretched himself like a roused lion, ran to the edge of the platform, and looked down into the space between the two Douvres.

The sloop was there, intact; the stoppage had held out; the sea had probably disturbed it but little.

All was saved.

He was no longer weary. His powers had returned. His swoon had ended in a deep sleep.

He descended and baled out the sloop, emptied the hold, raised the leakage above the water-line, dressed himself, ate, drank some water, and was joyful.

The gap in the side of his vessel, examined in broad daylight, proved to require more labour than he had thought. It was a serious fracture. The entire day was not too much for its repair.

At daybreak on the morrow, after removing the barrier and re-opening the entrance to the defile, dressed in the tattered clothing which had served to stop the leak, having about him Clubin's girdle and the seventy-five thousand francs, standing erect in the sloop, now repaired, by the side of the machinery which he had rescued, with a favourable breeze and a good sea, Gilliatt pushed off from the Douvres.

He put the sloop's head for Guernsey.

At the moment of his departure from the rocks, any one who had been there might have heard him singing, in an undertone, the air of "Bonnie Dundee."

PART III.—DÉRUCHETTE BOOK I NIGHT AND THE MOON I THE HARBOUR BELL

The St. Sampson of the present day is almost a city; the St. Sampson of forty years since was almost a village.

When the winter evenings were ended and spring had come, the inhabitants were not long out of bed after sundown. St. Sampson was an ancient parish which had long been accustomed to the sound of the curfew-bell, and which had a traditional habit of blowing out the candle at an early hour. Those old Norman villages are famous for early roosting, and the villagers are generally great rearers of poultry.

The people of St. Sampson, except a few rich families among the townsfolk, are also a population of quarriers and carpenters. The port is a port of ship repairing. The quarrying of stone and the fashioning of timber go on all day long; here the labourer with the pickaxe, there the workman with the mallet. At night they sink with fatigue, and sleep like lead. Rude labours bring heavy slumbers.

One evening, in the commencement of the month of May, after watching the crescent moon for some instants through the trees, and listening to the step of Déruchette, walking alone in the cool air in the garden of the Bravées, Mess Lethierry had returned to his room looking on the harbour, and had retired to rest; Douce and Grace were already a-bed. Except Déruchette, the whole household were sleeping. Doors and shutters were everywhere closed. Footsteps were silent in the streets. Some few lights, like winking eyes about to close in rest, showed here and there in windows in the roofs, indicating the hour of domestics going to bed. Nine had already struck in the old Romanesque belfry, surrounded by ivy, which shares with the church of St. Brélade at Jersey the peculiarity of having for its date four ones (IIII), which are used to signify eleven hundred and eleven.

The popularity of Mess Lethierry at St. Sampson had been founded on his success. The success at an end, there had come a void. It might be imagined that ill-fortune is contagious, and that the unsuccessful have a plague, so rapidly are they put in quarantine. The young men of well-to-do families avoided Déruchette. The isolation around the Bravées was so complete that its inmates had not even yet heard the news of the great local event which had that day set all St. Sampson in a ferment. The rector of the parish, the Rev. Ebenezer Caudray, had become rich. His uncle, the magnificent Dean of St. Asaph, had just died in London. The news had been brought by the mail sloop, the Cashmere, arrived from England that very morning, and the mast of which could be perceived in the roads of St. Peter's Port. The Cashmere was to depart for Southampton at noon on the morrow, and, so the rumour ran, to convey the reverend gentleman, who had been suddenly summoned to England, to be present at the official opening of the will, not to speak of other urgent matters connected with an important inheritance. All day long St. Sampson had been conversing on this subject. The Cashmere, the Rev. Ebenezer, his deceased uncle, his riches, his departure, his possible preferment in the future, had formed the foundations of that perpetual buzzing. A solitary house, still uninformed on these matters, had remained at peace. This was the Bravées.

Mess Lethierry had jumped into his hammock, and lay down in his clothing.

Since the catastrophe of the Durande, to get into his hammock had been his resource. Every captive has recourse to stretching himself upon his pallet, and Mess Lethierry was the captive of his grief. To go to bed was a truce, a gain in breathing time, a suspension of ideas. He neither slept nor watched. Strictly speaking, for two months and a half—for so long was it since his misfortune—Mess Lethierry had been in a sort of somnambulism. He had not yet regained possession of his faculties. He was in that cloudy and confused condition of intellect with which those are familiar who have undergone overwhelming afflictions. His reflections were not thought, his sleep was no repose. By day he was not awake, by night not asleep. He was up, and then gone to rest, that was all. When he was in his hammock forgetfulness came to him a little. He called that sleeping. Chimeras floated about him, and within him. The nocturnal cloud, full of confused faces, traversed his brain. Sometimes it was the Emperor Napoleon dictating to him the story of his life; sometimes there were several Déruchettes; strange birds were in the trees; the streets of Lons-le-Saulnier became serpents. Nightmares were the brief respites of despair. He passed his nights in dreaming, and his days in reverie.

Sometimes he remained all the afternoon at the window of his room, which looked out upon the port, with his head drooping, his elbows on the stone, his ears resting on his fists, his back turned to the whole world, his eye fixed on the old massive iron ring fastened in the wall of the house, at only a few feet from his window, where in the old days he used to moor the Durande. He was looking at the rust which gathered on the ring.

He was reduced to the mere mechanical habit of living.

The bravest men, when deprived of their most cherished idea, will come to this. His life had become a void. Life is a voyage; the idea is the itinerary. The plan of their course gone, they stop. The object is lost, the strength of purpose gone. Fate has a secret discretionary power. It is able to touch with its rod even our moral being. Despair is almost the destitution of the soul. Only the greatest minds resist, and for what?

Mess Lethierry was always meditating, if absorption can be called meditation, in the depth of a sort of cloudy abyss. Broken words sometimes escaped him like these, "There is nothing left for me now, but to ask yonder for leave to go."

There was a certain contradiction in that nature, complex as the sea, of which Mess Lethierry was, so to speak, the product. Mess Lethierry's grief did not seek relief in prayer.

To be powerless is a certain strength. In the presence of our two great expressions of this blindness—destiny and nature—it is in his powerlessness that man has found his chief support in prayer.

Man seeks succour from his terror; his anxiety bids him kneel. Prayer, that mighty force of the soul, akin to mystery. Prayer addresses itself to the magnanimity of the Shades; prayer regards mystery with eyes themselves overshadowed by it, and beneath the power of its fixed and appealing gaze, we feel the possibility of the great Unknown unbending to reply.

The mere thought of such a possibility becomes a consolation.

But Mess Lethierry prayed not.

In the time when he was happy, God existed for him almost in visible contact. Lethierry addressed Him, pledged his word to Him, seemed at times to hold familiar intercourse with Him. But in the hour of his misfortune, a phenomenon not infrequent—the idea of God had become eclipsed in his mind. This happens when the mind has created for itself a deity clothed with human qualities.

In the state of mind in which he existed, there was for Lethierry only one clear vision—the smile of Déruchette. Beyond this all was dark.

For some time, apparently on account of the loss of the Durande, and of the blow which it had been to them, this pleasant smile had been rare. She seemed always thoughtful. Her birdlike playfulness, her childlike ways, were gone. She was never seen now in the morning, at the sound of the cannon which announced daybreak, saluting the rising sun with "Boom! Daylight! Come in, please!" At times her expression was very serious, a sad thing for that sweet nature. She made an effort, however, sometimes to laugh before Mess Lethierry and to divert him; but her cheerfulness grew tarnished from day to day—gathered dust like the wing of a butterfly with a pin through its body. Whether through sorrow for her uncle's sorrow—for there are griefs which are the reflections of other griefs—or whether for any other